Atjaunināt sīkdatņu piekrišanu

E-grāmata: Researching Art Markets: Past, Present and Tools for the Future

Edited by , Edited by , Edited by
Citas grāmatas par šo tēmu:
  • Formāts - EPUB+DRM
  • Cena: 47,58 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
Citas grāmatas par šo tēmu:

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

Researching Art Markets brings together a scholars from several, various disciplinary perspectives. In doing so, this collection offers a unique multi-disciplinary contribution that disentangles some of the key aspects and trends in art market practices from the past to nowadays, namely art collectors, the artist as an entrepreneur and career paths, and the formation and development of new markets.

In understanding the global art market as an ecosystem, the book also examines how research and perceptions have evolved over time. Within the frameworks of contemporary social, economic and political contexts, issues such as business practices, the roles of market participants and the importance of networks are analysed by scholars of different disciplines. With insights from across the humanities and social sciences, the book explores how different methods can coexist to create an interdisciplinary international community of knowledge and research on art markets. Moreover, by providing historical as well as contemporary examples, this book explores the continuum and diversity of the art market.

Overall, this book provides a valuable tool for understanding art markets within their wider context. The volume is of interest to scholars researching into the cultural and creative industries from a wider perspective.
List of illustrations
viii
Acknowledgements xi
List of contributors
xiii
Introduction 1(10)
Elisabetta Lazzaro
Nathalie Moureau
Adriana Turpin
PART 1 The art collector
11(62)
1 The Artist Collector---A Dual Actor In The Artistic Scene: The Example Of Bernar Venet's Collection
13(11)
Gwendoline Corthier-Hardoin
2 Walpole And The Creation Of A Market In Britain For Ebony Furniture From The East
24(13)
Adriana Turpin
3 African Art Acquisitions At Tate: A Case Study On The Influence Of External Parties On The Collecting Of African Contemporary Art
37(14)
Stephanie Dieckvoss
4 Art Malls And Popular Collecting In Post-Socialist China
51(12)
I-Yi Hsieh
5 Perspectives Of Private Contemporary Art Collecting In Brazil
63(10)
Nei Vargas Da Rosa
PART 2 Artists as entrepreneurs and their career paths
73(66)
6 Art Market Stakeholders' Actions And Strategies For The Co-Creation Of Artists' Brands
75(11)
Francesco Angelini
Massimiliano Castellani
7 A Behavioural Approach To Understanding The Artist As Entrepreneur
86(13)
Bronwyn Coate
Robert Hoffmann
Pia Arenius
Swee-Hoon Chuah
8 Artists' Promotion And Internationalisation: A Fair's Perspective
99(13)
Elisabetta Lazzaro
Nathalie Moureau
9 Disregarded Or Adored? Remarks On Art Market Responses To Women Artists Behind The Iron Curtain
112(14)
Marcela Rusinko
10 Mapping The Art Market In Denmark
126(13)
Trine Bille
PART 3 The formation and development of new markets
139(69)
11 Information Efficiency In Art Markets Past And Present
141(11)
Darius A. Speith
12 Bought-In At English Auction: Sellers Testing Their Estimates In A Maturing Market
152(16)
Elisabetta Lazzaro
Benedicte Miyamoto
13 From The Artist's Studio To The Amateur's Portfolio: The Modern Drawing Market And Collecting In Early Nineteenth-Century Paris
168(14)
Sarah Bakkali
14 The Strategy Of A New Material: The Demidoff Family And Malachite
182(12)
Ludmila Budrina
15 New Markets For Old Items: Selling Aristocratic Collections Of Art And Antiquities In Interwar Slovenia
194(14)
Renata Komic Marn
Tina Kosak
Index 208
Elisabetta Lazzaro is Professor of Creative and Cultural Industries Management at the Business School for the Creative Industries, University for the Creative Arts, UK, and Executive Board Member of the Association for Cultural Economics International (ACEI).

Nathalie Moureau is Professor of Economics at University Paul Valéry Montpellier 3, France, where she is also Researcher at RiRRA21.

Adriana Turpin teaches the history of collecting and art market studies at IESA, Paris. She is Chairman of the Society for the History of Collecting.