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Screen Interiors: From Country Houses to Cosmic Heterotopias [Hardback]

Edited by (Parsons School of Design, The New School, USA), Edited by (Kingston University, UK)
  • Formāts: Hardback, 368 pages, height x width x depth: 236x158x24 mm, weight: 750 g, 47 bw illus
  • Izdošanas datums: 06-May-2021
  • Izdevniecība: Bloomsbury Visual Arts
  • ISBN-10: 1350150584
  • ISBN-13: 9781350150584
  • Hardback
  • Cena: 107,30 €*
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  • Formāts: Hardback, 368 pages, height x width x depth: 236x158x24 mm, weight: 750 g, 47 bw illus
  • Izdošanas datums: 06-May-2021
  • Izdevniecība: Bloomsbury Visual Arts
  • ISBN-10: 1350150584
  • ISBN-13: 9781350150584
"Covering everything from Hollywood films to Soviet cinema, London's queer spaces to spaceships and horror architecture, Screen Interiors presents an array of innovative perspectives on film design. Authors explore how design can facilitate action and amplify tensions, how rooms are employed as structural devices and how designed spaces can contribute to the construction of identities. With a lens on class, sexuality and identity across a range of films including Twilight of a Woman's Soul (1913), Caravaggio (1986), and Passengers (2016), and illustrated with film stills throughout, this book showcases methodological approaches for the study of film and design history"--

Covering everything from Hollywood films to Soviet cinema, London's queer spaces to spaceships, horror architecture and action scenes, Screen Interiors presents an array of innovative perspectives on film design.

Essays address questions related to interiors and objects in film and television from the early 1900s up until the present day. Authors explore how interior film design can facilitate action and amplify tensions, how rooms are employed as structural devices and how designed spaces can contribute to the construction of identities. Case studies look at disjunctions between interior and exterior design and the inter-relationship of production design and narrative.

With a lens on class, sexuality and identity across a range of films including Twilight of a Woman's Soul (1913), The Servant (1963), Caravaggio (1986), and Passengers (2016), and illustrated with film stills throughout, Screen Interiors showcases an array of methodological approaches for the study of film and design history.

Recenzijas

In this stellar collection of essays, both scholarly and entertaining ... [ Screen Interiors] offer[ s] a variety of methodological approaches to the interpretation of set designs and interior spaces created for film and television productions. The contributions highlight the complex ways in which interiors contribute to meaning in works of cinematic art spanning the period from early twentieth century silent films to the 2010s. * Design and Culture * This engaging and highly readable collection is the most comprehensive and scholarly exploration of the subject available, but it reads like a lively conversation among friends. From broad cultural themes to minute details, the essays included here answer myriad questions about how interiors, props, and visual cues shape our reactions to on-screen stories and images. An indispensable resource for anyone who has ever wondered how movies and TV shows are made and why they matter so much to us, this book is both a remarkable achievement and a delight to read. -- Alice Friedman, Glace Slack McNeil Professor of American Art, Wellesley College, USA Innovative and excitingfascinating topics, new research, wide-ranging approaches, and fresh interpretations, marshalled with sophisticated editorial expertise. Screen Interiors is a much needed cross-disciplinary intervention that stakes out new ground in studies of film, television, and design. -- Catherine Whalen, Associate Professor, American Material Culture Studies, Bard Graduate Center, USA Screen Interiors is a milestone in the literature on production design for film and television. Exploring how moving-image interiors reveal the inner lives of protagonists, the book offers multiple perspectives on a wide range of genres, countries, and time periods and investigates social themes such as gender, class, and sexuality. The book contributes insightful perspectives on popular films and their makers, while shedding light on productions and people. Equally valuable is the books concise history of production design and its historiography. -- Donald Albrecht, Independent Curator, USA

Papildus informācija

Brings together the latest in interdisciplinary research concerning interiors in film and television.
List of Figures
ix
Acknowledgments xii
Introducing Screen Interiors: From Country Houses to Cosmic Heterotopias 1(30)
Pat Kirkham
Sarah A. Lichtman
PART 1 House and Home: Comfort, Class, Gender, and Generation
1 Comfort and the Domestic Interior in Soviet Fiction Cinema of the 1920s
31(18)
Eleanor Rees
2 Furnishing I Love Lucy (1951-7)
49(24)
Marilyn Cohen
3 From the Country House Film to the House in the Country Film: Space, Class, and Generation
73(14)
Christine Geraghty
4 Space, Interiors, and 1980s Hollywood Teen Films
87(20)
Patrick O'Neill
PART 2 The Curated Home
5 Mobilizing Material Culture: Collecting and Inferiority in Luchino Visconti's Conversation Piece (1974)
107(18)
Shax Riegler
6 From Sex to Narcissism: Understanding Minimalist Interiors in New York Films of the 1970s
125(18)
Timothy M. Rohan
7 "Home furnishing takes a cue from Paris, too": The Fashion Professional at Work and Home in Postwar Hollywood Films, c. 1957-61
143(26)
Rebecca C. Tuite
PART 3 Framing Interiors and Interiorities
8 Framing Interiorities: Interiors, Objects, and Hidden Desires in Billy Wilder's The Apartment (1960)
169(18)
Imma Forino
9 Frames, Veils, and Windows: Modern Cinematic Set Design in Early Russian Films by Evgenii Bauer
187(20)
Maria Korolkova
PART 4 Screening Queerness: Class, Ambiguity, and Power
10 Interiors, Class, Perversity, and Ambiguity in The Servant (1963)
207(18)
Barry Curtis
11 In Plain View: London Commercial Interiors as Queer Spaces in Three 1960s British Films: Victim (1961), The Leather Boys (1964), and The Killing of Sister George (1968)
225(16)
Andrew Stephenson
12 Queer Interiors: Derek Jarman's Caravaggio (1986) and Edward II (1992)
241(18)
Adam Vaughan
PART 5 Horror and Homicide
13 The Horror of the Homicidal Floor: Destabilized Elements of Interior Architecture
259(22)
Alexandra Brown
Kirsty Volz
14 Designed to Destroy: Action Film Interiors and the Construction of Killscapes
281(18)
Lennart Soberon
PART 6 Living in Outer Space: Sci-Fi Interiors
15 Visions of Home: Nostalgia and Mobility, Past, Present, and Future, in Serenity's Domestic Spaceship Interior
299(20)
Sorcha O'Brien
16 Cosmic Heterotopia: Banality and Disjunction in the Interiors of Passengers (2016)
319(16)
Ersi Ioannidou
Notes on Contributors 335(4)
Index 339
Pat Kirkham is Professor of Design History at Kingston University, UK, Professor Emerita at the Bard Graduate Centre, USA, and Associate Research Fellow at the Cinema and Television Research History Centre, De Montfort University, UK.

Sarah A. Lichtman is Assistant Professor of Design History at Parsons School of Design, USA.