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E-grāmata: Routledge Handbook to Sociology of Music Education

Edited by , Edited by , Edited by (University of Bergen, Bergen, Norway), Edited by
  • Formāts: 538 pages
  • Sērija : Routledge Music Handbooks
  • Izdošanas datums: 29-Mar-2021
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9780429997488
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  • Formāts: 538 pages
  • Sērija : Routledge Music Handbooks
  • Izdošanas datums: 29-Mar-2021
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9780429997488
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The Routledge Handbook to Sociology of Music Education is a comprehensive, authoritative and state-of-the-art review of current research in the field. The opening introduction orients the reader to the field, highlights recent developments, and draws together concepts and research methods to be covered. The chapters that follow are written by respected, experienced experts on key issues in their area of specialisation. From separate beginnings in the United States, Europe and the United Kingdom in the mid-twentieth century, the field of the sociology of music education has and continues to experience rapid and global development. It could be argued that this Handbook marks its coming of age. The Handbook is dedicated to the exclusive and explicit application of sociological constructs and theories to issues such as globalisation, immigration, post-colonialism, inter-generational musicking, socialisation, inclusion, exclusion, hegemony, symbolic violence, and popular culture. Contexts range from formal compulsory schooling to non-formal communal environments to informal music making and listening. The Handbook is aimed at graduate students, researchers and professionals, but will also be a useful text for undergraduate students in music, education, and cultural studies.

List of Figures
x
List of Tables
xi
Contributors xii
Acknowledgements xxiii
Foreword xxiv
Lucy Green
Introduction 1(18)
Ruth Wright
Geir Johansen
Panagiotis A. Kanellopoulos
Patrick Schmidt
PART I Post-structuralism, Globalisation, Internationalisation, Post-colonialism
19(146)
Introduction
21(2)
Patrick Schmidt
1 Music education and the colonial project: Stumbling toward anti-colonial music education
23(17)
Juliet Hess
2 Sociological perspectives on internationalisation and music education
40(12)
Alexandra Kertz-Welzel
3 Challenges of the post-colonisation process in Hong Kong schools: In search of balanced approaches to the learning and teaching of Putonghua songs
52(15)
Ti-Wei Chen
4 Habitual play: Body, cultural sacredness, and professional dilemmas in classical musician education
67(13)
Dan Sagiv
Yael (Yali) Nativ
5 Toward a sociology of music education informed by indigenous perspectives
80(17)
Anita Prest
J. Scott Goble
6 Nation, memory, and music education in the republic of Turkey: A hegemonic analysis
97(11)
Tom Parkinson
Okay Muslu Gardner
7 In search of a potentially humanising music education: Reflections on practices at two Brazilian universities
108(13)
Flavia Narita
Heloisa Feichas
8 Questioning convergences between neoliberal policies, politics, and informal music pedagogy in Australia
121(15)
Clare Hall
Renee Crawford
Louise Jenkins
9 Socio-cultural background and teacher education in Chile: Understanding the musical repertoires of music teachers of Chile
136(17)
Carlos Poblete Lagos
10 Jump up, wine, and wave: Soca music, social identity, and symbolic boundaries in Grenada, West Indies
153(12)
Danielle Sirek
PART II Capital, Class, Status, and Social Reproduction
165(160)
Introduction
167(2)
Geir Johansen
11 Music education as qualification, socialisation, and subjectification?
169(15)
Petter Dyndahl
12 Fish out of water? Musical backgrounds, cultural capital, and social class in higher music education
184(12)
Given Moore
13 A field divided: How Legitimation Code Theory reveals problems impacting the growth of school music education
196(13)
Christine Carroll
14 Music and the social imaginaries of young people
209(10)
Athena Lill
15 Doublespeak in higher music education in England: Culture, marketisation, and democracy
219(13)
Gareth Dylan Smith
16 Multiple hierarchies as change-innovation strategy: Ambivalence as policy framing at the New World Symphony
232(15)
Patrick Schmidt
17 Neoliberalism as political rationality: A call for heretics
247(11)
Øivind Varkoy
18 Mobilising capitals in the creative industries: An investigation of emotional and professional capital in women creatives navigating boundaryless careers
258(17)
Pamela Burnard
Garth Stahl
19 Curriculum and assessment in the secondary school in England: The sociology of musical status
275(13)
Martin Fautley
20 Structure and agency in music education
288(12)
Chris Philpott
Gary Spruce
21 The hidden curriculum in higher music education
300(12)
Geir Johansen
22 Countering anomie and alienation: Music education as remix and life-hack
312(13)
Ruth Wright
PART III Crossing borders - problematising assumptions
325(179)
Introduction
327(3)
Panagiotis A. Kanellopoulos
23 Art-music-pedagogy: A view from a geopolitical cauldron
330(13)
Marion Haak-Schulenburg
Felicity Laurence
24 Music education, genderfication, and symbolic violence
343(11)
Siw Graabraek Nielsen
Petter Dyndahl
25 Reading Audre Lorde: Black lesbian feminist disidentifications in canonical sociology of music education
354(12)
Elizabeth Gould
26 Engaging contemporary ideas of community music through historical sociology
366(11)
Deanna Yerichuk
27 Cage(d): Creativity and `the contemporary' in music education - a sociological view
377(16)
Panagiotis A. Kanellopoulos
28 Towards a music education for maturing, never arriving
393(13)
Susan Young
29 From parallel musical identities to cultural omnivorousness and back: Strategies and functions of multi-layered musical conduct
406(12)
Sidsel Karlsen
30 Hunka, hunka burning love: Vernacular music education
418(14)
Kari K. Veblen
Stephanie Horsley
31 Challenges in music and inclusive education: Diversity, musical canon, and trialectic contract
432(11)
Ylva Hofvander Trulsson
32 Collaborative video logs: Virtual communities of practice and aliveness in the music classroom
443(13)
Christopher Cayari
33 Digital sociology, music learning, and online communities of practice
456(11)
Kari K. Veblett
Janice L. Waldron
34 The creative youth club: Double features of organic music education in a post-industrial city
467(12)
Johan Sodcrman
35 Intergenerational transmission of music listenership values in five US families: Music listening guidelines and sociolinguistic analysis
479(11)
Jillian L. Bracken
36 Engagement and agency in music education across the lifespan
490(14)
Jennifer Lang
Index 504
Ruth Wright is professor of music education in the Don Wright Faculty of Music at Western University in Canada.

Geir Johansen is professor emeritus of music education and music didactics at the Norwegian Academy of Music, Oslo, Norway.

Panagiotis A. Kanellopoulos serves as associate professor of music education at the University of Thessaly, Volos, Greece.

Patrick Schmidt is professor of music education at Western University, Canada.