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E-grāmata: Routledge Handbook to the Music of Alfred Schnittke [Taylor & Francis e-book]

  • Formāts: 316 pages, 1 Tables, black and white; 87 Line drawings, black and white; 7 Halftones, black and white; 94 Illustrations, black and white
  • Sērija : Slavonic and East European Music Studies
  • Izdošanas datums: 31-Jan-2022
  • Izdevniecība: Routledge
  • ISBN-13: 9780429274046
  • Taylor & Francis e-book
  • Cena: 231,23 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 330,33 €
  • Ietaupiet 30%
  • Formāts: 316 pages, 1 Tables, black and white; 87 Line drawings, black and white; 7 Halftones, black and white; 94 Illustrations, black and white
  • Sērija : Slavonic and East European Music Studies
  • Izdošanas datums: 31-Jan-2022
  • Izdevniecība: Routledge
  • ISBN-13: 9780429274046
"The Routledge Handbook to the Music of Alfred Schnittke is a comprehensive study of the work of one of the most important Russian composers of the late 20th century. Each piece is discussed in detail, with particular attention to the composer's groundbreaking polystylism, as well as his unique approach to musical symbolism and his deep engagement with Christian themes. This is the first publication to look at Schnittke's output in its entirety, and for most works it represents either the first ever published analysis or the first in a language other than Russian. The volume presents new research from the Ivashkin-Schnittke Archive and the collection of Schnittke's compositional sketches at the Julliard Library in New York. It also draws on the substantial research on Schnittke's music published in the Russian language. Including a work list and bibliography of primary and secondary sources, this is an essential reference for all those interested in the areas of Russian music, 20th Century music, and performance studies"--

This book is a comprehensive study of the work of one of the most important Russian composers of the late 20th century. Each piece is discussed in detail, with particular attention to the composer’s groundbreaking polystylism, as well as his unique approach to musical symbolism and his deep engagement with Christian themes.

