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Science Images and Popular Images of the Sciences [Mīkstie vāki]

Edited by (New York University, USA), Edited by (University of Bielefeld, Germany)
  • Formāts: Paperback / softback, 346 pages, height x width: 229x152 mm, weight: 640 g, 2 Tables, black and white; 55 Illustrations, black and white
  • Sērija : Routledge Studies in Science, Technology and Society
  • Izdošanas datums: 20-Jun-2012
  • Izdevniecība: Routledge
  • ISBN-10: 0415512409
  • ISBN-13: 9780415512404
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  • Mīkstie vāki
  • Cena: 62,51 €
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  • Formāts: Paperback / softback, 346 pages, height x width: 229x152 mm, weight: 640 g, 2 Tables, black and white; 55 Illustrations, black and white
  • Sērija : Routledge Studies in Science, Technology and Society
  • Izdošanas datums: 20-Jun-2012
  • Izdevniecība: Routledge
  • ISBN-10: 0415512409
  • ISBN-13: 9780415512404
Citas grāmatas par šo tēmu:

What is a popular image of science and where does it come from? Little is known about the formation of science images and their transformation into popular images of science. In this anthology, contributions from two areas of expertise: image theory and history and the sociology of the sciences, explore techniques of constructing science images and transforming them into highly ambivalent images that represent the sciences. The essays, most of them with illustrations, present evidence that popular images of the sciences are based upon abstract theories rather than facts, and, equally, images of scientists are stimulated by imagination rather than historical knowledge.

Figures and Tables
ix
PART I Popularizing Science Images: Introduction
1(52)
1 Images in and of Science
3(30)
Bernd Huppauf
Peter Weingart
2 Science Images between Scientific Fields and the Public Sphere: A Historiographical Survey
33(20)
Sybilla Nikolow
Lars Bluma
PART II Towards a Science of Images
53(44)
3 Image Science
55(14)
W.J.T. Mitchell
4 Popular Images versus Self-Images of Science: Visual Representations of Science in Clipart Cartoons and Internet Photographs
69(28)
Joachim Schummer
Tami I. Spector
PART III Science Images
97(128)
5 The Frog's Two Bodies: The Frog in Science Images
99(26)
Bernd Huppauf
6 Science from Hell: Jack the Ripper and Victorian Vivisection
125(34)
Colin Milburn
7 The Scientist as Personality: Elaborating a Science of Intimacy in the Nadar/Chevreul Interview (1886)
159(22)
Charlotte Bigg
8 Visual Arguments: The Role of Images in Sciences and Mathematics
181(18)
Dieter Mersch
9 Imagination, Multimodality and Embodied Interaction: A Discussion of Sound and Movement in Two Cases of Laboratory and Clinical Magnetic Resonance Imaging
199(26)
Lisa Cartwright
Morana Alac
PART IV Science Images and Contemporary Art
225(14)
10 Neuroscience and Contemporary Art: An Interview
227(12)
Gabriele Leidloff
Wolf Singer
PART V Images of Science
239(84)
11 Women Scientists in Mainstream Film: Social Role Models---A Contribution to the Public Understanding of Science from the Perspective of Film Sociology
241(16)
Eva Flicker
12 Stereotypes and Images of Scientists in Fiction Films
257(10)
Petra Pansegrau
13 The Ambivalence towards New Knowledge: Science in Fiction Film
267(16)
Peter Weingart
14 Unforgettable? Science, Prosthetic Memory, Film
283(18)
Lutz Koepnick
15 The Self-Referential Scientist: Narrative, Media, and Metamorphosis in Cronenberg's The Fly
301(22)
Bruce Clarke
Contributors 323(6)
Index 329
Peter Weingart is Professor of Sociology at the University of Bielefeld, Germany.

Bernd Huppauf is a Professor at New York University