"Romantic Futures is a collection which explores the significance of futurity in British Romanticism from a comparative perspective in three defining manifestations: the future as conscious legacy, by which is meant both influences or continuities and the (anticipations of) impact on the future; the future as revealed by prophecy, whether via religious figures or superstitions; and, a meditation on the temporality of the future, or the future as a concept. The book brings together a wide range of theoretical and disciplinary perspectives: from utopian studies, history, religion and cultural theory to future studies, neuroscience, video games and art history. Aiming to increase and diversify current critical engagement and highlight the contemporary relevance of the Romantics' multivalent preoccupation with the future, this collection renews the dialogue between Romanticism and our critical relation to its contemporaneity, especially as it speaks to current understandings of the future in the sciences, arts and humanities"--
Romantic Futures is a collection which explores the significance of futurity in British Romanticism from a comparative perspective in three defining manifestations: the future as conscious legacy, by which is meant both influences or continuities and the (anticipations of) impact on the future; the future as revealed by prophecy, whether via religious figures or superstitions; and, a meditation on the temporality of the future, or the future as a concept. The book brings together a wide range of theoretical and disciplinary perspectives: from utopian studies, history, religion and cultural theory to future studies, neuroscience, video games and art history. Aiming to increase and diversify current critical engagement and highlight the contemporary relevance of the Romantics multivalent preoccupation with the future, this collection renews the dialogue between Romanticism and our critical relation to its contemporaneity, especially as it speaks to current understandings of the future in the sciences, arts and humanities.
Romantic Futures explores the plurality and diversity of approaches, representations, and conceptions of the future in poetry, fiction, and other prose works of British Romanticism from a comparative and cross-disciplinary perspective
Recenzijas
This book is a peculiar time machine which, via a variety of routes that follow the pasts engagement with futurity, takes us back to the present. It looks back to the works of Macpherson, Blake, Scott, Keats, Mary and P.B. Shelley, and others, in order to look with and through them into the future, including our own times and beyond.
-Eliza Borkowska, Associate Professor, SWPS University of Social Sciences and Humanities, Poland
Introduction
Evy Varsamopoulou
Part One: The Future as Legacy
1. As a Modern Production It is Nothing: Macpherson and the Forging of
National Identity
Steve Clark
2. Into the Matrix of Cyberspace: The Survival of Romantic Myth
Naji Oueijan
3. Back to the Future
Mary-Antoinette Smith
Part Two: Visions of the Future
4. Scotts Seers: Predicting the Future in the Works of Walter Scott
Anna Fancett
5. Baseless Fabric: Joseph Priestley, World Religions, and the Future
Stephen Bygrave
6.Revolutionary Futures
Evy Varsamopoulou
Part Three: The Concept of Futurity
7. The Faith of the Faithless: Percy Bysshe Shelleys Notes for Queen Mab
(1813)
Alex Watson
8. From First Man to Last Man: Romanticisms Futures in Mary Shelleys
Proto-Dystopian Novels
Maria Varsam
9.Romantic Temporalities
Paul Hamilton
Afterword(s): 'Garland of Fragments': Romanticism and Utopia in Dialogue
Evy Varsamopoulou and Maria Varsam
Index
Evy Varsamopoulou is Associate Professor in Romanticism and Comparative Literature at the University of Cyprus. Her research and publications include articles and book chapters on Romanticism, comparative literature, ecocriticism, film, ethics, political philosophy, and aesthetics. She has published a monograph, The Poetics of the Künstlerinroman and the Aesthetics of the Sublime (Ashgate, 2002; Routledge, 2017), and edited special issues on the European tradition of the artist novel and on the future university for NewComparison (2002) and The European Legacy (2013), respectively. Her current research projects engage with issues of the future, truth, violence, and the environment in literature and film from a comparative perspective.
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