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Science Fiction and Climate Change: A Sociological Approach [Hardback]

(School of Languages, Literatures, Cultures and Linguistics, Monash University (Australia)), (School of Languages, Literatures, Cultures and Linguistics, Monash University (Australia))
  • Formāts: Hardback, 248 pages, height x width: 239x163 mm, 2 Illustrations, black and white
  • Sērija : Liverpool Science Fiction Texts & Studies 63
  • Izdošanas datums: 27-Mar-2020
  • Izdevniecība: Liverpool University Press
  • ISBN-10: 1789621720
  • ISBN-13: 9781789621723
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  • Hardback
  • Cena: 48,20 €
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  • Formāts: Hardback, 248 pages, height x width: 239x163 mm, 2 Illustrations, black and white
  • Sērija : Liverpool Science Fiction Texts & Studies 63
  • Izdošanas datums: 27-Mar-2020
  • Izdevniecība: Liverpool University Press
  • ISBN-10: 1789621720
  • ISBN-13: 9781789621723
Citas grāmatas par šo tēmu:
An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched.

Shortlisted for the British Science Fiction Association Best Non-Fiction Award 2020 Shortlisted for the Locus Science Fiction Foundation Non-Fiction Award 2021

Despite the occasional upsurge of climate change scepticism amongst Anglophone conservative politicians and journalists, there is still a near-consensus amongst climate scientists that current levels of atmospheric greenhouse gas are sufficient to alter global weather patterns to disastrous effect. The resultant climate crisis is simultaneously both a natural and a socio-cultural phenomenon and in this book Milner and Burgmann argue that science fiction occupies a critical location within this nature/culture nexus. Science Fiction and Climate Change takes as its subject matter what Daniel Bloom famously dubbed cli-fi. It does not, however, attempt to impose a prescriptively environmentalist aesthetic on this sub-genre. Rather, it seeks to explain how a genre defined in relation to science finds itself obliged to produce fictional responses to the problems actually thrown up by contemporary scientific research. Milner and Burgmann adopt a historically and geographically comparatist framework, analysing print and audio-visual texts drawn from a number of different contexts, especially Australia, Britain, Canada, China, Finland, France, Germany, Japan and the United States. Inspired by Williams's cultural materialism, Bourdieu's sociology of culture and Moretti's version of world systems theory, the book builds on Milners own Locating Science Fiction to produce a powerfully persuasive study in the sociology of literature.

 

Recenzijas

'[ This] volume offers an interesting introductory overview covering a variety of climate fictions... The clear, easily accessible writing style and overall useful introductory nature of the material would definitely recommend the volume as a text for undergraduates studying climate fictions as part of a literary studies or cultural studies curriculum.' Anya Heise-von der Lippe, Journal of the Fantastic in the Arts 'Andrew Milner and J.R. Burgmanns Science Fiction and Climate Change: A Sociological Approach adds some vitally needed critical rigor to the burgeoning subgenre of SF literature and media Daniel Bloom has labelled cli-fi, that is, climate fiction.' Jerome Winter, SFRA Review 'Science Fiction and Climate Change is a comprehensive examination of the current state of CF [ climate fiction]. It is pleasingly open to genre and form, and Milner and Burgmann's accessible style results in a book that is at once objective sociological-literary commentary and personal reflection on the practice of CF research.'



Jasmin Kirkbride, Green Letters

Acknowledgements ix
1 Ice, Fire and Flood: A Short Pre-history of Climate Fiction
1(22)
1 Flood Narratives: Gilgamesh and Noah
3(2)
2 Flood Narratives in Modern Science Fiction
5(9)
3 Ice and Fire
14(6)
4 Conclusion
20(3)
2 A Theoretical Interlude
23(28)
1 Cli-fi and SF
23(5)
2 Ecocriticism, Anthropocentrism and the Anthropocene
28(7)
3 Cli-fi and the Sociology of Literature
35(5)
4 Towards an Ideal Typology of Climate Fictions
40(8)
5 Narrative Strategies and Tactics
48(3)
3 Climate Fiction and the World Literary System
51(24)
1 Heat and The Sea and Summer
51(4)
2 Science Fiction and the World Literary System
55(8)
3 Climate Fiction and the World Literary System
63(12)
4 The Classical Dystopia in Climate Fiction
75(24)
1 Denial
77(3)
2 Mitigation
80(2)
3 Negative Adaptation
82(5)
4 Positive Adaptation
87(5)
5 Gaia
92(7)
5 The Critical Dystopia in Climate Fiction
99(23)
1 Denial
99(2)
2 Mitigation
101(2)
3 Negative Adaptation
103(7)
4 Positive Adaptation
110(5)
5 Gaia
115(7)
6 The Problem of Fatalism in Dystopian Climate Fiction
122(24)
1 Fatalism in the Classical Dystopia
122(7)
2 Fatalism in the Critical Dystopia
129(8)
3 Time-travelling and Fatalism
137(9)
7 Base Reality Texts and Eutopias
146(25)
1 Base Reality Texts
147(10)
2 (Mainly) Critical Eutopias
157(11)
3 Cli-fi Narratives in Summary
168(3)
8 Cli-fi in Other Media
171(19)
1 Other Print Media
171(7)
2 Recorded Popular Music
178(4)
3 Audio-visual Media
182(8)
9 Changing the Climate: Some Provisional Conclusions
190(5)
Bibliography 195(22)
Index 217
Andrew Milner is Professor Emeritus of English and Comparative Literature at Monash University. J.R. Burgmann is a PhD student in Creative Writing at Monash University.