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E-grāmata: Rhetorics Haunting the National Mall: Displaced and Ephemeral Public Memories

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Rhetorics Haunting the National Mall: Displaced and Ephemeral Public Memories vividly illustrates that a nations history is more complicated than the simple binary of remembered/forgotten. Some parts of history, while not formally recognized within a commemorative landscape, haunt those landscapes by virtue of their ephemeral or displaced presence. Rather than being discretely contained within a formal sites, these memories remain public by lingering along the edges and within the crevices of commemorative landscapes. By integrating theories of haunting, place, and public memory, this collection demonstrates that the National Mall, often referred to as the nations front yard, might better be understood as the nations attic because it hides those issues we do not want to address but cannot dismiss. The neatly ordered installations and landscaping of the National Mall, if one looks and listens closely, reveal the messiness of US history. From the ephemeral memories of protests on the Mall to the displaced but persistent presences of inequality, each chapter in this book examines the ways in which contemporary public life in the US is haunted by incomplete efforts to close the book on the past.

Recenzijas

We are, as Roger C. Aden suggests in the introduction to Rhetorics Haunting the National Mall, forever haunted by the past. We cannot escape the past, even when parts of it are dispersed, displaced, and downplayed. There may be no more compelling example of this truth than the commemorative landscape of the National Mall, which is the apogee of official appeals to national memory. For even as its monuments of marble and stone aggressively tell one story of our nation, other stories can be heard in the spaces betwixt and between these national landmarks. In a truly innovative collection of essays, Rhetorics Haunting the National Mall thoughtfully explores these alternative stories, illuminating the complex and contested nature of public memory in the process. A truly fascinating and unexpected examination of the most famous landscape of memory in the US. -- Brian L. Ott, Texas Tech University The authors in this provocative volume work to disrupt the memorial space of the National Mall by invoking the various voices who have used this space as a site of dissent and contestation and by attending to the memorial spaces often downplayed for bypassed. In so doing, these authors remind us that invoking the past is never simple and that understanding the power of public memory requires careful attention to its rhetoric. -- Kendall R. Phillips, Syracuse University The impressive monuments in the heart of Washington, DC are familiar to most Americans. Rhetorics Haunting the National Mall is a highly original collection that actually reveals many events connected to this notable place that were displaced from public view. As such it reveals fractures in our national memory not apparent in the overall grandeur of the site. -- John Bodnar, Indiana University

Acknowledgments ix
PART I INTRODUCTION
1(14)
1 Haunting, Public Memories, and the National Mall
3(12)
Roger C. Aden
PART II AFFECTIVE PRESENCES OF EPHEMERAL MEMORIES
15(78)
2 Invoking the Spirits: A Rhetorical Seance
17(18)
Aaron Hess
A. Cheree Carlson
Carlos Flores
3 Before the National Mall: Coxey's Army and the Precedent for Public Protest
35(18)
Sean Luechtefeld
4 The Bonus Army March of 1932: Uneasy Legacies of Protest, Dissent, and Violence in American Memory
53(18)
Roger C. Aden
Kenneth E. Foote
5 The "Unmarked and Unremarked" Memories of the National Mall: Resurrection City and the Unreconciled History of the Civil Rights Movement as Radical Place-Making
71(22)
Ethan Bottone
Derek H. Alderman
Joshua Inwood
PART III FAINT TRACES OF DEFLECTED MEMORIES
93(114)
6 Haunting Dreams: Time and Affect in the Neoliberal Commemoration of "I Have a Dream"
95(20)
Michael P. Vicaro
7 The Haunting of "Forgotten" Places: Nineteenth-Century Slave-Pens on the National Mall
115(20)
Elizabethada A. Wright
8 The Portrait Monument's Emblematic and Tortured History
135(18)
Teresa Bergman
9 Which Souls Shall Haunt Us? Competing Genocidal Memoryscapes and the U.S. Holocaust Memorial Museum's Selective Colonial Memorializations
153(22)
Marouf Hasian Jr.
Stephanie Marek Muller
10 Oft' Remembered, Oft' Forgotten: Remembering James Garfield
175(18)
Theodore F. Sheckels
11 The National Gallery of Art: Remembering the Haunting Voices of the Ghosts
193(14)
Carl T. Hyden
PART IV CONCLUSION
207(16)
12 Confronting the Ghosts in the National Attic
209(14)
Roger C. Aden
Index 223(6)
About the Editor 229(2)
About the Contributors 231
Roger C. Aden is professor in the School of Communication Studies at Ohio University.