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E-grāmata: Routledge Companion to Gender and Sexuality in Comic Book Studies

Edited by (Distinguished University Professor at the Ohio State University.)
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The Routledge Companion to Gender and Sexuality in Comic Book Studies is a comprehensive, global and interdisciplinary examination of the essential relationship between Gender, Sexuality, Comics and Graphic Novels.



The Routledge Companion to Gender and Sexuality in Comic Book Studies is a comprehensive, global, and interdisciplinary examination of the essential relationship between Gender, Sexuality, Comics, and Graphic Novels.

A diverse range of international and interdisciplinary scholars take a closer look at how gender and sexuality have been essential in the evolution of comics, and how gender and sexuality in comics demand that we re-frame and re-view comics history. Chapters cover a wide array of intersectional topics including Queer Underground and Alternative comics, Feminist Autobiography, re-drawing disability, Latina testimony, and re-evaluating the critical whiteness and masculinity of superheroes in this first truly global reference text to gender and sexuality in comics.

Comics have always been an important place for the radical exploration of feminist and non-binary sexualities and identities, and the growth of non-normative comic book traditions as a field of inquiry makes this an essential text for upper-level undergraduates, postgraduates, and researchers studying Comics Studies, Women’s and Gender Studies, Literary Studies, and Cultural Studies.

Recenzijas

"Yet another milestone in Aldamas overturning of long held misconceptions that the world of comics and graphic novels lacks space for marginalized voices and diverse perspectives, this collection is essential reading for anyone studying and, more importantly, making comics. While taking a comprehensive look back at gender and sexuality in cartooning of the past, the carefully curated essays suggest a future for comics where previously underrepresented voices will all have equal opportunity to take center stage"

Matt Silady, Eisner-nominated comics creator and Chair of the MFA in Comics program, California College of the Arts

"A veritable cornucopia of sophisticated, intersectional analysis that digs deep into the history of the comics industry and the sequential art medium to examine how gender and sexuality have shaped our understanding of storytelling, our worldview, and ourselves. This is a necessary compendium that will continue to push comics forward."

Barbra Dillon, Fanbase Press Editor-in-Chief

"With its overarching intersectional framework used to investigate a medium uniquely suited for both personal exploration and collective expression, this volume goes way beyond a clichéd understanding of comics as a playground for pulp anxieties. A remarkably comprehensive tome on an elusive subject!"

Katie Skelly, award-winning comics creator and author of Maids with Fantagraphics "Yet another milestone in Aldamas overturning of long held misconceptions that the world of comics and graphic novels lacks space for marginalized voices and diverse perspectives, this collection is essential reading for anyone studying and, more importantly, making comics. While taking a comprehensive look back at gender and sexuality in cartooning of the past, the carefully curated essays suggest a future for comics where previously underrepresented voices will all have equal opportunity to take center stage"

Matt Silady, Eisner-nominated comics creator and Chair of the MFA in Comics program, California College of the Arts

"A veritable cornucopia of sophisticated, intersectional analysis that digs deep into the history of the comics industry and the sequential art medium to examine how gender and sexuality have shaped our understanding of storytelling, our worldview, and ourselves. This is a necessary compendium that will continue to push comics forward."

Barbra Dillon, Fanbase Press Editor-in-Chief

"With its overarching intersectional framework used to investigate a medium uniquely suited for both personal exploration and collective expression, this volume goes way beyond a clichéd understanding of comics as a playground for pulp anxieties. A remarkably comprehensive tome on an elusive subject!"

Katie Skelly, award-winning comics creator and author of Maids with Fantagraphics

