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xii | |
| Notes on contributors |
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xv | |
| Introduction: scenography or design |
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1 | (16) |
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PART I Scenographic elements |
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17 | (2) |
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1 Stage and audience: constructing relations and opportunities |
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19 | (14) |
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33 | (9) |
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42 | (6) |
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48 | (15) |
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63 | (9) |
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6 Scenography and the senses: engaging the tactile, olfactory, and gustatory senses |
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72 | (7) |
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PART II Scenographic theory and criticism |
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79 | (104) |
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7 Theatrical languages: the scenographic turn and the linguistic turn |
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81 | (21) |
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8 Seeing scenography: scopic regimes and the body of the spectator |
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102 | (17) |
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9 Absolute, abstract, and abject: learning from the event-space of the historical avant-garde |
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119 | (16) |
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10 "What is happening": notes on the scenographic impulse in modern and contemporary art |
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135 | (16) |
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11 Scenography beyond theatre: designing POLIN, the Museum of the History of Polish Jews |
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151 | (10) |
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12 Participation, interaction, atmosphere, projection: new forms of technological agency and behavior in recent scenographic practice |
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161 | (22) |
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PART III History and practice |
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183 | (401) |
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185 | (2) |
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13 Scenography in Greece and Rome: the first thousand years |
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187 | (15) |
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14 Imagining the Sanskrit stage |
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202 | (5) |
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15 Tudor and Stuart scenography |
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207 | (8) |
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16 Playing with materials: performing effect on the indoor Jacobean stage |
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215 | (9) |
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17 Architecture as design: Early Modern theatres of France and Spain, 1486-1789 |
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224 | (19) |
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18 The open-stage movement |
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243 | (8) |
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Spatial and environmental design |
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249 | (2) |
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19 Medieval scenography: places, scaffolds, and iconography |
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251 | (21) |
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20 Storyteller as time-traveler in Mohammed ben Abdallah's Song of the Pharaoh: multimedia avant-garde theatre in Ghana |
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272 | (11) |
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21 Environmental theatre: selected Asian models |
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283 | (7) |
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290 | (5) |
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295 | (7) |
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24 Free reign? Designing the spectator in immersive theatre |
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302 | (13) |
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Pictorial and illusionistic design |
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311 | (4) |
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25 Scenography in the first decades of opera |
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315 | (23) |
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26 Restoration and eighteenth-century England |
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338 | (6) |
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27 Eighteenth-century France |
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344 | (5) |
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28 Boxed illusions: from melodrama to naturalism |
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349 | (14) |
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Symbolic and emblematic design |
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361 | (2) |
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29 Richard Wagner, Georg Fuchs, Adolphe Appia, and Edward Gordon Craig |
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363 | (22) |
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30 Russian stage design and theatrical avant-garde |
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385 | (17) |
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31 Expressionism and the Epic Theater in early twentieth-century German stage design: the Expressionist ethos |
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402 | (9) |
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32 Bertolt Brecht and scenographic dialogue |
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411 | (9) |
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420 | (6) |
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426 | (9) |
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Modern and contemporary design |
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433 | (2) |
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35 Metaphor, mythology, and metonymy: Russian scenography in the Yeltsin era |
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435 | (9) |
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36 Transformation of forms: Polish scenography after 1945 |
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444 | (13) |
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37 Modern and contemporary Czech theatre design: toward dramatic spaces of freedom |
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457 | (8) |
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38 Worlds of German design in the twenty-first century |
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465 | (13) |
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39 Modern British theatre design: UK design for performance since 1975 |
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478 | (25) |
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40 Latin American scenography |
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503 | (24) |
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41 Design in the United States and Canada |
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527 | (20) |
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42 Spatial oscillations in the American avant-garde |
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547 | (7) |
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43 Contemporary Chinese opera design: the pursuit of cultural awareness |
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554 | (9) |
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44 Postmodern design for opera |
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563 | (21) |
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| Index |
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584 | |
