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Robert Winthrop Chanler: Discovering the Fantastic [Hardback]

Foreword by , Edited by , Edited by , Preface by
  • Formāts: Hardback, 256 pages, height x width x depth: 274x251x23 mm, weight: 1580 g, 200 Illustrations
  • Izdošanas datums: 03-May-2016
  • Izdevniecība: Monacelli Press
  • ISBN-10: 1580934579
  • ISBN-13: 9781580934572
  • Hardback
  • Cena: 48,15 €
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  • Formāts: Hardback, 256 pages, height x width x depth: 274x251x23 mm, weight: 1580 g, 200 Illustrations
  • Izdošanas datums: 03-May-2016
  • Izdevniecība: Monacelli Press
  • ISBN-10: 1580934579
  • ISBN-13: 9781580934572
In collaboration with Miamis Vizcaya Museum and Gardens, a rediscovery of a lost figure of American modernism - the early-twentieth-century American painter born into the Astor family, whose imagination and patrician clientele provide a fascinating artistic and biographical saga.



American modernism is populated with a cast of extraordinary characters, but few were as exuberant as Robert Winthrop Chanler, who made his artistic reputation with exotic and brilliantly colored lacquered screens and architectural interiors whose compositions feature fantastical avian, jungle, and aquatic creatures, many overlaid with iridescent metallic finishes.



Chanler painted what entertained and interested him, while attracting wealthy Gilded Age patrons and earning popular and critical acclaim at numerous exhibitions - including the 1905 Salon dAutomne, the show featuring paintings by les fauves, with Henri Matisse as their leader; and the legendary International Exhibition of Modern Art in New York City, popularly known as the 1913 Armory Show. But, despite such a prolific career and a fascinating body of work, Chanler quickly became an obscure figure after his death in 1930.



Robert Winthrop Chanler: Discovering the Fantastic is the first comprehensive examination in more than eighty years of an artist who straddled the divide between fine and decorative art, defined notions of originality and authorship during the birth of American modernism, and posthumously challenges twenty-first century preservationists through his idiosyncratic techniques and unorthodox material choices.



Co-published with Vizcaya Museum and Gardens, which preserves Chanlers fantastic undersea mural on the swimming pool grotto ceiling of the historic estate, the book includes essays that explore major commissions and conservation issues, all illustrated with new color photography, as well as a chronology and exhibition history, making this the definitive study on an indelible American modernist.

Recenzijas

It could be he's unknown to us because his murals and installations are hard to exhibit. They exist mainly in media-averse private buildings and out-of-the-way estates. Probably, too, because Gilded Age art isn't vogueish anymore. Such a perfect moment for this book, then, the first in 80 years to dust off the luxuriant work of this maverick, this all-but-forgotten rock star. - World of Interiors



The focus of Robert Winthrop Chanler: Discovering the Fantastic is the subjects gobsmackingly marvelous works of art. Folding screens, murals, stained-glass windows, portraits, and architectural details - namely a towering bronze-and-plaster chimneypiece for arts patron Gertrude Vanderbilt Whitney that was designed to resemble a furious fire blazing from baseboard to ceiling - were among Chanlers many creations, which often incorporated bizarrely magical, strangely malevolent evocations of the natural world. - Architectural Digest



I first learned about the artist Robert Winthrop Chanler during my research writing The World of Gloria Vanderbilt. The artist and Glorias aunt Gertrude Vanderbilt Whitney were great friends, and he designed the fantastical flame-licked fireplace in her Greenwich Village studio. Chanler was a bohemian aristocrat, related to Astors and Stuyvesants, but lived by his own rules, hardly a model of convention. This is the first major book on his life and art in many years, and I look forward to hours poring over every page. - New York Magazine's Design Hunting



Born in 1872, died in 1930, Robert Chanler was a brilliant artist. He worked in a variety of media-paint, lacquer, plaster - and a variety of formats - folding screens, murals, canvas. In New York and Europe, he ran with a swell crowd of influential artists and bohemians. The iconic Greenwich Village house of his friend, Gertrude Vanderbilt Whitney, features a spectacular Chanler fireplace. In a new book edited by Gina Wouters and Andrea Gollin, Robert Winthrop Chanler: Discovering the Fantastic, Chanlers life and work are detailed in a series of excellent essays by art historians, museum curators and family members. - Rural Intelligence



Chanler influenced modernism with his fluidity between hi and low, representation and imagination, and screens and sculptures. Robert Winthrop Chanler: Discovering the Fantastic is a welcome contribution to conversations we have about making art today - and what it means to call yourself avant-garde in 2016 given the modernism that came before us. - Miami Rail

Papildus informācija

Rediscovery of Robert Winthrop Chanler, an early twentieth century American painter whose fantastic imagination and patrician clientele provide a fascinating artistic and biographical saga.
Foreword 6(3)
Eve M. Kahn
Preface 9(4)
Joel M. Hoffman
Introduction 13(8)
Gina Wouters
Reclaiming an American Modernist
21(30)
Betsy Fahlman
Building the House of Fantasy
51(30)
Lauren Drapala
Setting the Stage: Chanler and the Armory Show
81(32)
Laurette E. McCarthy
The Bird Loggia
113(16)
Laurette E. McCarthy
Chanler and the Gilded Age
129(30)
Gina Wouters
Patronage, Design, and Meaning: The Whitney Fireplace
159(20)
Lizzie Frasco
Preserving the Fantastical
179(26)
Frank Matero
Chanler Through Generations: A Family Reminiscence
205(4)
J. Winthrop Aldrich
Preservation Challenges
209(14)
Lauren Reynolds Hall
Mary Betlejeski
Erin Moroney
Mary A. Jablonski
Notes 223(17)
Chronology 240(2)
Selected Extant Works 242(2)
Selected Exhibition History 244(4)
Acknowledgments 248(2)
Index 250(5)
Contributors 255
Gina Wouters is curator at Vizcaya Museum and Gardens. Responsible for the research and display of a multifaceted collection, Wouterss focus centers on the twentieth century, including the commissioning of contemporary artists in a Gilded Age context.







Andrea Gollin is an independent editor and writer working with Vizcaya, The Wolfsonian, High Museum of Art, and other institutions.







Vizcaya Museum and Gardens is a National Historic Landmark that preserves the Miami estate of agricultural industrialist James Deering. Built between 1914 and 1922, Vizcaya is one of the most intact remaining examples from this era in United States history.