List of examples x
List of Figures xiii
Conventions xiv
Preface xvi
1 Eras and techniques 1(49)
Student works 1953-1962
1(3)
Serial period 1963-1971
4(8)
Serialism
4(4)
Sonorism: Ligeti and the Polish school
8(4)
Funereal and religious works 1972-1980
12(12)
Funereal works: Schnittke's quiet period
12(1)
Religious works
13(11)
Polystylism 1968-1991
24(21)
Representations of evil: popular music and the banal
26(3)
Bach and the Baroque
29(1)
Monograms
30(5)
Harmonic and contrapuntal techniques
35(6)
Non-tonal triadic relations
35(1)
The [ 0,1,6,7] pitch set
35(3)
Schnittke stretto
38(3)
Structural innovations
41(9)
Sonoristic cadences
43(1)
Coda as exposition
44(1)
Late style 1985-1994
45(5)
2 Stage works 50(22)
Ballets
50(9)
Introduction
50(1)
Labyrinths
51(1)
Der gelbe Klang
52(1)
Gogol Suite and Sketches
53(1)
Peer Gynt
54(5)
Operas
59(10)
Introduction
59(1)
Life with an Idiot
60(4)
Gesualdo
64(3)
Historia von D. Johann Fausten
67(2)
Theatre music
69(3)
3 Choral works 72(18)
Introduction
72(18)
Nagasaki
73(2)
Songs of War and Peace
75(1)
Voices of Nature
76(1)
Requiem
76(2)
Sonnengesang
78(1)
Minnesang
79(1)
Seid nuchtern and wachet (Faust Cantata)
80(5)
Three Choruses
85(1)
Choir Concerto
85(1)
Psalms of Repentance
86(1)
Opening Verse for the First Festival Sunday
87(1)
Festive Chant
88(1)
Agnus Dei
88(1)
Lux aeterna
89(1)
4 Solo vocal works 90(12)
Introduction
90(12)
Three poems of Marina Tsvetaeva
90(2)
10 Songs from Turandot
92(1)
Eight Songs from Don Carlos
92(1)
Magdalina's Song
93(1)
Three Madrigals
94(2)
Three Scenes for Soprano and Ensemble
96(1)
Drei Gedichte von Viktor Schnittke for Tenor and Piano
97(1)
Mutter
98(1)
Five Fragments to Paintings by Hieronymus Bosch/Fragment for Orchestra
98(4)
5 Orchestral works 102(87)
Symphonies
102(32)
Introduction
102(2)
Symphony No. 1
104(4)
Symphony No. 2, 'St Florian'
108(3)
Symphony No. 3
111(8)
Symphony No. 4
115(4)
Concerto Grosso No. 4/Symphony No. 5
119(2)
Concerto Grosso No. 4
121(1)
Symphony No. 5
121(2)
Symphony No. 6
123(4)
Symphony No. 7
127(2)
Symphony No. 8
129(2)
Symphony No. 9
131(3)
Concertos and concerti grossi
134(41)
Introduction
134(1)
Violin Concerto No. 1
135(2)
Concerto for Piano and Orchestra
137(1)
Music for Piano and Chamber Orchestra
138(2)
Violin Concerto No. 2
140(3)
Concerto for Oboe, Harp and String Orchestra
143(2)
Cadenzas to concertos by Beethoven and Mozart
145(4)
Concerto Grosso No. 1
149(3)
Violin Concerto No. 3
152(2)
Concerto for Piano and Strings
154(2)
Concerto Grosso No. 2
156(1)
Violin Concerto No. 4
157(3)
Concerto Grosso No. 3
160(2)
Viola Concerto
162(2)
Cello Concerto No. 1
164(2)
Concerto for Piano Four Hands and Chamber Orchestra
166(1)
Monologue for Viola and Strings
167(1)
Cello Concerto No. 2
168(2)
Concerto Grosso No. 5
170(1)
Concerto Grosso No. 6
171(2)
Concerto for Three
173(2)
Viola Concerto No. 2
175(1)
Other orchestral works
175(14)
Poem about Space
175(1)
Music for Chamber Orchestra
176(2)
pianissimo...
178(3)
Passacaglia for Large Orchestra
181(2)
Ritual
183(1)
(K)ein Sommernachtstraum
184(1)
Four Aphorisms for Chamber Orchestra
185(1)
Sutartines
185(1)
Hommage a Grieg
186(1)
Symphonic Prelude and For Liverpool
186(3)
6 Chamber works
Introduction
189(1)
Works for string quartet
190(10)
String Quartet No. 1
190(2)
String Quartet No. 2
192(2)
String Quartet No. 3
194(2)
String Quartet No. 4
196(2)
Canon in Memoriam Igor Stravinsky
198(1)
Variations for String Quartet
199(1)
Works for violin and piano/violin duet/violin solo
200(15)
Violin Sonata No. 1
200(2)
Violin Sonata No. 2
202(4)
Violin Sonata No. 3
206(2)
Suite in the Old Style
208(1)
Greeting Rondo
209(1)
Prelude in Memoriam Dmitri Shostakovich
210(1)
Stille Nacht
211(1)
A Paganini
212(2)
Madrigal in Memoriam Oleg Kagan
214(1)
Polka for Violin and Piano
215(1)
Works for cello and piano/cello solo/cello and ensemble
215(8)
Cello Sonata No. 1
215(1)
Cello Sonata No. 2
216(2)
Dialogue for Cello and 7 Instrumentalists
218(1)
Hymns for Cello and Ensemble
219(2)
Klingende Buchstaben
221(1)
Epilogue from the ballet Peer Gynt, for Cello, Piano and Tape
221(2)
Improvisation for Solo Cello
223(1)
Works for string ensemble/strings and piano
223(9)
Piano Quintet
223(4)
Stille Musik
227(1)
String Trio and Piano Trio
227(3)
Canon 'An das Frankfurter Opernhaus'
230(1)
Piano Quartet - sketch for the second movement of a piano quartet by Mahler
230(2)
Other chamber works
232(13)
Serenade for Clarinet, Violin, Double Bass, Percussion and Piano
232(2)
Cantus perpetuus
234(1)
Polyphonic Tango
235(2)
Moz-Art/Moz-Art a la Haydn/Moz-Art a la Mozart
237(1)
Septet
238(2)
Lebenslauf
240(1)
Schall and Hall
241(1)
3x7
242(1)
Herrn Alfred Schlee zum 90 Geburtstag
242(1)
Quartet for Four Percussionists
243(2)
7 Keyboard works 245(12)
Introduction
245(1)
Piano Sonatas
246(4)
Piano Sonata No. 1
246(1)
Piano Sonata No. 2
247(2)
Piano Sonata No. 3
249(1)
Other piano works
250(5)
Children's Pieces 1960 and 1971
250(1)
Prelude and Fugue for Piano
251(1)
Improvisation and Fugue
251(1)
Variations on a Chord
252(1)
Dedication to Stravinsky, Prokofiev and Shostakovich for Piano Six Hands
253(1)
Five Aphorisms for Piano and Reciter
254(1)
Sonatina for Piano Four Hands
255(1)
Organ and harpsichord works
255(2)
Two Short Pieces for Organ
255(1)
Three Fragments for Harpsichord
256(1)
8 Film music 257(15)
Introduction
257(2)
Igor Talankin
259(2)
Andrei Khrzhanovsky
261(2)
Alexander Mitta
263(2)
Larisa Shepitko
265(1)
Elem Klimov
266(3)
Late film scores
269(1)
Concert suites
270(2)
Works list 272(24)
A note on sources 296(3)
Bibliography 299(8)
Index 307
Gavin Dixon is a writer and editor specialising in classical music. He is Editor of Schnittke Studies (Routledge 2017) and Music Editor of Fanfare, Americas leading classical review magazine.