Preface |
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xiii | |
Acknowledgments |
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xvii | |
Abbreviations |
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xxi | |
Note on Texts and Translations |
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xxv | |
About the Companion Website |
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xxix | |
Introduction |
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1 | (19) |
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1 On Development and Influences |
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20 | (29) |
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1.1 Who Am I?/My Evolution (Retrospective/Looking Back), November 29, 1949 |
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20 | (17) |
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1.2 My Models, June 6, 1928 |
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37 | (1) |
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1.3 A Self-Analysis (Maturity), March 3, 1948 |
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38 | (6) |
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1.4 Schoenberg Looks Backward---and Ahead, September 26, 1948 |
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44 | (5) |
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49 | (40) |
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2.1 Discussion over Radio Berlin with Preußner and Strobel, March 30, 1931 |
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49 | (17) |
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2.2 First American Radio Broadcast, November 19, 1933 |
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66 | (5) |
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2.3 Interview with Max van Leuven Swarthout, Fall 1935 |
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71 | (5) |
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2.4 Radio Interview with Raoul Gripenwaldt, July 7, 1948 |
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76 | (7) |
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2.5 To the Birthday of Broadcasts of Contemporary Music, September 12, 1948 |
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83 | (1) |
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2.6 For the Broadcast, August 22, 1949 |
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84 | (1) |
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2.7 For My Broadcast, August 23, 1949 |
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85 | (4) |
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89 | (20) |
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3.1 Polytonalists [ I], April 21, 1923, and Polytonalists [ II], November 29, 1923 |
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89 | (3) |
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3.2 Notes for an Essay Entitled, "The Contemporary Situation in Music," 1929 |
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92 | (2) |
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3.3 What Have People to Expect from Music? November 7, 1935 |
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94 | (4) |
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3.4 Teaching and Modern Trends, June 30, 1938 |
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98 | (3) |
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3.5 Advice for Beginners in Composition with Twelve Tones, 1951 |
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101 | (6) |
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3.6 This is Probably the Solution to the Problem, Undated |
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107 | (2) |
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4 On Compositions: 1898--1907 |
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109 | (72) |
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4.1 Polytonality in My Works, December 12, 1924 |
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109 | (3) |
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4.2 Arnold Schoenberg Writes the Following about Himself and His String Quartet[ sic], October 21, 1902 |
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112 | (1) |
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4.3 Program Notes to the Second Arnold Schoenberg Evening (Chamber Music in Large Halls), June 3, 1919 |
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113 | (2) |
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4.4 Excerpt from the Harmonielehre about Ninth Chords in Inversion, 1922 |
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115 | (2) |
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4.5 Constructives in Verklarte Nacht, 1932 |
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117 | (3) |
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4.6 Letter to Bruno Walter, December 23, 1943 |
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120 | (2) |
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4.7 Liner Notes for the Capitol Records Release o/Verklarte Nacht, August 26, 1950 |
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122 | (7) |
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4.8 Symphonic Introductory Music to Pelleas und Melisande by Maeterlinck, perhaps 1902 |
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129 | (1) |
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4.9 Proposed Program of Pelleas und Melisande, 1902--3 |
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130 | (1) |
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4.10 Letter to Alexander von Zemlinsky, February 20, 1918 |
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131 | (6) |
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4.11 Excerpts from the Harmonielehre about Whole-Tone Chords and Chords in Fourths, 1922 |
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137 | (3) |
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4.12 Keywords for a "Free" Lecture in Boston with the Aid of Slonimsky, January 4, 1934 |
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140 | (3) |
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4.13 Liner Notes for the Capitol Records Release of Pelleas und Melisande, 1949 |
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143 | (5) |
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4.14 Foreword to a Broadcast of the Capitol Recording of Pelleas und Melisande, February 17, 1950 |
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148 | (1) |
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4.15 Excerpts from an Analysis of Eight Songs, op. 6, no. 7, "Lockung," 1948 |
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149 | (2) |
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4.16 Private Program for the First String Quartet, 1904 |
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151 | (2) |
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4.17 Analysis of the First String Quartet, 1907 |
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153 | (4) |
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4.18 Cues for a Lecture on the First String Quartet at the University of Southern California, ca. 1935 |
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157 | (3) |
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4.19 Excerpts from The Musical Idea and the Logic, Technique, and Art of Its Presentation, 1934--37 |
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160 | (3) |
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4.20 Liner Notes for the Dial Records Release of the First Chamber Symphony, 1949 |
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163 | (8) |
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4.21 Rigoletto and Kammersymphonie, an Analysis, perhaps 1936 |
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171 | (5) |
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4.22 Class Analyses of the Kammersymphonie, op. 9, after 1944 |
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176 | (2) |
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4.23 Letter to Hermann Scherchen, June 23, 1923 |
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178 | (3) |
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5 On Compositions: 1908-1922 |
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181 | (62) |
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5.1 Class Analyses of the Second String Quartet, after 1944 |
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181 | (2) |
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5.2 Program Notes for the Society for Art and Culture: New Compositions by Arnold Schoenberg, January 14, 1910 |
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183 | (2) |
