Atjaunināt sīkdatņu piekrišanu

E-grāmata: Routledge Companion to Photography, Representation and Social Justice [Taylor & Francis e-book]

  • Formāts: 446 pages, 117 Halftones, black and white; 117 Illustrations, black and white
  • Izdošanas datums: 30-Dec-2022
  • Izdevniecība: Routledge
  • ISBN-13: 9781003219279
  • Taylor & Francis e-book
  • Cena: 222,34 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 317,63 €
  • Ietaupiet 30%
  • Formāts: 446 pages, 117 Halftones, black and white; 117 Illustrations, black and white
  • Izdošanas datums: 30-Dec-2022
  • Izdevniecība: Routledge
  • ISBN-13: 9781003219279
Including work by leading scholars, artists, scientists and practitioners in the field of visual culture, The Routledge Companion to Photography, Representation and Social Justice is a seminal reference source for the new roles and contexts of photography in the twenty-first century.

Bringing together a diverse set of contributions from across the globe, the volume explores current debates surrounding post-colonial thinking, empowerment, identity, contemporary modes of self-representation, diversity in the arts, the automated creation and use of imagery in science and industry, vernacular imagery and social media platforms and visual mechanisms for control and manipulation in the age of surveillance capitalism and deep fakes, as well as the role of imagery in times of crisis, such as pandemics, wars and climate change. The analysis of these complex themes will be anchored in existing theoretical frameworks but also include new ways of thinking about social justice and representation and how to cope with our daily image tsunami. Individual chapters bring together a diverse set of contributions, featuring essays, interviews, conversations and case studies by artists, scientists, curators, scholars, medical doctors, astrophysicists and social activists, who all share a strong interest in how lens-based media have shaped our world in recent years.

