Guides the reader to generate sought-after atmospheric effects with the most accessible type of kiln. This book is a must-have for those looking to push past perceived limitations and expand their surface possibilities in electric firing. -- Martina Lantin, Associate Professor of Ceramics, Alberta University of the Arts Excellent . . . the author describes step by step, with thoughtful advice and many photos, how to obtain the effects that normally are reserved for raku or pit firings . . . An invitation to experiment in complete confidence. -- Ceramics and Glass Journal (La Revue de la Ceramique et du Verre) Numerous beautiful sample photos . . . detailed and very clear . . . a source of inspiration . . . Highly recommended. -- Klei Keramiek magazine A carefully researched book documenting a unique pottery firing method. The text and accompanying photography is informative and excellently executed. -- Jeff Zamek, founder, Ceramics Consulting Services, author of The Ceramics Studio Guide: What Potters Should Know Taking the fear out of the atmosphere, [ this] is an accessible how to guide for small scale studios looking for various combustible results within the controlled environment of electric kilns. -- Ian McDonald, Artist-in-Residence and Area Head of Ceramics, Cranbrook Academy of Art
