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Samuel F. B. Morse's Gallery of the Louvre and the Art of Invention [Hardback]

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  • Formāts: Hardback, 224 pages, height x width: 254x241 mm, weight: 1452 g, 135 color illus.
  • Izdošanas datums: 25-Oct-2014
  • Izdevniecība: Yale University Press
  • ISBN-10: 0300207611
  • ISBN-13: 9780300207613
  • Formāts: Hardback, 224 pages, height x width: 254x241 mm, weight: 1452 g, 135 color illus.
  • Izdošanas datums: 25-Oct-2014
  • Izdevniecība: Yale University Press
  • ISBN-10: 0300207611
  • ISBN-13: 9780300207613
Insightful essays that offer a wide-ranging examination of a 19th-century American masterpiece Samuel F. B. Morses (17911872) Gallery of the Louvre (183133) is one of the most significant, and enigmatic,works of early 19th-century American art. It isalso one of the last works Morse painted before turninghis attention to the invention of the telegraph andMorse code.









A signature painting in the collection of the Terra Foundation for American Art, Gallery of the Louvre underwent an extensive conservation treatment in 201011 and was the focus of three symposia held at the Yale University Art Gallery (April 2011), the National Gallery of Art (April 2012), and the Pennsylvania Academy of the Fine Arts (April 2013). This collection of essays, carefully drawn from the proceedings of these scholarly sessions, brings together the fresh insights of academics, curators, and conservators, who focus on the paintings visual components and its cultural contexts. The book accompanies a multi-year tour of the painting to prominent museums across the country.











Distributed for the Terra Foundation for American Art

Exhibition Schedule:

Huntington Library, Art Collections and Botanical Gardens  (01/24/1504/04/15)

Amon Carter Museum of American Art  (05/23/1508/23/15)

Seattle Art Museum (10/01/1501/10/16)

Crystal Bridges Museum of American Art (JanuaryApril 2016)

Detroit Institute of Arts (JuneSeptember 2016)

Peabody Essex Museum (October 2016January 2017)

Reynolda House Museum of American Art (FebruaryJune 2017)

New Britain Museum of American Art (JuneOctober 2017)



Iris & B. Gerald Cantor Center for Visual Arts at Stanford University (November 2017March 2018)
Director's Foreword 6(2)
Elizabeth Glassman
Acknowledgments 8(3)
Plate 1 Gallery of the Louvre 11(1)
Plate 2 Key to the People and Art in Samuel F. B. Morse's Gallery of the Louvre 12(2)
Introduction: Samuel F. B. Morse's Gallery of the Louvre and the Art of Invention 14(20)
Peter John Brownlee
CONTEXTS
"The most splendid ... collection of works of art in the world": Morse and the Louvre
34(12)
Andrew Mcclellan
Images as Evidence? Morse and the Genre of Gallery Painting
46(14)
Catherine Roach
Morse's Models
60(16)
Z. Rachael Delue
Gallery of the Louvre as a Single-Painting Exhibition
76(12)
Tanya Pohrt
CONTENTS
The Sculpture Club
88(12)
Wendy Bellion
Morse and "Mechanical Imitation"
100(10)
Sarah Kate Gillespie
Inscribing Information, Inscribing Memories: Morse, Gallery of the Louvre, and the Electromagnetic Telegraph
110(20)
Jean-Philippe Antoine
Painting and Technology: Morse and the Visual Transmission of Intelligence
130(18)
Richard Read
Honey from the Louvre: Gleaning God's Word from the Old Masters
148(20)
David Bjelajac
The Forest of the Old Masters: The Chiaroscuro of American Places
168(16)
Alexander Nemerov
Gallery of the Louvre: Glazing and Problems of Preservation
184(8)
Lance Mayer
Gay Myers
Appendix Descriptive Catalogue of the Pictures, 1833 192(10)
Timeline 202(8)
Alissa Schapiro
Selected Bibliography 210(2)
Index 212(8)
Contributors 220(3)
Photography Credits 223
Peter John Brownlee is associate curator at the Terra Foundation for American Art.