"This important work offers an impressive array of topics that are skilfully tied together, from drama and dance to song and music, covering the historical to the contemporary. With a high level of quality scholarship running throughout, this is a book that should appear on every folklorists bookshelf." The Katharine Briggs Award (2022) Judges Report on the Shortlisted Entries.
"This is a rich and stimulating collection that deserves to be read and thought about widely, one fruitfully triggering questions and discussions that will play out across all future studies in these areas." - Folk Music Journal
"The editors have curated a pioneering collection of essays that brings together acknowledged experts in traditional drama, dance, music, song, custom and childrens lore. Tracing practices right through history from late medieval times up to revivals of the present day, they offer both a survey of and a rationale for folk performance. While modern revivals are frequently marked by the performers own interventions, the essays here reveal that has always been the practice and authenticity is an elusive chimera. This volume marks a turning point in our understanding of the folk arts." - David Atkinson, Editor of the Folk Music Journal
"This exemplary anthology of contemporary research on folk performing arts in England addresses a long felt need for a text that updates, informs, questions and inspires. Bringing together veteran and new scholars across various hues of history, performance studies and ethnography, this unique collection presents fresh and well-grounded insights into cultural labels and practices of folk drama, theatre, dance, song and music. Carefully framed to stimulate critical inquiry, the editors vision and commentaries, in tandem with the wealth of specially commissioned chapters, represent a turning point in folk performance publication. In short, there really is nothing else like this book available." - Professor Theresa Buckland, Editorial Consultant, Dance Research
"The work presents a penetrating collection of articles by 26 contributors that analyse the folk performing arts of drama, dance, song and music. In doing so, it promotes a profound vision of these related, interdependent and overlapping performing genres. The editors are to be complemented on the vision of the work and their astute selection and organisation of it. The collection is bound to become a standard work in its field and a necessary 'go to' book for both its information and sharp analysis." - Philip Butterworth, theatre historian, Visiting Scholar, School of History, University of Leeds, UK
