Introduction |
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1 | (12) |
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1 Representation, Identity and Inclusion |
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13 | (74) |
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13 | (9) |
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1.1 Representation and Responsibility: Institutions as Changemakers |
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22 | (10) |
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1.2 Between Camera and Canvas: Man Ray, Picasso and the Representation of Adrienne Fidelin |
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32 | (15) |
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1.3 An Archive in a Suitcase. And the Question of What to Do With It |
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47 | (6) |
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1.4 The Representation of the Inuit Population in Greenland, Then and Now |
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53 | (8) |
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1.5 Representations and Stereotypes of Greenland, Revisited |
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61 | (5) |
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1.6 Photography in Contemporary Jewelry Art |
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66 | (12) |
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1.7 Repetitive Representations. The Case of Private Photographs |
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78 | (9) |
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2 Diversity, Empowerment and Social Justice |
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87 | (72) |
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87 | (10) |
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2.1 The Railway and Its Images: Decolonizing Landscapes Through the Works of Chinese Visual Artists |
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97 | (11) |
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2.2 Through Fa'afafabulous Glasses: An Interview with Yuki Kihara |
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108 | (9) |
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2.3 Participatory Photography: Gaze, Representation and Agency |
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117 | (7) |
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2.4 Canterbury, Revisited: Reflections on a Collaborative Photography Course for Sighted and Visually Impaired Participants |
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124 | (8) |
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2.5 Social Practice and Photography: Who Is Looking at Whom? |
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132 | (11) |
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143 | (9) |
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2.7 The Role of the Andean People in the Work of Martin Chambi, Revisited |
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152 | (7) |
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159 | (68) |
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159 | (8) |
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3.1 Feminism and Photography: A Situated Exploration of the Visual Archive of Feminisms in Chile |
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167 | (12) |
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179 | (9) |
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3.3 Selling the Great White Myth. A Reflection on the South African Media and Communications Industry From the Life Experience of a Brown Bodied Woman |
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188 | (8) |
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3.4 Working With Archives -- Past, Present, Future |
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196 | (7) |
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3.5 Visual Proof: How Glacier Photography Shows Us the Reality of Climate Change |
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203 | (10) |
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3.6 When Will They Listen? |
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213 | (5) |
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3.7 Art and Activism Revisited |
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218 | (9) |
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4 Automated and Networked Images |
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227 | (66) |
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227 | (8) |
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4.1 Leaks, Growths and Caveats: The Black Hole Image |
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235 | (14) |
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4.2 Visualisation as a Political Act |
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249 | (9) |
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4.3 How to Photograph a Virus |
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258 | (6) |
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4.4 Video Games Inside the Body: Medical Robots and the Future of Tele Surgery |
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264 | (7) |
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4.5 Orientation and Resistance in a Fog of Systems |
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271 | (8) |
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4.6 Machine Learning for Aquatic Plastic Litter Detection Turned Into Art |
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279 | (9) |
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4.7 Is This Still Photography? Online Experiences, NFTs and Digital Vernacular |
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288 | (5) |
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5 Censorship, Image Control and Manipulation |
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293 | (66) |
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293 | (9) |
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5.1 Who, How, and Where? Speaking, Writing, Making Art, and Publishing in a Censorial World |
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302 | (5) |
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5.2 Tonald Drump, Censorship and Deplatforming |
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307 | (6) |
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5.3 Interviews With Anonymous Internet Content Moderators |
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313 | (7) |
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5.4 Selfies, Biometrics, Geolocation and the 2021 Capitol Hill Riot: How Photography Is Used in the Service of Surveillance |
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320 | (16) |
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5.5 The Real, the Unreal and the Authentic |
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336 | (15) |
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5.6 Image Archives in the Age of Surveillance Capitalism |
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351 | (8) |
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359 | (65) |
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359 | (12) |
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6.1 Exiting the Photographic Universe |
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371 | (9) |
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6.2 Diversifying the Tools of Storytelling: From Photography and Video to Virtual Reality |
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380 | (6) |
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6.3 Lubumbashi to Paulshoek: Iterations of the Local in Six African Photobook Projects |
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386 | (9) |
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6.4 Remix: Printed Matter From the Caribbean |
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395 | (6) |
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6.5 Opening the Gates for Eastern Concepts and Terminology for Photography Theory |
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401 | (8) |
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6.6 Translation and Use of Western Photography Theory in Asia |
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409 | (7) |
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6.7 Deconstructing Red, Yellow, Black and White |
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416 | (8) |
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List of contributors |
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424 | (8) |
Index |
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432 | |