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Routledge Companion to Remix Studies [Mīkstie vāki]

Edited by (The Pennsylvania State University, USA), Edited by (The University of Texas at Dallas, USA), Edited by (Bahrain Polytechnic)
  • Formāts: Paperback / softback, 556 pages, height x width: 246x174 mm, weight: 1030 g
  • Sērija : Routledge Media and Cultural Studies Companions
  • Izdošanas datums: 09-Aug-2016
  • Izdevniecība: Routledge
  • ISBN-10: 1138216712
  • ISBN-13: 9781138216716
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  • Cena: 74,21 €
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  • Formāts: Paperback / softback, 556 pages, height x width: 246x174 mm, weight: 1030 g
  • Sērija : Routledge Media and Cultural Studies Companions
  • Izdošanas datums: 09-Aug-2016
  • Izdevniecība: Routledge
  • ISBN-10: 1138216712
  • ISBN-13: 9781138216716
Citas grāmatas par šo tēmu:

The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. As an organic international movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media.

The act of recombining pre-existing material brings up pressing questions of authenticity, reception, authorship, copyright, and the techno-politics of media activism. This book approaches remix studies from various angles, including sections on history, aesthetics, ethics, politics, and practice, and presents theoretical chapters alongside case studies of remix projects. The Routledge Companion to Remix Studies is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom.

Acknowledgments ix
List of Figures and Tables
xi
Notes on Contributors xiv
Introduction 1(12)
Eduardo Navas
Owen Gallagher
Xtine Burrough
PART I History
13(120)
1 Remix and the Dialogic Engine of Culture: A Model for Generative Combinatoriality
15(28)
Martin Irvine
2 A Rhetoric of Remix
43(11)
Scott H. Church
3 Good Artists Copy; Great Artists Steal: Reflections on Cut-Copy-Paste Culture
54(14)
Stefan Sonvilla-Weiss
4 Toward a Remix Culture: An Existential Perspective
68(15)
Vito Campanelli
5 An Oral History of Sampling: From Turntables to Mashups
83(13)
Kembrew Mcleod
6 Can I Borrow Your Proper Name? Remixing Signatures and the Contemporary Author
96(8)
Cicero Inacio Da Silva
7 The Extended Remix: Rhetoric and History
104(12)
Margie Borschke
8 Culture and Remix: A Theory on Cultural Sublation
116(17)
Eduardo Navas
PART II Aesthetics
133(92)
9 Remix Strategies in Social Media
135(19)
Lev Manovich
10 Remixing Movies and Trailers Before and After the Digital Age
154(12)
Nicola Maria Dusi
11 Remixing the Plague of Images: Video Art from Latin America in a Transnational Context
166(13)
Erandy Vergara
12 Race and Remix: The Aesthetics of Race in the Visual and Performing Arts
179(13)
Tashima Thomas
13 Digital Poetics and Remix Culture: From the Artisanal Image to the Immaterial Image
192(12)
Monica Tavares
14 The End of an Aura: Nostalgia, Memory, and the Haunting of Hip Hop
204(13)
Roy Christopher
15 Appropriation Is Activism
217(8)
Byron Russell
PART III Ethics
225(96)
16 The Emerging Ethics of Networked Culture
227(19)
Aram Sinnreich
17 The Panopticon of Ethical Video Remix Practice
246(12)
Mette Birk
18 Cutting Scholarship Together/Apart: Rethinking the Political Economy of Scholarly Book Publishing
258(12)
Janneke Adema
19 Copyright and Fair Use in Remix: From Alarmism to Action
270(13)
Patricia Aufderheide
20 I Thought I Made a Vid, but Then You Told Me That I Didn't: Aesthetics and Boundary Work in the Fan-Vidding Community
283(13)
Katharina Freund
21 Peeling the Layers of the Onion: Authorship in Mashup and Remix Cultures
296(14)
John Logie
22 Remixthecontext (A Theoretical Fiction)
310(11)
Mark Amerika
PART IV Politics
321(88)
23 A Capital Remix
323(10)
Rachel O'Dwyer
24 Remix Practices and Activism: A Semiotic Analysis of Creative Dissent
333(13)
Paolo Peverini
25 Political Remix Video as a Vernacular Discourse
346(12)
Olivia Conti
26 Locative Media as Remix
358(16)
Conor Mcgarrigle
27 The Politics of John Lennon's "Imagine": Contextualizing the Roles of Mashups and New Media in Political Protest
374(12)
J. Meryl Krieger
28 Detournement as a Premise of the Remix from Political, Aesthetic, and Technical Perspectives
386(11)
Nadine Wanono
29 The New Polymath (Remixing Knowledge)
397(12)
Rachel Falconer
PART V Practice
409(107)
30 Crises of Meaning in Communities of Creative Appropriation: A Case Study of the 2010 RE/Mixed Media Festival
411(14)
Tom Tenney
31 Of Re/appropriations
425(7)
Gustavo Romano
32 Aesthetics of Remix: Networked Interactive Objects and Interface Design
432(12)
Jonah Brucker-Cohen
33 Reflections on the Amen Break: A Continued History, an Unsettled Ethics
444(9)
Nate Harrison
34 Going Crazy with Remix: A Classroom Study by Practice via Lenz v. Universal
453(8)
Xtine Burrough
Emily Erickson
35 A Remix Artist and Advocate
461(10)
Desiree D'Alessandro
36 Occupy/Band Aid Mashup: "Do They Know It's Christmas?"
471(9)
Owen Gallagher
37 Remixing the Remix
480(7)
Elisa Kreisinger
38 A Fair(y) Use Tale
487(8)
Eric S. Faden
39 An Aesthetics of Deception in Political Remix Video
495(8)
Diran Lyons
40 Radical Remix: Manifestoon
503(6)
Jesse Drew
41 In Two Minds
509(7)
Kevin Atherton
Index 516
Eduardo Navas is the author of Remix Theory: The Aesthetics of Sampling (Springer, 2012). He researches and teaches principles of cultural analytics and digital humanities in the School of Visual Arts at The Pennsylvania State University, PA. Navas is a 201012 Post-Doctoral Fellow in the Department of Information Science and Media Studies at the University of Bergen, Norway, and received his PhD from the Program of Art and Media History, Theory, and Criticism at the University of California in San Diego.Owen Gallagher received his PhD in Visual Culture from the National College of Art and Design (NCAD) in Dublin. He is the founder of TotalRecut.com, an online community archive of remix videos, and a cofounder of the Remix Theory & Praxis seminar group. He is the author of a number of research papers and book chapters on remix culture, intellectual property, and visual semiotics. Owen is a lecturer of Web Media at Bahrain Polytechnic.xtine burrough is a media artist and educator. She has authored or edited several books including Foundations of Digital Art and Design (New Riders, 2014) and Net Works: Case Studies in Web Art and Design (Routledge, 2012). She believes in the transformative power of participatory, digital art. xtine bridges the gaps between histories, theories, and production in new media education.