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E-grāmata: Routledge Companion to Sound Studies

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Edited by (University of Sussex, UK)
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The Routledge Companion to Sound Studies is an extensive volume presenting a comparative and historically informed understanding of the workings of sound in culture, while also mapping potential future directions for research in the field. Experts from a variety of disciplines within sound studies cover such diverse topics as politics, gender, media, race, literature and sport. Individual sections that consider the importance of sound in an increasingly mediated world; the role that sound media play in the construction of experience; and the ways in which sound has been theorized to produce a distinctive sensory contribution to knowledge.

This wide-ranging and vibrant collection provides a rich resource for scholars and students of media and culture.

List of Figures
ix
Contributors x
Introduction: sound studies and the art of listening xvii
PART I Introduction: sonic epistemologies and debates
1(68)
1 Sound as theory 1863---2014: from Hermann von Helmholtz to Salome Voegelin
5(11)
Holger Schulze
2 What is sound studies?
16(8)
Mark Grimshaw-Aagaard
3 Embodiment and the senses
24(11)
David Howes
4 Multisensory investigation of sound, body, and voice
35(9)
Nina Sun Eidsheim
5 The return to sound aesthetics
44(10)
Neil Verma
6 Sound, affect, politics
54(15)
Christabel Stirling
PART II Introduction: sonic conflicts, concepts and culture
69(74)
7 Silence and noise
73(8)
Richard Cullen Rath
8 Sound waves of protest: noise abatement movements
81(9)
Karin Bijsterveld
9 Propaganda and sound
90(9)
David Goodman
10 Sounding out racial difference
99(9)
Alex W. Corey
11 Gendered sound
108(10)
Marie Thompson
12 Mapping hearing impairment: sound/tracks in the corner space
118(14)
Amanda Cachia
13 The sonic world of the Islamic State
132(11)
Jonathan Pieslak
PART III Introduction: sonic spaces and places
143(52)
14 Soundscape(s): The turning of the word
147(11)
John M. Picker
15 The sonic rhythms of place
158(8)
Tim Edensor
16 Geographies of silence
166(11)
Bennett Hogg
17 Sound transformations in space
177(8)
Meri Kyto
18 Diaspora as method, music as hope
185(10)
Yiu Fai Chow
PART IV Introduction: sonic skills: finding, recording and researching
195(74)
19 Technologies of sound art: techno-cultural occurrences
201(9)
Salome Voegelin
20 Found in translation: recording, storing and writing of sounds
210(12)
Carolyn Birdsall
21 Sonic archaeologies
222(9)
Shannon Mattern
22 Curating online sounds
231(8)
Blake Durham
23 Ethnographies of sound
239(10)
Tom Rice
24 Soundwalking
249(9)
Frauke Behrendt
25 Surface tension: memory, sound and vinyl
258(11)
Paul Nataraj
PART V Introduction: technology, culture and sonic experience
269(70)
26 Echo
275(8)
Julian Henriques
Hillegonda Rietveld
27 Sound and music in networked media
283(12)
Thor Magnusson
28 Ordinary and avant-garde sound in British radio's early years
295(9)
Louis Niebur
29 Remastering the recording angel
304(9)
Jacob Smith
30 Radio sound
313(8)
Alexander Russo
31 Structures of sonic feeling
321(8)
Tom Artiss
32 Gender and the telephonic voice
329(10)
Cara Wallis
PART VI Introduction: sound connections
339(61)
33 Ways of hearing: sound, culture and history
343(10)
James G. Mansell
34 Literature and sound
353(9)
Justin St. Clair
35 The sociology of sound
362(9)
Martyn Hudson
36 Popular music as sound and listening
371(9)
Ian Reyes
37 Radio sound
380(11)
Tim Wall
38 Sporting sounds
391(9)
Ben Powis
Thomas F. Carter
Name Index 400(4)
Subject Index 404
Michael Bull is Professor of Sound Studies at the University of Sussex. His works include Sounding Out the City: Personal Stereos and the Management of Everyday life (2000) and Sound Moves: iPod Culture and Urban Experience (2007) He has just completed a monograph on Sirens and is presently writing a monograph on Reinterpreting the Sounds of World War 1. He is the co-founding editor of the journals Senses and Society and Sound Studies (both with Routledge) and is editor of the book series The Study of Sound.
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