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E-grāmata: Sacred Sound and the Transcultural Practice of Kirtan

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Ancient ideas on sacred sound find a very tangible and lively expression in the practice of kirtan, which is a broad term referring to various forms of devotional singing commonly done in South Asian traditions. Kirtan is a core practice in the Hindu and Sikh faiths that is becoming increasingly popular around the world among people of all ethnicities, thus developing as a transnational and transcultural phenomenon. Indeed, the broader cultural implications and deepening social penetration that this practice has achieved over the past five decades suggest that it is attaining permanent status in the world’s religious soundscape. Sacred Sound and the Transcultural Practice of Kirtan explores the practice of kirtan as it has been re-created in the United States, Canada, and Brazil through multi-sided interactions that generate new cultural patterns in an ongoing process of cross-pollination. Approaching kirtan as a type of ‘technology of the self’, Gustavo Moura combines textual, historical, and ethnographic sources to address the questions of how this practice is adopted and adapted in the Americas and how it has been shaping identities, communities, and traditions.



This book investigates how ideas on sacred sound and the practice of kirtan are transforming the American religious soundscape. The author approaches kirtan as a type of ‘technology of the self,’ which allows people to transform their lives in search for happiness, wisdom, and other types of perfection.

Recenzijas

Over the past few decades, the Indian devotional singing tradition known as Kirtan has become a global phenomenon, encompassing many new forms and styles and utilizing a variety of musical instruments. As both a scholar and practitioner, Gustavo Moura, in Sacred Sound and the Transcultural Practice of Kirtan, has provided a descriptive map of the types of Kirtan across several continents, as well as a sound theological and historical foundation for understanding what more and more appears to be a major transformational sacred practice around the world. -- Guy Beck, Tulane University

List of Tables and Figures

Introduction

Chapter 1: Indian Theories of Sacred Sound

Chapter 2: Kirtan Comes to America

Chapter 3: The Transculturation of Kirtan

Chapter 4: Tradition, Adaptation, and Authenticity

Chapter 5: The Soft Institutionalization of Kirtan

Conclusion

Epilogue: The Post-Pandemic Renewal of Kirtan

Appendix 1: Spotify Data for the Kirtan Artists Cited

Bibliography

About the Author

Gustavo Moura is a scholar of religion with academic training and lived experience in South Asian traditions.