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E-grāmata: SAGE Handbook of Television Studies

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  • Formāts: 480 pages
  • Izdošanas datums: 09-Dec-2014
  • Izdevniecība: SAGE Publications Inc
  • Valoda: eng
  • ISBN-13: 9781473914414
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  • Formāts: 480 pages
  • Izdošanas datums: 09-Dec-2014
  • Izdevniecība: SAGE Publications Inc
  • Valoda: eng
  • ISBN-13: 9781473914414
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"Genuinely transnational in content, as sensitive to the importance of production as consumption, covering the full range of approaches from political economy to textual analysis, and written by a star-studded cast of contributors" - Emeritus Professor Graeme Turner, University of Queensland

 "Finally, we have before us a first rate, and wide ranging volume that reframes television studies afresh, boldly synthesising debates in the humanities, cultural studies and social sciences...This volume should be in every library and media scholars bookshelf." - Professor Ravi Sundaram, Centre for the Study of Developing Societies

Bringing together a truly international spread of contributors from across the UK, US, South America, Mexico and Australia, this Handbook charts the field of television studies from issues of ownership and regulation through to reception and consumption.

Separate chapters are dedicated to examining the roles of journalists, writers, cinematographers, producers and manufacturers in the production process, whilst others explore different formats including sport, novella and soap opera, news and current affairs, music and reality TV. The final section analyses the pivotal role played by audiences in the contexts of gender, race and class, and spans a range of topics from effects studies to audience consumption.

The SAGE Handbook of Television Studies is an essential reference work for all advanced undergraduates, graduate students and academics across broadcasting, mass communication and media studies.

Recenzijas

Genuinely transnational in content, as sensitive to the importance of production as consumption, covering the full range of approaches from political economy to textual analysis, and written by a star-studded cast of contributors, the SAGE Handbook of Television Studies is a most distinctive and useful guide to the diverse interests, foci and theoretical formations of television studies today. -- Graeme Turner Finally, we have before us a first rate, and wide ranging volume that reframes television studies afresh, boldly synthesising debates in the humanities, cultural studies and social sciences. Even as the arrival of online digital media was heralded as the end of television as we knew it, this volume makes a renewed case for the continuing relevance of television studies for the twenty first century on a global scale. This volume should be in every library and media scholars bookshelf. -- Professor Ravi Sundaram Genuinely transnational in content, as sensitive to the importance of production as consumption, covering the full range of approaches from political economy to textual analysis, and written by a star-studded cast of contributors, the SAGE Handbook of Television Studies is a most distinctive and useful guide to the diverse interests, foci and theoretical formations of television studies today. -- Graeme Turner Finally, we have before us a first rate, and wide ranging volume that reframes television studies afresh, boldly synthesising debates in the humanities, cultural studies and social sciences. Even as the arrival of online digital media was heralded as the end of television as we knew it, this volume makes a renewed case for the continuing relevance of television studies for the twenty first century on a global scale. This volume should be in every library and media scholars bookshelf. -- Professor Ravi Sundaram This book does an admirable job of covering the world of television media studies [ and] provides in-depth analysis of many of the television systems in place around the world. [ The] chapter by Oliver Boyd-Barrett, "From Network to Post-Network Age of US Television News," should be required reading for all college students, not just television studies majors.  This volume provides a good introduction to television studies and a wealth of reference sources. -- Emeritus Professor J. M. King, University of Georgia

List of Figures and Tables
viii
Notes on the Editors and Contributors ix
Introduction xix
Toby Miller
PART I OWNERSHIP AND REGULATION
1(114)
1 How to Study Ownership and Regulation
3(19)
Des Freedman
2 Regulation and Ownership in the United States
22(14)
Allison Perlman
3 Television in Latin America: From Commercialism to Reform?
36(14)
Martin Becerra
Guillermo Mastrini
Silvio Waisbord
4 Ownership and Regulation of Television in Anglophone Africa
50(11)
Ruth Teer-Tomaselli
5 Ownership and Regulation in Europe
61(10)
Stylianos Papathanassopoulos
6 International Regulation and Organizations
71(12)
Paschal Preston
Roderick Flynn
7 Television in India: Ideas, Institutions and Practices
83(22)
Arvind Rajagopal
8 Mexican Research on TV: A Tradition Framed By a Powerful Quasi-Monopolistic TV System
105(10)
Guillermo Orozco
PART II MAKERS AND MAKING
115(88)
9 How to Study Makers and Making
117(16)
Miranda J. Banks
10 The Division of Labor in Television
133(11)
Michael Curtin
Kevin Sanson
11 From Network to Post-Net work Age of US Television News
144(19)
Oliver Boyd-Barrett
12 Hollywood Story: Diversity, Writing and the End of Television as We Know It
163(11)
Darnell Hunt
13 Television Cinematography
174(9)
Deborah Tudor
14 Options and Exclusivity: Economic Pressures on TV Writers' Compensation and the Effects on Writers' Room Culture
183(10)
Felicia D. Henderson
15 A Greener Screening Future: Manufacturing and Recycling as the Subjects of Television Studies
193(10)
Vicki Mayer
Clare Cannon
PART III CULTURAL FORMS
203(134)
16 Television Program Formats: Their Making and Meaning
205(20)
Albert Moran
17 Cultural Forms of Television: Sport
225(20)
David Rowe
18 Latin American Telenovelas: Affect, Citizenship and Interculturality
245(24)
Andre Dorce
19 Television News and Current Affairs
269(18)
Kathleen M. Ryan
Lisa McLaughlin
David Sholle
20 Music on Television
287(10)
Matthew Delmont
21 Reality Television
297(18)
Mark Andrejevic
22 Television Drama
315(10)
Jason Jacobs
23 Sperm Receptacles, Money-Hungry Monsters and Fame Whores: Reality Celebrity Motherhood and the Transmediated Grotesque
325(12)
Brenda R. Weber
Jennifer Lynn Jones
PART IV AUDIENCES, RECEPTION, CONSUMPTION
337(72)
24 From the Networks to New Media: Making Sense of Television Audiences
339(17)
Laura Grindstaff
25 Effects and Cultivation
356(10)
Michael Morgan
James Shanahan
Nancy Signorielli
26 Active Audience and Uses and Gratifications
366(11)
Helen Wood
27 Raced Audiences and the Logic of Representation
377(15)
L.S. Kim
28 Classed Audiences in the Age of Neoliberal Capitalism
392(17)
Mike Wayne
Index 409
Toby Miller is a British-Australian-US interdisciplinary social scientist. He is the author and editor of over 30 books, has published essays in more than 100 journals and edited collections, and is a frequent guest commentator on television and radio programs. His teaching and research cover the media, sports, labor, gender, race, citizenship, politics, and cultural policy, as well as the success of Hollywood overseas and the adverse effects of electronic waste. Millers work has been translated into Chinese, Japanese, Swedish, German, Turkish, Spanish and Portuguese. He has been Media Scholar in Residence at Sarai, the Centrefor the Study of Developing Societies in India, Becker Lecturer at the University of Iowa, a Queensland Smart Returns Fellow in Australia, Honorary Professor at the Center for Critical and Cultural Studies, University of Queensland, CanWest Visiting Fellow at the Alberta Global Forum in Canada, and an International Research collaborator at the Centre for Cultural Research in Australia.