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ix | |
Preface |
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xi | |
Notes on Contributors |
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xiv | |
Introduction |
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1 | (4) |
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5 | (20) |
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7 | (6) |
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13 | (12) |
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25 | (60) |
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3 Art History for Musicologists |
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27 | (8) |
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4 Musicology for Art Historians |
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35 | (8) |
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43 | (7) |
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50 | (9) |
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59 | (8) |
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8 Studying Music and Screen Media |
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67 | (8) |
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9 Visual Evidence in Ethnomusicology |
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75 | (10) |
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85 | (1) |
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III.1 The Musical in Visual Culture |
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85 | (50) |
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10 Representing Music-Making |
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87 | (8) |
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11 Composer Portrait Prints |
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95 | (8) |
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12 Music, Symbolism, and Allegory |
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103 | (8) |
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13 Music as Attribute: Idea, Image, Sound |
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111 | (9) |
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14 Looking and Listening: Music and Sound as Visual Trope in Ukiyo-e |
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120 | (7) |
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127 | (8) |
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III.2 The Visual in Musical Culture |
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135 | (54) |
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16 The "Representation" of Paintings in Music |
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137 | (8) |
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17 Gesture and Imagery in Music Performance: Perspectives from North Indian Classical Music |
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145 | (8) |
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18 Notations: Context and Structure in Japanese Traditional Music Notation |
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153 | (10) |
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163 | (8) |
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20 Printed Music: Music Printing as Art |
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171 | (9) |
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21 Album Art and Posters: The Psychedelic Interplay of Rock Art and Art Rock |
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180 | (9) |
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189 | (1) |
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IV.1 Convergence in Metaphor |
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189 | (38) |
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22 Visual Metaphors in Music Analysis and Criticism |
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191 | (9) |
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23 Visual Metaphors in Music Treatises: Metaphor as Experience in Vincenzo Galilei's Dialogo della Musica Antica e della Moderna |
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200 | (9) |
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24 Musical Metaphors in Art Criticism |
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209 | (9) |
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25 Musical Metaphors in Art Treatises: The Codification of Emotions in Eighteenth-Century Art Theory |
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218 | (9) |
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IV.2 Convergence in Conception |
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227 | (36) |
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26 Leonardo and the Paragone |
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229 | (9) |
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238 | (8) |
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28 Wagner's Gesamtkunstwerk |
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246 | (9) |
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29 Ragas, Mood, and Representation |
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255 | (8) |
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IV.3 Convergence in Practice |
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263 | (48) |
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30 Artists as Musicians and Musical Connoisseurs: Musicians, Melomanes, and Ideas of Music among Nineteenth-Century Artists |
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265 | (9) |
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31 Musical Spaces: The Politics of Space in Renaissance Italy |
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274 | (7) |
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32 Built Architecture for Music: Spaces for Chamber Music in Sixteenth-Century Italy |
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281 | (5) |
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33 Urban Soundscapes: Hearing and Seeing Jerusalem |
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286 | (8) |
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34 Music in Social and Artistic Context: Women Qin Players |
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294 | (7) |
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301 | (10) |
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311 | (74) |
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313 | (8) |
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321 | (8) |
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38 Ballet: Interactions of Musical and Visual Style |
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329 | (10) |
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39 Dance: Visual/Musical Effects in Two Dance Performances |
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339 | (6) |
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345 | (7) |
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41 Film I: Bollywood---Music and Multimedia |
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352 | (7) |
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359 | (8) |
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43 Multimedia Art: Video Art-Music |
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367 | (9) |
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44 Music, Visual Culture, and Digital Games |
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376 | (9) |
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Image Credits |
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385 | (1) |
Index |
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386 | |