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Royal Representations: Queen Victoria and British Culture, 1837-1876 [Hardback]

  • Formāts: Hardback, 322 pages, height x width x depth: 23x16x2 mm, weight: 624 g
  • Sērija : Women in Culture and Society
  • Izdošanas datums: 01-Feb-1999
  • Izdevniecība: University of Chicago Press
  • ISBN-10: 0226351130
  • ISBN-13: 9780226351131
  • Hardback
  • Cena: 106,73 €
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  • Formāts: Hardback, 322 pages, height x width x depth: 23x16x2 mm, weight: 624 g
  • Sērija : Women in Culture and Society
  • Izdošanas datums: 01-Feb-1999
  • Izdevniecība: University of Chicago Press
  • ISBN-10: 0226351130
  • ISBN-13: 9780226351131
Queen Victoria was one of the most complex cultural productions of her age. In Royal Representations, Margaret Homans investigates the meanings Victoria held for her times, Victoria's own contributions to Victorian writing and art, and the cultural mechanisms through which her influence was felt.

Arguing that being, seeming, and appearing were crucial to Victoria's "rule," Homans explores the variability of Victoria's agency and of its representations using a wide array of literary, historical, and visual sources. Along the way she shows how Victoria provided a deeply equivocal model for women's powers in and out of marriage, how Victoria's dramatic public withdrawal after Albert's death helped to ease the monarchy's transition to an entirely symbolic role, and how Victoria's literary self-representations influenced debates over political self-representation.

Homans considers versions of Victoria in the work of Elizabeth Barrett Browning, George Eliot, John Ruskin, Margaret Oliphant, Lewis Carroll, Alfred Lord Tennyson, and Julia Margaret Cameron.




Queen Victoria was one of the most complex cultural productions of her age. In Royal Representations, Margaret Homans investigates the meanings Victoria held for her times, Victoria's own contributions to Victorian writing and art, and the cultural mechanisms through which her influence was felt.

Arguing that being, seeming, and appearing were crucial to Victoria's "rule," Homans explores the variability of Victoria's agency and of its representations using a wide array of literary, historical, and visual sources. Along the way she shows how Victoria provided a deeply equivocal model for women's powers in and out of marriage, how Victoria's dramatic public withdrawal after Albert's death helped to ease the monarchy's transition to an entirely symbolic role, and how Victoria's literary self-representations influenced debates over political self-representation.

Homans considers versions of Victoria in the work of Elizabeth Barrett Browning, George Eliot, John Ruskin, Margaret Oliphant, Lewis Carroll, Alfred Lord Tennyson, and Julia Margaret Cameron.




Figures ix(4) Foreword xiii(4) Catharine R. Stimpson Acknowledgments xvii(2) Introduction: The Queens Agency xix 1 QUEEN VICTORIAS SOVEREIGN OBEDIENCE 1(57) The Queen Has No Equal: The Problem of a Female Monarchy 1(16) Privacy on Display: The Queen as Wife and Mother 17(16) The Queenly Courtship of Elizabeth Barrett 33(10) Photographic Realisms Abject Queens 43(15) 2 QUEEN VICTORIAS WIDOWHOOD AND THE MAKING OF VICTORIAN QUEENS 58(42) The Invisible Queen 58(9) Domestic Queens: Miss Marjoribanks 67(18) Making Queens: Of Queens Gardens and the Alice Books 85(15) 3 THE WIDOW AS AUTHOR AND THE ARTS AND POWERS OF CONCEALMENT 100(57) Bagehots The English Constitution 101(14) The Queens Books: The Early Years of His Royal Highness the Prince Consort 115(16) The Queens Books: Leaves from the Journal of Our Life in the Highlands 131(15) The Reform Bill and the Queens Footnotes 146(11) 4 QUEEN VICTORIAS MEMORIAL ARTS 157(72) Albert Memorials 157(22) Tennysons Idylls of the King as an Albert Memorial 179(23) Camerons Photographic Idylls: Allegorical Realism and Memorial Art 202(27) Epilogue: Empire of Grief 229(16) Notes 245(32) Index 277