This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century.
The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, popular and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors.
This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century.
1 From the Abstract World of Ideas to the Truest Possible Representation
of the Historical Event: An Introduction to Historical Art in the Long
Nineteenth Century 2 Painting the vie privée of Our Forefathers: The Dutch
and Flemish Schools as Models in the Formulation of New Visions of the Past
in Early Nineteenth-Century Painting 3 Delécluzes Augustus And Cinna:
Painting and Performing Rome at the End of the Napoleonic Empire 4 The Exact
Moment: Representing History in Delaroches Assassination of the Duc de
Guise 5 Spanish Painting: Recreating a Perceived Golden Age 6 To Conjure Up
the Spirits of the Past: German Romantic History Painting in America 7 The
Relativity of History: The Pre-Raphaelite Rhetoric of Time 8 Beyond the Ten
Complete Military Victories: Images of Battle in the Late-Qing Period 9 Jan
Matejko and Polish Historical Painting 10 Representing the Finnish Past:
Heritage and the World of the Ancient Finn 11 A Lady So Long Deceased: The
Death of the Historical Muse in Australian Painting, 18801911 12 History as
You Go: Mobility, Photography, and the Visibility of the Past in Late Ottoman
Print Space
Matthew C. Potter is Professor in Art and Design History at Northumbria University.
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