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E-grāmata: Routledge Handbook of Critical African Heritage Studies [Taylor & Francis e-book]

Edited by , Edited by (Flinders University, Australia), Edited by (University of Oxford, UK), Edited by (National Museums Scotland, UK)
  • Formāts: 528 pages, 1 Tables, black and white; 101 Halftones, black and white; 101 Illustrations, black and white
  • Izdošanas datums: 06-Sep-2024
  • Izdevniecība: Routledge
  • ISBN-13: 9781003025832
  • Taylor & Francis e-book
  • Cena: 249,01 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 355,74 €
  • Ietaupiet 30%
  • Formāts: 528 pages, 1 Tables, black and white; 101 Halftones, black and white; 101 Illustrations, black and white
  • Izdošanas datums: 06-Sep-2024
  • Izdevniecība: Routledge
  • ISBN-13: 9781003025832

This handbook is a foundational reference point for critical heritage research about Africa and its diaspora.

Foregrounding the diversity of knowledge systems needed to examine heritage issues in such a diverse continent, the contributors to this volume:

  • argue for an understanding heritage that is at once both natural and cultural, tangible and intangible, political and dissonant, going beyond the physical and objective to include subjective narratives, performances, rituals, memories and emotions
  • examine the pre-coloniality, coloniality, post-coloniality, and decoloniality of current African heritage discourses and their consequences
  • analyse how heritage legislation derived from colonial law is compatible or otherwise with how heritage is perceived, identified and remembered in African communities
  • discuss questions of repatriation, restitution and reparations in relation to the return of artefacts from Western countries
  • illuminate the importance of ‘difficult heritage’ within Africa and its diaspora
  • consider the role of heritage for development in Africa

Making a crucial contribution to our understanding of African conceptions and practices of heritage, this book is an important read for scholars of African Studies, heritage and museum studies, archaeology, anthropology and history.



This handbook is a foundational reference point for critical heritage research about Africa and its diaspora. Making a crucial contribution to our understanding of African conceptions and practices of heritage, this book is important to scholars of African Studies, heritage and museum studies, archaeology, anthropology and history.

Foreword: An African Critical Heritage Studies? 1: Introducing African
Critical Heritage Studies Part 1: Useable Pasts, Justice and Society 2: Part
Introduction: Useable Pasts, Justice and Society 3: Useable Heritage and West
Africa: Liberation for the People 4: Post-Conflict Memory and Heritage: South
Sudan and Beyond 5: Heritage the Use of the Past in Eastern Africa 6:
Heritage, Society, and Justice in Central Africa 7: Heritage and Social
Justice in Southern Africa: Rethinking Spaces of Community Involvement in
Heritage Management Part 2: Heritages of Slavery 8: Part Introduction:
Heritages of Slavery 9: Narrating the Slave Trade and Slavery Heritage in
West Africa and its Diaspora 10: Slavery Tourism in Eastern Africa 11:
Slavery Legacy in the Congo Basin 12: African Diaspora Heritage in the
Americas Part 3: African Objects and the Global Museum-Scape 13: Part
Introduction: African Objects and the Global Museum-Scape 14: North Africa's
Dispersed Heritage 15: Collecting (East) Africa in the Age of Empire 16:
Restitution, Repatriation and Reparation: Current Debate 17: The
Ethnicization of Namibian Human Remains from Germany: Cutting across tribal
affiliation Part 4: Perceptions of an African Cultural Landscape 18: Part
Introduction: Perceptions of an African Cultural Landscape 19: The
Decolonization of Monumental Landscapes and Heritage Policies in Africa 20:
Tradition, Power and Landscape: West African Royal Palaces 21: Maritime
Heritage in Eastern and Southern Africa 22: Rock Art and the African
Landscape: Explorations of Paintings from Matopo Hills, Zimbabwe and Chongoni
Hills, Malai 23: Biocultural Heritage: Definitions, Applications and African
Case Studies Part 5: Global Heritage Systems and the Management of Heritage
in Africa 24: Part Introduction: Global Heritage Systems and the Management
of Heritage in Africa 25: Excluding Communities, Liberation Heritage and
Managing Conflict: Tracing Westernised Heritage Practices in Southern
Africa 26: African Customary Law and the Impact of Non-African Cultural
Heritage Legislation in Africa 27: World Heritage for Sustainable Development
in Africa 28: The Sustainability Question in Heritage Tourism Development in
Africa 29: African Oral Traditions as Heritage and UNESCOs Intangible List
Part 6: Decolonising African Heritage 30: Part Introduction: Decolonising
African Heritage 31: Coloniality and Decoloniality of Heritage Institutions
in West Africa 32: Decolonising the Dead or Decolonising Death in Southern
Africa? Some Hesitations 33: Decolonising the Academy: Heritage,
#RhodesMustFall and the University of Cape Town? 34: What British Museums
Mean When They Talk About Decolonising Their African Collections, And What
They Dont 35: How to Decolonise a Museum: Lessons from the African Continent
Ashton Sinamai is an archaeologist with experience from Zimbabwe, Namibia, United Kingdom and Australia. He has a PhD in Cultural Heritage and Museum Studies from Deakin University and currently works as a Heritage Consultant for Ecology and Heritage Partners. Previously he has worked as an archaeologist at Great Zimbabwe, Chief Curator at the National Museum of Namibia and as lecturer at the Midlands State University, Zimbabwe.

John Daniel Giblin is Keeper of Global Arts, Cultures and Design at National Museums Scotland. He was previously Head of Africa Section at the British Museum and holds an honorary position in archaeology at University College London. His current research focuses on museum colonial histories and legacies and participatory practice in the UK and his previous research focused on critical studies of post-conflict heritage and archaeology in eastern and central Africa.

Shadreck Chirikure is Edward Hall Professor of Archaeological Science and Director of the Research Laboratory for Archaeology and the History of Art in the University of Oxford. He applies methods from the sciences to understand materials as a step towards learning about the people that produced them and to conserve heritage.

Ishanlosen Odiaua is a Senior Social Development Specialist at the World Bank. She holds a doctorate degree in Art history (architectural conservation) and is President of the ICOMOS Advisory Committee.