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5.3 Introduction to the Three Pieces for Piano, July 27, 1949 |
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185 | (2) |
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5.4 Excerpt from the Berlin Diary, January 28, 1912 |
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187 | (2) |
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5.5 Excerpt from the Harmonielehre about Erwartung, 1922 |
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189 | (2) |
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5.6 Letter to Leopold Stokowski, July 2, 1945 |
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191 | (2) |
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5.7 At the Time When I Painted, April 5, 1948 |
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193 | (1) |
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5.8 Introductory Remarks for a New York Philharmonic Society Broadcast of "Lied der Waldtaube" from Gurrelieder, October 30, 1949 |
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194 | (3) |
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5.9 Notes on the Gurrelieder, January 12, 1951 |
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197 | (4) |
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5.10 Notes for the Columbia Records Release of Pierrot lunaire, 1941 |
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201 | (2) |
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5.11 Breslau Lecture on Die gluckliche Hand, March 24, 1928 |
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203 | (7) |
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5.12 The Simplified Study/Conductor's Score: Foreword to the Four Orchestral Songs, op. 22, September 1917 |
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210 | (5) |
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5.13 Analysis of the Four Orchestral Songs, op. 22, February 21, 1932 |
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215 | (25) |
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5.14 Program and Plan for a Symphony, before May 27, 1914 |
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240 | (3) |
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6 On Compositions: 1923--1934 |
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243 | (102) |
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6.1 Two Letters to Nicholas Slonimsky, June 3, 1937, and January 2, 1940 |
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243 | (3) |
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6.2 About Wilhelm Werker's Study of the Symmetry of Fugues, etc. in Bach, September 20, 1928 |
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246 | (2) |
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6.3 Method of Composing with Twelve Tones Only Related to One Another, 1935 |
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248 | (31) |
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6.4 Preliminary Remarks about opp. 27 and 28 to Be Placed after the Title Page, before the First Page of Score (Unused), early 1926 |
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279 | (4) |
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6.5 (Definite) Foreword to opp. 27 and 28, 1926 |
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283 | (3) |
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6.6 Movement Titles for the Suite, op. 29, 1924 |
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286 | (1) |
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6.7 Excerpt from a Letter to Rudolf Kolisch, July 27, 1932 |
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287 | (1) |
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6.8 Interview with Myself (Ideas of Arnold Schoenberg), October 6, 1928 |
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288 | (6) |
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6.9 Radio Lecture on the Variations for Orchestra, March 22, 1931 |
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294 | (25) |
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6.10 A Letter and a Draft of a Letter to Olin Downes, November 8, 1938 |
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319 | (3) |
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6.11 Radio Lecture for a Performance of Von heute auf morgen, February 27, 1930 |
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322 | (5) |
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6.12 Draft of a Foreword for a Publicity Flier for Von heute auf morgen, after April 1, 1930 |
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327 | (1) |
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328 | (1) |
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6.14 Letter to Walter Eidlitz, March 15, 1933 |
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329 | (2) |
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6.15 The Transplanted Composer, 1950 |
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331 | (1) |
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6.16 Letter to Pablo Casals, February 20, 1933 |
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332 | (3) |
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6.17 About the String Quartet Concerto, before February 17, 1935 |
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335 | (2) |
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6.18 Draft of a Foreword to the Suite for String Orchestra for College Orchestra Composed by Arnold Schoenberg, perhaps 1935 |
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337 | (2) |
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6.19 Draft of a Letter to Olin Downes, October 1935 |
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339 | (6) |
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7 On Compositions: 1936--1947 |
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345 | (78) |
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7.1 Letter to Louis Krasner, March 3, 1939 |
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345 | (2) |
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7.2 Program Notes to and Audio Commentary for the Kolisch Quartet Recording of the Four String Quartets, 1936 |
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347 | (7) |
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7.3 Program Notes for the Juilliard String Quartet Performance of the Four String Quartets, end of December 1949 or early January 1950 |
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354 | (42) |
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7.4 Letter to Alfred V. Frankenstein, March 18, 1939 |
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396 | (2) |
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7.5 To Kol nidre, 1938 or later |
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398 | (3) |
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7.6 Draft of a Letter to Elliot E. Cohen, January 28, 1950 |
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401 | (2) |
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7.7 Radio Interview with Lisa Sergio, November 1940 |
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403 | (3) |
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7.8 Table of Motives, 1948 |
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406 | (2) |
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7.9 Letter to Donald W. Gray, April 19, 1950 |
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408 | (2) |
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7.10 How I Came to Compose the Ode to Napoleon, perhaps 1944 |
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410 | (3) |
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7.11 Program for the Piano Concerto, 1942 |
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413 | (1) |
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7.12 Two Documents about the Theme and Variations, perhaps 1944 |
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414 | (4) |
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7.13 My Fatality, March 9, 1949 |
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418 | (3) |
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7.14 Excerpt from a Letter to Kurt List, November 1, 1948 |
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421 | (2) |
Epilogue: Melodrama and Choir---Retrospective/Looking Back, Undated |
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423 | (2) |
Personalia |
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425 | (20) |
Select Bibliography |
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445 | (10) |
Select Discography |
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455 | (2) |
Index |
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457 | |