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Routledge Companion to Cyberpunk Culture [Hardback]

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Edited by , Edited by (Seneca College, Canada), Edited by (University of Glasgow, Scotland)
  • Formāts: Hardback, 454 pages, height x width: 254x178 mm, weight: 1029 g, 16 Halftones, black and white
  • Sērija : Routledge Media and Cultural Studies Companions
  • Izdošanas datums: 05-Dec-2019
  • Izdevniecība: Routledge
  • ISBN-10: 0815351933
  • ISBN-13: 9780815351931
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  • Bibliotēkām
  • Formāts: Hardback, 454 pages, height x width: 254x178 mm, weight: 1029 g, 16 Halftones, black and white
  • Sērija : Routledge Media and Cultural Studies Companions
  • Izdošanas datums: 05-Dec-2019
  • Izdevniecība: Routledge
  • ISBN-10: 0815351933
  • ISBN-13: 9780815351931
Citas grāmatas par šo tēmu:

In this companion, an international range of contributors examine the cultural formation of cyberpunk from micro-level analyses of example texts to macro-level debates of movements, providing readers with snapshots of cyberpunk culture and also cyberpunk as culture.

With technology seamlessly integrated into our lives and our selves, and social systems veering towards globalization and corporatization, cyberpunk has become a ubiquitous cultural formation that dominates our twenty-first century techno-digital landscapes. The Routledge Companion to Cyberpunk Culture traces cyberpunk through its historical developments as a literary science fiction form to its spread into other media such as comics, film, television, and video games. Moreover, seeing cyberpunk as a general cultural practice, the Companion provides insights into photography, music, fashion, and activism. Cyberpunk, as the chapters presented here argue, is integrated with other critical theoretical tenets of our times, such as posthumanism, the Anthropocene, animality, and empire. And lastly, cyberpunk is a vehicle that lends itself to the rise of new futurisms, occupying a variety of positions in our regionally diverse reality and thus linking, as much as differentiating, our perspectives on a globalized technoscientific world.

With original entries that engage cyberpunk’s diverse ‘angles’ and its proliferation in our life worlds, this critical reference will be of significant interest to humanities students and scholars of media, cultural studies, literature, and beyond.

Recenzijas

"The Routledge Companion to Cyberpunk Culture [ ...] makes for an excellent and accessible reference work for those interested in how techno-cultural changes made throughout our present information-saturated age have been addressed in science fiction and beyond. There is no other scholastic work on cyberpunk that goes as broad or runs as deep, and this will likely remain the case for quite some time."

-- Mark Player, University of Reading, from Configurations, Volume 28, Number 3, Summer 2020

"The Routledge Companion to Cyberpunk Culture is as thorough and careful a study of worldwide cyberpunk as we could have hoped it would be. The writing and the bibliographical apparatus are both of high quality, and the enthusiasm of the writers for their topics matches their professionalism [ ...]. Every companion volume is as much a spur toward conversation and argument as it is a compass reading in the field it tackles, and in that respect as in many others, this Companion represents a remarkable achievement."

-- Simone Caroti, Full Sail University, from Journal of the Fantastic in the Arts, Volume 30, Number 3, 2020

"Emphasizing such a far-reaching impact and manifestation of cyberpunk, this anthology is best suited for scholars seeking a helpful companion for undergraduate courses focused on this topic or emerging scholars desiring a guiding resource through this cultural terrain. Moving beyond the most influential cyberpunk texts, it provides a broader understanding of how cyberpunk permeates disparate genres and media including video games, music, fashion, role-playing games, manga and anime, comic books, novels, and films and therefore enables scholars to re-envision cyberpunk as not merely a North American genre of speculative fiction but instead in a more accurate sense as a global response to late capitalism."

