Acknowledgments |
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ix | |
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List of Figures and Tables |
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xi | |
Notes on Contributors |
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xiv | |
Introduction |
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1 | (12) |
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13 | (120) |
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1 Remix and the Dialogic Engine of Culture: A Model for Generative Combinatoriality |
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15 | (28) |
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43 | (11) |
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3 Good Artists Copy; Great Artists Steal: Reflections on Cut-Copy-Paste Culture |
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54 | (14) |
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4 Toward a Remix Culture: An Existential Perspective |
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68 | (15) |
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5 An Oral History of Sampling: From Turntables to Mashups |
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83 | (13) |
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6 Can I Borrow Your Proper Name? Remixing Signatures and the Contemporary Author |
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96 | (8) |
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7 The Extended Remix: Rhetoric and History |
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104 | (12) |
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8 Culture and Remix: A Theory on Cultural Sublation |
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116 | (17) |
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133 | (92) |
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9 Remix Strategies in Social Media |
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135 | (19) |
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10 Remixing Movies and Trailers Before and After the Digital Age |
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154 | (12) |
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11 Remixing the Plague of Images: Video Art from Latin America in a Transnational Context |
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166 | (13) |
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12 Race and Remix: The Aesthetics of Race in the Visual and Performing Arts |
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179 | (13) |
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13 Digital Poetics and Remix Culture: From the Artisanal Image to the Immaterial Image |
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192 | (12) |
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14 The End of an Aura: Nostalgia, Memory, and the Haunting of Hip Hop |
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204 | (13) |
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15 Appropriation Is Activism |
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217 | (8) |
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225 | (96) |
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16 The Emerging Ethics of Networked Culture |
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227 | (19) |
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17 The Panopticon of Ethical Video Remix Practice |
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246 | (12) |
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18 Cutting Scholarship Together/Apart: Rethinking the Political Economy of Scholarly Book Publishing |
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258 | (12) |
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19 Copyright and Fair Use in Remix: From Alarmism to Action |
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270 | (13) |
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20 I Thought I Made a Vid, but Then You Told Me That I Didn't: Aesthetics and Boundary Work in the Fan-Vidding Community |
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283 | (13) |
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21 Peeling the Layers of the Onion: Authorship in Mashup and Remix Cultures |
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296 | (14) |
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22 Remixthecontext (A Theoretical Fiction) |
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310 | (11) |
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321 | (88) |
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323 | (10) |
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24 Remix Practices and Activism: A Semiotic Analysis of Creative Dissent |
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333 | (13) |
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25 Political Remix Video as a Vernacular Discourse |
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346 | (12) |
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26 Locative Media as Remix |
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358 | (16) |
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27 The Politics of John Lennon's "Imagine": Contextualizing the Roles of Mashups and New Media in Political Protest |
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374 | (12) |
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28 Detournement as a Premise of the Remix from Political, Aesthetic, and Technical Perspectives |
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386 | (11) |
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29 The New Polymath (Remixing Knowledge) |
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397 | (12) |
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409 | (107) |
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30 Crises of Meaning in Communities of Creative Appropriation: A Case Study of the 2010 RE/Mixed Media Festival |
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411 | (14) |
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425 | (7) |
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32 Aesthetics of Remix: Networked Interactive Objects and Interface Design |
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432 | (12) |
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33 Reflections on the Amen Break: A Continued History, an Unsettled Ethics |
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444 | (9) |
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34 Going Crazy with Remix: A Classroom Study by Practice via Lenz v. Universal |
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453 | (8) |
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35 A Remix Artist and Advocate |
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461 | (10) |
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36 Occupy/Band Aid Mashup: "Do They Know It's Christmas?" |
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471 | (9) |
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480 | (7) |
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487 | (8) |
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39 An Aesthetics of Deception in Political Remix Video |
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495 | (8) |
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40 Radical Remix: Manifestoon |
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503 | (6) |
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509 | (7) |
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Index |
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516 | |