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E-grāmata: Routledge Companion to Music and Visual Culture [Taylor & Francis e-book]

Edited by (University of Sheffield, UK), Edited by (Clark Art Institute, USA)
  • Formāts: 414 pages
  • Sērija : Routledge Music Companions
  • Izdošanas datums: 25-Apr-2019
  • Izdevniecība: Routledge
  • ISBN-13: 9780203629987
Citas grāmatas par šo tēmu:
  • Taylor & Francis e-book
  • Cena: 266,81 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 381,15 €
  • Ietaupiet 30%
  • Formāts: 414 pages
  • Sērija : Routledge Music Companions
  • Izdošanas datums: 25-Apr-2019
  • Izdevniecība: Routledge
  • ISBN-13: 9780203629987
Citas grāmatas par šo tēmu:

As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts:

  • Starting Points
  • Methodologies
  • Reciprocation – the musical in visual culture and the visual in musical culture
  • Convergence –in metaphor, in conception, and in practice
  • Hybrid Arts

This reference work speaks to the important questions concerning this burgeoning field of research –what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.

List of Illustrations
ix
Preface xi
Notes on Contributors xiv
Introduction 1(4)
Tim Shephard
Anne Leonard
PART I Starting Points
5(20)
1 Seeing Music
7(6)
Richard Leppert
2 Synaesthesia
13(12)
Simon Shaw-Miller
PART II Methodologies
25(60)
3 Art History for Musicologists
27(8)
Charlotte De Mille
4 Musicology for Art Historians
35(8)
Jonathan Hicks
5 Iconography
43(7)
Robert L. Kendrick
6 Cultural History
50(9)
Marsha Morton
7 Performance Studies
59(8)
Laura Cull
8 Studying Music and Screen Media
67(8)
David Neumeyer
9 Visual Evidence in Ethnomusicology
75(10)
Andrew Killick
PART III Reciprocation
85(1)
III.1 The Musical in Visual Culture
85(50)
10 Representing Music-Making
87(8)
Alan Davison
11 Composer Portrait Prints
95(8)
Stephen A. Bergquist
12 Music, Symbolism, and Allegory
103(8)
Ayla Lepine
13 Music as Attribute: Idea, Image, Sound
111(9)
Philip Weller
14 Looking and Listening: Music and Sound as Visual Trope in Ukiyo-e
120(7)
Alexander Binns
15 Painting and Music
127(8)
Therese Dolan
III.2 The Visual in Musical Culture
135(54)
16 The "Representation" of Paintings in Music
137(8)
William L. Coleman
17 Gesture and Imagery in Music Performance: Perspectives from North Indian Classical Music
145(8)
Laura Leante
18 Notations: Context and Structure in Japanese Traditional Music Notation
153(10)
Liv Lande
19 Manuscripts
163(8)
Marica S. Tacconi
20 Printed Music: Music Printing as Art
171(9)
Kate Van Orden
21 Album Art and Posters: The Psychedelic Interplay of Rock Art and Art Rock
180(9)
Jan Butler
PART IV Convergence
189(1)
IV.1 Convergence in Metaphor
189(38)
22 Visual Metaphors in Music Analysis and Criticism
191(9)
Gurminder Kaur Bhogal
23 Visual Metaphors in Music Treatises: Metaphor as Experience in Vincenzo Galilei's Dialogo della Musica Antica e della Moderna
200(9)
Antonio Cascelli
24 Musical Metaphors in Art Criticism
209(9)
Anne Leonard
25 Musical Metaphors in Art Treatises: The Codification of Emotions in Eighteenth-Century Art Theory
218(9)
Clare Hornsby
IV.2 Convergence in Conception
227(36)
26 Leonardo and the Paragone
229(9)
Tim Shephard
27 Poussin and the Modes
238(8)
Sheila Mctighe
28 Wagner's Gesamtkunstwerk
246(9)
Diane V. Silverthorne
29 Ragas, Mood, and Representation
255(8)
Jonathan B. Katz
IV.3 Convergence in Practice
263(48)
30 Artists as Musicians and Musical Connoisseurs: Musicians, Melomanes, and Ideas of Music among Nineteenth-Century Artists
265(9)
Peter L. Schmunk
31 Musical Spaces: The Politics of Space in Renaissance Italy
274(7)
Tim Shephard
32 Built Architecture for Music: Spaces for Chamber Music in Sixteenth-Century Italy
281(5)
Laura Moretti
33 Urban Soundscapes: Hearing and Seeing Jerusalem
286(8)
Abigail Wood
34 Music in Social and Artistic Context: Women Qin Players
294(7)
Mingmei Yip
35 Music in New Media
301(10)
Fabian Holt
PART V Hybrid Arts
311(74)
36 Pageantry
313(8)
Kelley Harness
37 Opera
321(8)
Sarah Hibberd
38 Ballet: Interactions of Musical and Visual Style
329(10)
Philip Weller
39 Dance: Visual/Musical Effects in Two Dance Performances
339(6)
Flaviana Sampaio
40 Musicals
345(7)
Dominic Mchugh
41 Film I: Bollywood---Music and Multimedia
352(7)
Anna Morcom
42 Film II
359(8)
David Neumeyer
43 Multimedia Art: Video Art-Music
367(9)
Holly Rogers
44 Music, Visual Culture, and Digital Games
376(9)
Roger Moseley
Image Credits 385(1)
Index 386
Tim Shephard is a lecturer in Musicology at the University of Sheffield, and also a Visiting Research Fellow at the Centre for Music, Gender and Identity, University of Huddersfield. His research concerns music, identity, and visual culture at the courts of Renaissance Italy, and has appeared in several journals.



Anne Leonard is a curator at the Smart Museum of Art and lecturer in the Department of Art History, University of Chicago. Her research on musical aspects of nineteenth-century art has appeared in articles, conference papers, and an exhibition catalogue, Looking and Listening in Nineteenth-Century France (2007).