-- Michael Pitts, from SFRA Review, vol. 52, no. 1, 241-42

List of Figures
xi
Acknowledgments xiii
Notes on Contributors xiv
1 Cyberpunk as Cultural Formation
1(4)
Anna McFarlane
Graham J. Murphy
Lars Schmeink
PART I Cultural Texts
5(248)
2 Literary Precursors
7(8)
Rob Latham
3 The Mirrorshades Collective
15(9)
Graham J. Murphy
4 Bruce Sterling: Schismatrix Plus (Case Study)
24(8)
Maria Goicoechea
5 Feminist Cyberpunk
32(9)
Lisa Yaszek
6 Pat Cadigan: Synners (Case Study)
41(7)
Ritch Calvin
7 Post-Cyberpunk
48(8)
Christopher D. Kilgore
8 Charles Stross: Accelerando (Case Study)
56(8)
Gerry Canavan
9 Steampunk
64(9)
Jess Nevins
10 Biopunk
73(8)
Lars Schmeink
11 Non-SF Cyberpunk
81(10)
Jaak Tomberg
12 Comic Books
91(10)
David M. Higgins
Matthew Lung
13 American Flagg! (Case Study)
101(6)
Corey K. Creekmur
14 Manga
107(12)
Shige (CJ) Suzuki
15 Early Cyberpunk Film
119(9)
Andrew M. Butler
16 Strange Days (Case Study)
128(6)
Anna McFarlane
17 Digital Effects in Cinema
134(10)
Lars Schmeink
18 Blade Runner 2049 (Case Study)
144(7)
Matthew Flisfeder
19 Anime
151(11)
Kumiko Saito
20 Akira and Ghost in the Shell (Case Study)
162(7)
Martin de la Iglesia
Lars Schmeink
21 Television
169(9)
Sherryl Vint
22 Max Headroom: Twenty Minutes into the Future (Case Study)
178(6)
Scott Rogers
23 Video Games
184(9)
Pawel Frelik
24 Dews Ex (Case Study)
193(7)
Christian Knoppler
25 Tabletop Roleplaying Games
200(9)
Curtis D. Carbonell
26 Shadowrun (Case Study)
209(7)
Hamish Cameron
27 Photography and Digital Art
216(12)
Grace Halden
28 Fashion
228(10)
Stina Attebery
29 Music
238(7)
Nicholas C. Laudadio
30 Janelle Monae: Dirty Computer (Case Study)
245(8)
Christine Capetola
PART II Cultural Theory
253(130)
31 Simulation and Simulacra
255(9)
Rebecca Haar
Anna McFarlane
32 Gothicism
264(9)
Anya Heise-von der Lippe
33 Posthumanism(s)
273(9)
Julia Grillmayr
34 Marxism
282(9)
Hugh Charles O'Connell
35 Cyborg Feminism
291(9)
Patricia Melzer
36 Queer Theory
300(8)
Wendy Gay Pearson
37 Critical Race Theory
308(9)
Isiah Lavender III
38 Animality
317(9)
Sean McCorry
39 Ecology in the Anthropocene
326(9)
Veronica Hollinger
40 Empire
335(9)
John Rieder
41 Indigenous Futurisms
344(9)
Corinna Lenhardt
42 Afrofuturism
353(9)
Isiah Lavender III
Graham J. Murphy
43 Veillance Society
362(11)
Chris Hables Gray
44 Activism
373(10)
Colin Milburn
PART III Cultural Locales
383(50)
45 Latin America
385(10)
M. Elizabeth Ginway
46 Cuba's Cyberpunk Histories
395(6)
Juan C. Toledano Redondo
47 Japan as Cyberpunk Exoticism
401(7)
Brian Ruh
48 India
408(7)
Suparno Banerjee
49 Germany
415(8)
Evan Tomer
50 France and Quebec
423(10)
Amy J. Ransom
Index 433
Anna McFarlane is a British Academy Postdoctoral Fellow at Glasgow University with a project entitled "Products of Conception: Science Fiction and Pregnancy, 1968-2015." She has worked on the Wellcome Trust-funded Science Fiction and the Medical Humanities project and holds a Ph.D. from the University of St Andrews on William Gibsons science fiction novels. She is the editor of Adam Roberts: Critical Essays (2016) and has served as blog and reviews editor for the journal BMJ Medical Humanities.

Graham J. Murphy is a professor with the School of English and Liberal Studies (Faculty of Arts) at Seneca College (Toronto). In addition to more than two dozen articles published in a variety of edited collections and peer-review journals, he is also co-editor of Cyberpunk and Visual Culture (2018), Beyond Cyberpunk: New Critical Perspectives (2010), and co-author of Ursula K. Le Guin: A Critical Companion (2006).

Lars Schmeink is project lead at the "Science Fiction" subproject of "FutureWork," a research network funded by the German Ministry of Education and Research. He was the inaugural president of the Gesellschaft für Fantastikforschung from 2010 to 19 and has published extensively on science fiction and posthumanism. He is the author of Biopunk Dystopias: Genetic Engineering, Society, and Science Fiction (2016) and co-editor of Cyberpunk and Visual Culture (2018).