This book, in its first part, contains units of conceptual history of several topics of physics based on the research in physics education and research based articles with regard to several topics involved in teaching science in general and physics in particular. The second part of the book includes the framework used, the approach considering science knowledge as a special type of culture discipline-culture. Within this approach, scientific knowledge is considered as comprised of a few inclusive fundamental theories each hierarchically structured in a triadic pattern: nucleus-body-periphery. While nucleus incorporates the basic principles and body comprises their implementations in the variety of laws, models, and experiments, periphery includes concepts at odds to the nucleus. This structure introduces knowledge in its conceptual variation thus converting disciplinary knowledge to cultural-disciplinary one. The approach draws on history and philosophy of science (HPS) necessary for meaningful learning of science. It is exemplified in several aspects regarding teaching physics, presenting history in classes, considering the special nature of science, and using artistic images in regular teaching. The revealed conceptual debate around the chosen topics clarifies the subject matter for school students and teachers encouraging construction of Cultural Content Knowledge. Often missed in teachers' preparation and common curriculum it helps genuine understanding of science thus providing remedy of students' misconceptions reported in educational research.
Part I. Conceptual Excursus.- 1 Understanding Classical Mechanics: A
Dialogue with the Cartesian Theory of Motion.- 2 De Motu The History of the
Understanding of Motion, from Aristotle to Newton.- 3 Optical Image and
Vision: From Pythagoras to Kepler.- 4 Inertial Force The Unifying Concept.-
5 Weight Concept: From Aristotle to Newton and then to Einstein.- Part II
Perspectives.- 6 Scientific Knowledge as a Culture a Paradigm of Knowledge
Representation for the Meaningful Teaching and Learning Science.- 7 Teaching
Optics: A Historico-Philosophical Perspective.- 8 From Comparison between
Scientists to Gaining Cultural Scientific Knowledge - Leonardo and Galileo.-
9 A Refined Account of Nature of Science.- 10 On the Power of Fine Arts
Pictorial Imagery in Science Education.- 11 Epilogue Discipline-Culture for
the Pleasure of Understanding.
Igal Galili was trained in theoretical physics in The Hebrew University of Jerusalem. He further specialized in physics education research and teaching development in the universities of San Diego (SDSU) and Berkeley (UCB). For years, he served as a professor of science education, a head of the science teaching department and the Amos de Shalit Science Teaching Centre in the Faculty of Mathematics and Natural Science at the Hebrew University of Jerusalem. His study explored the physics knowledge of school students and teachers structuring it in terms scheme-facets of knowledge. In considering the subject matter for teaching physics he investigated the topics of optics, mechanics, and electromagnetism introducing their conceptual structure and potential obstacles for understanding. He explored the new approaches to teaching physical concepts (in particular their operational definition and relationship with the structure of knowledge). This study eventually arrived to the production of the paradigm of discipline-culture (DC) as a framework of the scientific knowledge to be mirrored in school curriculum. Three different forms of DC-based curriculum were introduced and developed in the forms of long and short disciplinary courses, conceptual excursus and summary lecture. It was suggested to use artistic images in the holistic representation of scientific ideas and of the features of science nature. His studies were published in international research journals and supported his production of physics textbooks in introductory physics (classical and modern). In particular, a special culturally oriented course of optics was produced. It considered theory of light and vision as a cluster of four fundamental theories (rays, particles, waves and photons).
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