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E-grāmata: Roads, Mobility, and Violence in Indigenous Literature and Art from North America [Taylor & Francis e-book]

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Roads, Mobility, and Violence in Indigenous Literature and Art from North America explores mobility, spatialized violence, and geographies of activism in a diverse archive of literary and visual art by Indigenous authors and artists. Building on Raymond Williams’s observation that "traffic is not only a technique; it is a form of consciousness and a form of social relations," this book pulls into focus racial, sexual, and environmental violence localized around roads. Reading this archive of texts next to lived struggles over spatial justice, Rymhs argues that roads are spaces of complex signification. For many Indigenous communities, the road has not often been so open. Recent Indigenous writing and visual art explores this tension between mobility and confinement. Drawing primarily on the work of Marie Clements, Tomson Highway, Marilyn Dumont, Leanne Simpson, Richard Van Camp, Kent Monkman, and Louise Erdrich, this volume examines histories of uprooting and violence associated with roads. Along with exploring these fraught histories of mobility, this book emphasizes various ways in which Indigenous communities have transformed roads into sites of political resistance and social memory.

List of Figures
ix
Introduction 1(18)
1 Mobility and Its Disenchantments in Marie Clements's The Unnatural and Accidental Women and Burning Vision
19(14)
2 Idling No More: The Road in Tomson Highway's The Rez Sisters
33(16)
3 Gridlock: Mobility and Subjection in Marilyn Dumont's Vancouver Poems
49(20)
4 "The Road Is Its Own Humiliation": Leanne Simpson's "Road Salt," "Leaks," "ishpadinaa," and "How to Steal a Canoe"
69(24)
5 "I wanted the highway": Richard Van Camp's "Dogrib Midnight Runners"
93(12)
6 Kent Monkman's The Big Four as Automobiography
105(13)
7 Across Borders: Louise Erdrich's Books and Islands in Ojibwe Country
118(16)
Arrivals 134(11)
Bibliography 145(12)
Index 157
Deena Rymhs (Ph.D. Queens University, 2004) is an associate professor of English at the University of British Columbia. She is author of From the Iron House: Imprisonment in First Nations Writing (2008) along with numerous published essays on Indigenous literature, Indigenous visual art, and ecocriticism. Her research has been funded by two national SSHRC grants, and she was awarded a Sproul Fellowship at University of California, Berkeley in 2016-17.