Klientu atbalsts: 27018494

Grāmatu iegāde | Jauns profils | Ienākt

E-grāmata: Rhetoric of the Page

3.33/5 (6 ratings by Goodreads)

Laurie Maguire (Professor of English, Oxford University and Tutorial Fellow, Magdalen College)

Formāts: 243 pages
Izdošanas datums: 03-Nov-2020
Izdevniecība: Oxford University Press
Valoda: eng
ISBN-13: 9780192606686

Citas grāmatas par šo tēmu:

Formāts - PDF+DRM
Cena: 34,18 €*
* ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
Ielikt grozā
Pievienot vēlmju sarakstam
Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.

Formāts: 243 pages
Izdošanas datums: 03-Nov-2020
Izdevniecība: Oxford University Press
Valoda: eng
ISBN-13: 9780192606686

Citas grāmatas par šo tēmu:

DRM restrictions

Kopēšana (kopēt/ievietot):

nav atļauts
Drukāšana:

nav atļauts
Lietošana:

Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

Nepieciešamā programmatūra
Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

This wide-ranging and entertaining book explores blank space from incunabula to Google books. Blanks are a paradox--simultaneously nothing and something, gesturing to what was once there or might be there. They are also a creative opportunity for readers as well as writers: readers respond to what is not there and writers come to anticipate that response. Thus, blank space develops literary and ludic applications.

Each chapter focuses on one typographical form of what is not there on the page: physical gaps (Chapter One), marks of incompletion such as &c (Chapter Two), and the asterisk as a stand-in for things that cannot be said (Chapter Three). By looking at the early-modern page as a visual unit as well as a verbal unit, this volume shows how the relationship between textual layout and textual content is as productive for writers as it is for readers. Mise-en-page influences readers in the same way that rhetoric influences readers. It is thus possible to speak of 'the rhetoric of the page'.

Recenzijas

The lively nature of The Rhetoric of the Page, which packages thorough and impressively wide-ranging bibliographical research and theoretically rich ideas into an impressively engaging and readable volume. * Anna Reynolds, The Spenser Review *

List of Illustrations

xix

Introduction: The Arts of Ostentation

(26)

Approaching the Blank

(5)

Naming the Blank

(3)

The Blank on Stage

(1)

Rhetoric

(3)

Varieties of Blank

(4)

Literary Blanks

(9)

1 `This Page Intentionally Left Blank'; or, the Apophatic Page

(1)

Introduction

(1)

PART I FILLING IN

(29)

The Interactive Reader

(3)

Medieval Scribes

(3)

Errata Lists

(2)

Supplementation and Omission

(3)

Literary Adoption/Adaptation

(1)

Personalization

(3)

Names and Initials

(4)

Censorship

(6)

Paper

(4)

PART II LEAVING OUT

(30)

Imperfect and Unfinished: Desunt Nonnulla

(5)

Gaps across Media

(3)

Authorial Uses of Gaps

(4)

The Comic Pay-Oft"

(1)

The Blank Page Writes Back

(5)

Blanks in Dramatic Manuscripts

(6)

Orlando Furioso

(2)

John of Bordeaux

(2)

Sir Thomas More

(2)

The Fascination of the Blank

(6)

PART III EDITING

(26)

Editing the Blank

(15)

Bernard Andre, The Life of Henry VII

(5)

Editing Medieval Drama and Poetry

(2)

Shakespeare, Sonnet 126

(1)

Digitizing the Blank

(3)

The Editorial Gloss

(1)

Editing George Peele, The Tale of Troy

100

(2)

Conclusion

102

(7)

2 Et Cetera/'Etcetera/' or, the Aposiopetic Page

109

(4)

Introduction

109

(4)

PART I INTERPRETATIONS

113

(30)

Bawdy and the Body

113

(10)

Substitutes

113

(5)

Apron-Strings

118

(2)

Women's &-caeteras

120

(2)

Rape

122

(1)

Interruption and Breaking Off

123

(12)

The Dash

123

(3)

Aposiopesis

126

(2)

Letters and Formulae

128

(3)

Aposiopesis (Continued)

131

(4)

Continuation

135

(1)

Stage Directions

136

(7)

Characters

136

(1)

Props

136

(1)

Sound

136

(1)

Action

137

(1)

Costume

137

(1)

Song

137

(3)

Improvisation

140

(3)

PART II COMPLEXITIES

143

(15)

Complications

143

(2)

`And so forth'

145

(4)

George Gascoigne

149

(1)

Edward Coke, Institutes

150

(2)

John Ford, Love's Sacrifice

152

(3)

Cue Words

155

(3)

Ben Jonson, Every Man in his Humour

155

(1)

Thomas Hey wood, A Woman Killed with Kindness

155

(3)

PART III EXTENSIONS

158

(14)

Extending Meaning

158

(7)

Exaggeration and Ambiguity

158

(1)

Sound: Bathos, Rhyme, Music

159

(2)

Location, Location, Location

161

(1)

Form

162

(3)

Continental &c-etceteras

165

(2)

Conclusion

167

(4)

3 The Asterisk; or, the Gnomic Page

171

(1)

Introduction

171

(1)

PART I REPRESENTATION

172

(33)

Representation I: Absence

172

(19)

Benjonson

172

(3)

Montaigne

175

(1)

George Saunders, Lincoln in the Bardo

176

(2)

The Eighteenth Century: Swift, Pope, Sterne

178

(5)

Swearing

183

(3)

Sterne (Continued)

186

(5)

Representation II: Presence

191

(14)

Flowers

191

(7)

Stars

198

(1)

Readers' Stars

199

(6)

PART II THE MARGIN

205

(17)

Occupying the Margin; or, a Star is Born

205

(3)

Dialogue

208

(2)

How to Read an Elizabethan Book

210

(7)

The Synaptic Asterisk

217

(5)

Ben Jonson, `To Thomas Palmer'

217

(2)

Reading Othello

219

(3)

PART III MEDIATION

222

(15)

Mediating Knowledge and Ignorance

222

(2)

Mediating Play and Book

224

(4)

John Fletcher and William Shakespeare, Two Noble Kinsmen

225

(1)

John Marston, The Malcontent

226

(2)

Tradition and Innovation

228

(9)

Jerome Rothenberg, Technicians of the Sacred

228

(3)

E. Nesbit, The Wouldbegoods

231

(6)

Epilogue

237

(14)

Print and Metaphor

237

(4)

Print and Punctuation

241

(1)

The Rhetoric of the Stage Page

242

(9)

Works Cited

251

(26)

Index

277

Laurie Maguire is Professor of Shakespeare at Oxford University and a Tutorial Fellow of Magdalen College. She is the author or co-author of ten books and fifty articles. She writes about Renaissance drama, classical reception, textual studies and medical humanities. She is a Trustee of Shakespeare's Globe. She was joint-winner of the 2014 Hoffman prize for her collaborative article with Emma Smith on Marlowe and Shakespeare.

Biežāk uzdotie jautājumi par e-grāmatām

Permanent link: https://www.kriso.lv/db/97801926066862e.html

Keywords:

E-grāmata: Rhetoric of the Page

DRM restrictions

Kopēšana (kopēt/ievietot):

Drukāšana:

Lietošana:

Recenzijas

Konts un iestatījumi

Meklēšana

Meklēt datubāzē

Refine By

Tēmas Ebook Subjects

Izvēlieties iepirkumu grozu