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Sappho and Catullus in Twentieth-Century Italian and North American Poetry [Hardback]

(Durham University, UK)
  • Formāts: Hardback, 272 pages, height x width: 234x156 mm, weight: 553 g, 1 bw illus
  • Sērija : Bloomsbury Studies in Classical Reception
  • Izdošanas datums: 14-Jan-2021
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350101893
  • ISBN-13: 9781350101890
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  • Formāts: Hardback, 272 pages, height x width: 234x156 mm, weight: 553 g, 1 bw illus
  • Sērija : Bloomsbury Studies in Classical Reception
  • Izdošanas datums: 14-Jan-2021
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350101893
  • ISBN-13: 9781350101890
Citas grāmatas par šo tēmu:
"Going beyond exclusively national perspectives, this volume considers the reception of the ancient Greek poet Sappho and her first Latin translator, Catullus, as a literary pair who transmit poetic culture across the world from the early 20th century tothe present. Sappho's and Catullus' reception has shaped a transnational network of poets and intellectuals, helping to define ideas of origins, gender, sexuality and national identities. This book shows that across time and cultures translations and rewritings of Sappho and Catullus articulate modernist poetics of myth and fragmentation, forms of confessionalism and post-modern pastiche. The inquiry focuses on Italian and North American poetry as two central yet understudied hubs of Sappho's and Catullus' modern reception, also linked by a rich mutual intellectual exchange: key case-studies include Giovanni Pascoli, Ezra Pound, H.D., Salvatore Quasimodo, Robert Lowell, Rosita Copioli and Anne Carson, and cover a wide range of unpublished archival material. Texts are analysed and compared through reception and translation theories and inserted within the current debate on the Classics as World Literature, demonstrating how sustained transnational poetic discourse employs the ancient pair to expand notions of literary origins and redefine poetry's relationship to human existence"--

Going beyond exclusively national perspectives, this volume considers the reception of the ancient Greek poet Sappho and her first Latin translator, Catullus, as a literary pair who transmit poetic culture across the world from the early 20th century to the present. Sappho's and Catullus' reception has shaped a transnational network of poets and intellectuals, helping to define ideas of origins, gender, sexuality and national identities.

This book shows that across time and cultures translations and rewritings of Sappho and Catullus articulate modernist poetics of myth and fragmentation, forms of confessionalism and post-modern pastiche. The inquiry focuses on Italian and North American poetry as two central yet understudied hubs of Sappho's and Catullus' modern reception, also linked by a rich mutual intellectual exchange: key case-studies include Giovanni Pascoli, Ezra Pound, H.D., Salvatore Quasimodo, Robert Lowell, Rosita Copioli and Anne Carson, and cover a wide range of unpublished archival material. Texts are analysed and compared through reception and translation theories and inserted within the current debate on the Classics as World Literature, demonstrating how sustained transnational poetic discourse employs the ancient pair to expand notions of literary origins and redefine poetry's relationship to human existence.

Recenzijas

Piantanida is to be commended on a thoughtful and fascinating study, and her work deserves to be followed and appreciated. * Classics for All * My favourite part of this book comes at the end of an excellent chapter on the Italian poet and translator, Salvatore Quasimodo, where Piantanida recounts Mary Barnards encounter with Lirici Greci Piantanidas significant achievement is to offer anglophone readers the chance to encounter hugely important literary figures such as Pascoli and Quasimodo, and to remind us of the important status of Italy and its modern and contemporary literature in classical reception studies. * The Classical Review *

Papildus informācija

The first study of the transnational reception of Sappho and Catullus in 20th- and 21st-century poetry.
Acknowledgements ix
Introduction: The Slow Fire 1(22)
The poets and their texts
4(4)
World reception/world authors
8(6)
Global palimpsests
8(4)
Poetry is Sappho and Catullus
12(1)
The `translocal stretch'
13(1)
From Italy to North America and Back
14(3)
Who? What? When? And Why?
17(6)
1 Mythical Rewritings
23(30)
Sappho and Catullus at the origins: Pascoli's poetic laboratory (1877-84)
26(10)
Sappho
26(7)
Catullus
33(3)
Modern myths: 1895-1899
36(17)
Sappho and the blooming flowers of dusk
36(6)
Catullus and the perpetual ritual of lyric
42(11)
2 Modernist Rites
53(32)
Sappho and Catullus Imagistes
56(14)
Angels and drabs in Pounds Lustra (1917)
58(8)
H.D.'s Sappho in the Imagist period
66(4)
Sappho and Catullus beyond Imagism
70(15)
Erotic ritualism: H.D.'s Hymen (1921) and Heliodora (1924)
70(9)
The second phase in Pound's reception: The two masks of Eros
79(2)
The third phase in Pound's reception: Private and public poetry
81(4)
3 Classical Hermeticism
85(28)
Tradition and translation toward a lyric absolute
90(7)
Sappho as a lyric abstraction: Poetic voice in Lirici greci
97(5)
Quasimodo's elegiac Catullus
102(6)
Lirici\grech reception
108(5)
4 The Self and the Object
113(28)
Rewriting the self with Catullus: Lowell's Life Studies
117(5)
Sappho through a prism
122(8)
Objectivist Catullus: The Zukofskys' translations
130(11)
5 Body vs Soul
141(28)
Ceronetti's anti-establishment Catullus
147(9)
The brightness of Sappho and Catullus
153(3)
Copioli's spiritual eroticism
156(13)
6 Postmodern Sappho and Catullus
169(26)
Triangulating eros
172(2)
(Un)Knowing Sappho and Catullus: Men in the Off Hours (2000)
174(11)
Sappho disappears
174(4)
Catullus beyond himself
178(7)
Floating with Sappho
185(6)
Giving thanatos back to eros: Catullus in Nox (2010)
191(4)
Epilogue 195(6)
Notes 201(18)
List of Manuscripts 219(1)
Audio-visual Material 220(1)
Works Cited 221(22)
Index 243
Cecilia Piantanida is Teaching Fellow in Italian at the School of Modern Languages and Cultures of the University of Warwick, UK.