Atjaunināt sīkdatņu piekrišanu

Science and Sound in Nineteenth-Century Britain: Sound Transformed [Hardback]

  • Hardback
  • Cena: 191,26 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Bibliotēkām
Sound and Science in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship between British scientific knowledge and sound between 1815 and 1900. This collection will be of great interest to students and scholars of the History of Science.

Sound and Science in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship between British scientific knowledge and sound between 1815 and 1900. In the context of rapid urbanization and industrialization, as well as a growing overseas empire, Britain was home to a rich scientific culture in which the ear was as valuable an organ as the eye for examining nature. Experiments on how sound behaved informed new understandings of how a diverse array of natural phenomena operated, notably those of heat, light, and electro-magnetism. In nineteenth-century Britain, sound was not just a phenomenon to be studied, but central to the practice of science itself and broader understandings over nature and the universe. This collection, accompanied by extensive editorial commentary, will be of great interest to students and scholars of the History of Science.
Volume 4

Acknowledgements

Chronology

Introduction






John Tyndall, Sound: A Course of Eight Lectures Delivered at the Royal
Institution of Great Britain, (Longmans, Green, and Co: London, 1867), pp.
vii-ix and 255-325.



George Biddell Airy, On the Elements of Musical Harmony and Melody, and of
Simple Musical Composition, On Sound and Atmospheric Vibrations, with the
Mathematical Elements of Music. Designed for the Use of Students of the
University, (Macmillan and Co: London, 1868), pp. 197-231.



Hermann Helmholtz, On the Sensations of Tone as a Physiological Basis for the
Theory of Music, (Trans.), Alexander J. Ellis, (Longmans, Green, and Co:
London, 1875), pp. v-xi, 11-37, 56-77.



J. W. Strutt, The Theory of Sound, vol. 1 of 2 (Macmillan: London, 1877), pp.
v-vi, 1-66.



J. W. Strutt, The Theory of Sound, vol. 2 of 2 (Macmillan: London, 1877), pp.
85-134.



(Anon.), "Recent Developments in Acoustical Science", 19th Aug., 1878, The
Times, (London, England), Issue 29337, p.
4.



Edmund Gurney, The Power of Sound, (Smith, Elder, & Co: London, 1880), pp.
v-xi, 1-39, 113-126, 178-201, 524-539.



Richard Wallaschek, Primitive Music: An Inquiry into the Origin and
Development of Music, Songs, Instruments, Dances, and Pantomimes of Savage
Races (London: Longmans, Green, and Co, 1893), pp. 237-289.

Bibliography

Index
Dr Edward J. Gillin is Lecturer in the History of Building Sciences and Technology at the Bartlett School of Sustainable Construction in University College London. A cultural historian of nineteenth-century Britain, he specialises in questions of science, technology, and architecture, and how these relate to broader histories of society, politics, and religion.