[ With] sharp historical observations and astute readings, [ Johnson pulls] dark political realities from movies that on the surface are about extraterrestrial or supernatural realms. This astute survey will fire up readers to fight back against the patriarchy. Publishers Weekly For every woman who knew, deep down, her best bet was to be a final girl Johnsons witty, sharp analyses of horror will get you to the other side. With government-sanctioned misogyny on the rise, there couldn't be a better time. Cat Bohannon, New York Times bestselling author of Eve The contention that domestic and reproductive violence is dramatized in iconic horror films made during the height of feminisms second wave is the startling, provocative, and ultimately persuasive thesis of this brilliant, riveting volume of cinematic feminist analysis. That chauvinistic male directorsat least one a perpetrator himselfcan bring searing social and political inquiry to the fore of our cultures consciousness is not only fascinating but arguably a beacon of hope for change. Dorchen Leidholdt, Esq., Director of the Center for Battered Womens Legal Services, Columbia Law School These movies are some of the most important works of horror in the modern era. You will never look at them the same way again after reading this remarkable book. Johnson offers the keythe skeleton key, one might sayto the real-life horrors that lay, not too deeply buried for those who care to look, underneath the frightful surface of domestic life for American women in the 1970s, and that lies there again in the 2020s. Johnson caresbrilliantly, passionatelyand makes us care, too. Jeremy Dauber, author of American Scary: A History of Horror, from Salem to Stephen King and Beyond Im not a fan of horror movies, but as a woman (and mother) living in 21st-century America, Im recommending Scream With Me to everyone I know. With force and insight, Johnson reexamines classics like Rosemarys Baby, The Exorcist, Alien, and The Shining through a feminist lens, showing how, by forcing their audiences to viscerally feel their protagonists fear, these films helped advance conversations around coercive control, sexual assault, and other forms of domestic abuseand (in the case of Rosemarys Baby) likely even contributed to the fight for abortion rights. Today, in a moment when many of womens hard-won rights are being stripped away, Johnson makes a fierce, convincing case that whats happening in real life should be making us scream, and that horror isnt just entertainmentit can be a catalyst for change. Catherine Price, author of The Power of Fun