List of illustrations xii
List of contributors xviii
Gender and sexuality in comics: the told, untold stories 1(12)
Frederick Luis Aldama
Part I Interrogating restrictive frames 13(94)
1 Translating masculinity: the significance of the frontier in American superheroes
15(13)
Patrick L. Hamilton
2 Black boys and black girls in comics: an affective and historical mapping of intertwined stereotypes
28(14)
Maaheen Ahmed
3 Pocket-sized pornography: representations of sexual violence and masculinity in Tijuana Bibles
42(12)
Erin Barry
4 The comic strip in advertising: persuasion, gender, sexuality
54(12)
Constance de Silva
5 Real men choose vasectomy: questioning and redefining Mexican national masculinity in Los supermachos, from Rius to anonymous authors
66(12)
Annick Pellegrin
6 Marriage, domesticity and superheroes (for better or worse)
78(12)
Jeffrey A. Brown
7 "Is that a monster between your legs or are ya just happy to see me?": sex, subjectivity, and the superbody in the Marvel Swimsuit Special
90(17)
Anna F. Peppard
Part II Ethnoracial queer and feminist space clearing gestures 107(60)
8 Life out loud in the closet: the grotesque as Latinx imagination in Cristy C. Road's Spit and Passion
109(10)
Jennifer Caroccio Maldonado
9 Graphic (narrative) presentations of violence against Indigenous women: responses to the MMIW crisis in North America
119(15)
James J. Donahue
10 From "accidental" autobiography to comics activism: tracing the development of an Andalusian-Chinese feminism in the work of comics artist Quan Zhou
134(15)
Jennifer Nagtegaal
11 Plea deal compounds: Black women's anger in "the system" of Bitch Planet
149(18)
Katlin Marisol Sweeney
Part III Back to the future 167(88)
12 Panels of innocence and experience: reading sexual subjectivity through horror comics
169(12)
Sara Austin
13 Teenage biology 101: serializing a queer girlhood in Ariel Schrag's Potential
181(15)
Rachel R. Miller
14 Genre, gender, sexual, textual and visual, and real representations in Bande Dessinee
196(17)
Chris Reyns-Chikuma
15 A comics Ecriture Feminine: Anke Feuchtenberger's feminist graphic expression
213(15)
Elizabeth Nijdam
16 "I'm trapped in here!": Gender performativity and affect in Emma Rios's I.D.
228(12)
Mikel Bermello Isusi
17 Empirical looking: situating the multiple elements of Radioactive: Marie & Pierre Curie, A Tale of Love and Fallout as vehicles for articulating a place for women in science
240(15)
Lisa DeTora
Part IV Counterpublics 255(108)
18 From anodyne animals to filthy beasts: defying and defiling safety, sanctity, and sexual suppression in underground animal comics
257(17)
Daniel F. Yezbick
19 Wonder Woman's complicated relationship with feminism
274(11)
George Thomas
20 "Part of something bigger": Ms./Captain Marvel
285(12)
Carolyn Cocca
21 Higher, further, faster baby!: The feminist evolution of Carol Danvers from comics to film
297(13)
Sam Langsdale
22 Female fans, female creators, and female superheroes: the semiotics of changing gender dynamics
310(19)
Angela Ndalianis
23 Public-facing feminisms: subverting the lettercol in Bitch Planet
329(12)
Brenna Clarke Gray
24 "I'd like everything that's bad for me!": Tank Girl's cracks in patriarchal pop culture
341(11)
Susan Kerns
25 Falling in or stepping out: little red formation as agentic gender construction in Lumberjanes
352(11)
Karly Marie Grice
Part V Worldly interventions 363(94)
26 "A revelation not of the flesh, but of the mind": performing,queer textuality in Alison Bechdel's Fun Home
365(10)
Maite Urcaregui
27 Blood, or: gender and nation in the contemporary Polish comic
375(15)
Kalina Kupczynska
28 My grandmother collects memories: gender and remembrance in Hispanic graphic narratives
390(13)
Radmila Stefkova
29 Feminist riots and gay giants: the Mayo Feminista and cultural context of contemporary Queer Chilean comics
403(15)
Sam Cannon
30 Questioning obscenity: the place of "pussy" in manga and the world
418(11)
Lindsey Stirek
31 See him, see her, see Xir: LGBTQ visibility in shonen manga at the turn of the century
429(12)
Zachary Michael Lewis Dean
32 An age of sparkle and drama: exploring gender identities and cultural narratives in 1970s shojo manga
441(16)
Lorna Piatti-Farnell
Part VI Queer and feminist intermedial textures 457(91)
33 Representing the extreme end-point of sexual violence: ethical strategies in Phoebe Gloeckner's La Tristeza
459(10)
Rebecca Scherr
34 The people upstairs: space, memory, and the queered family in My Favorite Thing Is Monsters by Emil Ferris
469(14)
Shiamin Kwa
35 Fat bats, postpunks, and ice witches: Afrogoth and the undead music of Militia Vox and the comix of Calyn Pickens Rich
483(20)
Deborah Elizabeth Whaley
36 Catherine Meurisse and the gender of art
503(13)
Margaret C. Flinn
37 My life with toys: an academic Esai into the queer multipurposing of toys as interrupted by the author's life
516(9)
Jonathan Alexandratos
38 "Bobby...you're gay": Marvel's Iceman, performativity, continuity, and queer visibility
525(23)
Bryan Bove
Index 548
Frederick Luis Aldama is Distinguished University Professor at the Ohio State University. He is the award-winning author, co-author, and editor of over 40 books, including the Eisner Award-winning Latinx Superheroes in Mainstream Comics. He is the editor of nine book series, including Latinographix, a trade-press series that publishes Latinx graphic fiction and nonfiction. He is creator of the first documentary on the history of Latinx superheroes in comics (Amazon Prime) and co-founder and director of SÕL-CON: Brown & Black Comix Expo. He is the founder and director of the Obama White House award-winning LASER: Latinx Space for Enrichment & Research as well as the founder and co-director of the Humanities & Cognitive Sciences High School Summer Institute. He holds joint appointments in English, Spanish, and Portuguese and is faculty affiliate in Film Studies and the Center for Cognitive and Brain Sciences. In 2020, he debuted his first childrens book, The Adventures of Chupacabra Charlie.