Expanding on contemporary debates within the field, the Companion is essential reading for photographers, scholars and students alike.
Introduction 1(12)
1 Representation, Identity and Inclusion
13(74)
1.0
Chapter Introduction
13(9)
1.1 Representation and Responsibility: Institutions as Changemakers
22(10)
Shahidul Alam
Noelle Flores-Theard
Kristen Lubben
Mark Sealy
1.2 Between Camera and Canvas: Man Ray, Picasso and the Representation of Adrienne Fidelin
32(15)
Wendy A. Grossman
1.3 An Archive in a Suitcase. And the Question of What to Do With It
47(6)
Ana Briongos
Moritz Neumiiller
Carmen Perez Gonzalez
Azu Nwagbogu
Asya Yaghmurian
1.4 The Representation of the Inuit Population in Greenland, Then and Now
53(8)
Mette Sandbye
1.5 Representations and Stereotypes of Greenland, Revisited
61(5)
Inuuteq Storch
Laila Lund Altinbas
1.6 Photography in Contemporary Jewelry Art
66(12)
Irina Chmyreva
1.7 Repetitive Representations. The Case of Private Photographs
78(9)
Maria Gourieva
Friedrich Tietjen
2 Diversity, Empowerment and Social Justice
87(72)
2.0
Chapter Introduction
87(10)
2.1 The Railway and Its Images: Decolonizing Landscapes Through the Works of Chinese Visual Artists
97(11)
Yining He
2.2 Through Fa'afafabulous Glasses: An Interview with Yuki Kihara
108(9)
Nina Tonga
2.3 Participatory Photography: Gaze, Representation and Agency
117(7)
Michelle Bogre
2.4 Canterbury, Revisited: Reflections on a Collaborative Photography Course for Sighted and Visually Impaired Participants
124(8)
Simon Hayhoe
Partho Bhowmick
Noemi Pena Sanchez
Karl Bentley
2.5 Social Practice and Photography: Who Is Looking at Whom?
132(11)
Tiffany Fairey
Julian Germain
Mark Strandquist
Anthony Luvera
2.6 The Breath of Memory
143(9)
Danie Mellor
Tyson Yunkaporta
2.7 The Role of the Andean People in the Work of Martin Chambi, Revisited
152(7)
Andres Garay
Moritz Neumuller
3 Crisis and Change
159(68)
3.0
Chapter Introduction
159(8)
3.1 Feminism and Photography: A Situated Exploration of the Visual Archive of Feminisms in Chile
167(12)
Angeles Donoso Macaya
3.2 Freedom Is Not Free
179(9)
Mashid Mohadjerin
3.3 Selling the Great White Myth. A Reflection on the South African Media and Communications Industry From the Life Experience of a Brown Bodied Woman
188(8)
Nicole Klassen
3.4 Working With Archives -- Past, Present, Future
196(7)
Cristina de Middel
Rafal Milach
Moritz Neumuller
3.5 Visual Proof: How Glacier Photography Shows Us the Reality of Climate Change
203(10)
Andrea Fischer
Magdalena Vukovic
3.6 When Will They Listen?
213(5)
Edward Burtynsky
Moritz Neumuller
3.7 Art and Activism Revisited
218(9)
Swaantje Guntzel
Chris Jordan
Moritz Neumuller
4 Automated and Networked Images
227(66)
4.0
Chapter Introduction
227(8)
4.1 Leaks, Growths and Caveats: The Black Hole Image
235(14)
Rashi Rajguru
4.2 Visualisation as a Political Act
249(9)
Peter Galison
Moritz Neumuller
4.3 How to Photograph a Virus
258(6)
Florian Krammer
Moritz Neumuller
4.4 Video Games Inside the Body: Medical Robots and the Future of Tele Surgery
264(7)
Michael A. Palese
Moritz Neumuller
4.5 Orientation and Resistance in a Fog of Systems
271(8)
Bani Brusadin
4.6 Machine Learning for Aquatic Plastic Litter Detection Turned Into Art
279(9)
Mattis Wolf
Oliver Ziclinski
Swaantje Guntzel
4.7 Is This Still Photography? Online Experiences, NFTs and Digital Vernacular
288(5)
Barbara Cueto
Marco De Mutiis
Jon Uriarte
5 Censorship, Image Control and Manipulation
293(66)
5.0
Chapter Introduction
293(9)
5.1 Who, How, and Where? Speaking, Writing, Making Art, and Publishing in a Censorial World
302(5)
David N. Martin
James W. Koschoreck
Suzanne Szucs
5.2 Tonald Drump, Censorship and Deplatforming
307(6)
Katja Muller-Helle
5.3 Interviews With Anonymous Internet Content Moderators
313(7)
Eva
Franco Mattes
5.4 Selfies, Biometrics, Geolocation and the 2021 Capitol Hill Riot: How Photography Is Used in the Service of Surveillance
320(16)
Stephen Chalmers
5.5 The Real, the Unreal and the Authentic
336(15)
Debi Cornwall
Marvin Heiferman
Josue Rivas
Alexey Yurenev
Fred Ritchin
5.6 Image Archives in the Age of Surveillance Capitalism
351(8)
Lukas Fuchsgmber
6 New Ways of Seeing
359(65)
6.0
Chapter Introduction
359(12)
6.1 Exiting the Photographic Universe
371(9)
Fred Ritchin
6.2 Diversifying the Tools of Storytelling: From Photography and Video to Virtual Reality
380(6)
Zahra Rasool
Fred Ritchin
6.3 Lubumbashi to Paulshoek: Iterations of the Local in Six African Photobook Projects
386(9)
Bronwyn Law-Viljoen
6.4 Remix: Printed Matter From the Caribbean
395(6)
Nadia Huggins
6.5 Opening the Gates for Eastern Concepts and Terminology for Photography Theory
401(8)
Yining He
Sunyoung Kim
Ivan Vartanian
Moritz Neumuller
6.6 Translation and Use of Western Photography Theory in Asia
409(7)
Yining He
Sunyoung Kim
Ivan Vartanian
Moritz Neumuller
6.7 Deconstructing Red, Yellow, Black and White
416(8)
Angelica Dass
Moritz Neumuller
List of contributors 424(8)
Index 432
Moritz Neumüller is a curator, educator and writer in the field of photography and new media. He has worked for institutions such as MoMA New York and PhotoIreland Festival in Dublin and co-founded Photobook Week Aarhus (Denmark) in 2014. Since 2010, he has run The Curator Ship, an online resource for visual artists. Apart from his curatorial practice, Neumüller has been working for more than ten years at the forefront of making culture accessible for everybody, including disabled people. In 2009, he founded the project ArteConTacto and in 2011 the initiative MuseumForAll, with the mission to make museums open to all audiences.