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ix | |
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xi | |
Notes on Contributors |
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xii | |
Acknowledgments |
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xxii | |
Introduction: Global Popular Culture |
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1 | (12) |
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13 | (10) |
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2 Theoretically Accounting for Television Formats in the New International Division of Cultural Labour |
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23 | (13) |
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36 | (9) |
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4 Audiences: The Lived Experience of Popular Culture |
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45 | (11) |
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5 The Media and Democratization |
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56 | (10) |
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6 Participation (Un)Limited: Social Media and the Prospects of a Common Culture |
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66 | (11) |
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7 Designing Affective Consumers: Emotion Analysis in Market Research |
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77 | (16) |
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93 | (10) |
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9 Roland Barthes's Mythologies: A Breakthrough Contribution to the Study of Mass Culture |
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103 | (9) |
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112 | (7) |
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119 | (9) |
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12 Celebrities in Global Development |
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128 | (9) |
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13 Relationbits: You, Me and the Other |
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137 | (12) |
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14 Studying Change in Popular Culture: A "Middle-Range" Approach |
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149 | (10) |
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15 Externalism and Linked Brains: Popular Culture as a Knowledge-Creating Deme |
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159 | (16) |
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16 De Do Do Do, De Da Da Dadaism: Popular Culture and the Avant-Garde |
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175 | (12) |
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17 Privatization Is the New Black: Quality Television and the Re-Fashioning of the U.S. Prison Industrial Complex |
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187 | (10) |
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18 The Money Shot in Feminist Queer and Mainstream Pornographies |
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197 | (10) |
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19 The Horrors of Slavery and Modes of Representation in Amistad and 12 Years a Slave |
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207 | (22) |
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20 Black Frankenstein and Racial Neoliberialism in Contemporary American Cinema: Reanimating Racial Monsters in Changing Lanes |
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229 | (15) |
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21 Nonverbal Signals as Key to Howard Hawks' Cinema: The Importance of Adaptors in His Girl Friday |
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244 | (15) |
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22 The Labor of Classical Maternal Melodramas |
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259 | (9) |
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23 Agitprop Rap? "Ill Manors" and the Impotent Indifference of Social Protest |
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268 | (14) |
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24 World Music: The Fabrication of a Genre |
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282 | (10) |
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25 The Shifting Boundaries of Jazz and/in Popular Culture |
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292 | (9) |
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26 Body, Space and Authenticity in Shakira's Video for "My Hips Don't Lie" |
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301 | (7) |
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27 "We Cannot Live in Our Own Neighborhood": An Approach to the Construction of Intercultural Communication in Television News |
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308 | (15) |
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28 Online Tabloid Newspapers |
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323 | (10) |
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29 Media Representation of Science and Health: The Case of Coma |
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333 | (9) |
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30 Mass Movement: Popular Culture and the End of the Corset |
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342 | (14) |
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31 Shirley Temple: Child Star |
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356 | (10) |
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32 Retro in Contemporary Bombay Cinema |
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366 | (13) |
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33 The Personal Is Political: The Political Economy of Noncommercial Radio Broadcasting in the United States |
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379 | (9) |
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34 Little Hollywoods: The Cultural Impacts of Runaway Film Production |
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388 | (9) |
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35 The Next Ronald Reagan? Celebrity, Social Entrepreneurism, and the Case of Brazilian TV Host Luciano Huck |
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397 | (10) |
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36 Solidarity Matters: Global Solidarity, Revolution and Indigenous Peoples in Latin America |
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407 | (10) |
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37 Performing Native Identities: Human Displays and Indigenous Activism in Marcos' Philippines |
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417 | (9) |
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38 "Like" It or Not: The Impact of Facebook and Social Networking Sites on Adolescents' Responses to Peer Influence |
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426 | (10) |
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39 Gallipoli, Tourism and Australian Nationalism |
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436 | (13) |
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40 `Creativity Is for People -- Art's for Posh People': Popular Culture and the UK's New Labour Government |
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449 | (9) |
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41 The Politics and Possibilities of Media Reform: Lessons from the UK |
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458 | (13) |
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42 Spaces of Emotions: Technology, Media and Affective Activism |
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471 | (10) |
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43 Asian Popular Culture Review |
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481 | (11) |
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44 Capitals without Countries: Cairo and Beirut in English |
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492 | (8) |
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45 La Sape: Fashion and Performance |
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500 | (10) |
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46 "Popular Culture" in a Changing Brazil |
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510 | (9) |
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Index |
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519 | |