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Scrimshaw in Theory and Practice [Mīkstie vāki]

  • Formāts: Paperback / softback, 136 pages, height x width: 229x152 mm, weight: 64 g, 156 color & b/w images
  • Izdošanas datums: 22-Oct-2015
  • Izdevniecība: Schiffer Publishing Ltd
  • ISBN-10: 0764349678
  • ISBN-13: 9780764349676
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 32,60 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
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  • Pievienot vēlmju sarakstam
  • Formāts: Paperback / softback, 136 pages, height x width: 229x152 mm, weight: 64 g, 156 color & b/w images
  • Izdošanas datums: 22-Oct-2015
  • Izdevniecība: Schiffer Publishing Ltd
  • ISBN-10: 0764349678
  • ISBN-13: 9780764349676
Citas grāmatas par šo tēmu:
Scrimshaw is the art of the Eskimos and whalers. They began by carving fine lines into walrus ivory and bones, which developed into complex images. Today, scrimshaw is a recognized art form that inspires collectors all over the world especially in Europe and the United States. Richard "Ritchi" Maier is one of the best "scrimshanders" internationally. In this volume, this skilled engraver explains the history and technique of scrimshaw engraving. Most of the book is a practical guide for those who want to try their hand at this artwork. The author provides tips on materials, equipment, and tools, and describes every step in detail, allowing the reader to share in his broad experience. Many photographs and illustrations detail techniques, procedures, and finished pieces. It is a perfect guidebook for anyone entering the wonderful world of scrimshaw.
A Few Introductory Sentences 6(2)
1 History
8(18)
1.1 Stone Age Origins
8(2)
1.2 The Art of the Eskimo
10(8)
1.3 Scrimshaw among the Whalers
18(4)
1.4 Scrimshaw Today
22(4)
2 Basic Materials
26(14)
2.1 Fossilized Mammoth Ivory
26(2)
2.2 Elephant Ivory
28(1)
2.3 Hippopotamus Ivory
28(2)
2.4 Whale Tooth
30(1)
2.5 Fossilized Walrus Tusk
30(1)
2.6 Sambar Antler
31(1)
2.7 Moose Antler
32(1)
2.8 Reindeer Antler
33(1)
2.9 Cattle Horn
34(1)
2.10 Buffalo Horn
35(1)
2.11 Cattle Bone
36(1)
2.12 Camel Bone
36(1)
2.13 Micarta
37(1)
2.14 Bakelite
37(1)
2.15 Oosik
38(1)
2.16 Other Materials
39(1)
3 Tools and Working Materials
40(26)
3.1 Primers
40(4)
3.1.1 Priming with Opaque White
40(2)
3.1.2 Priming with Plasticine
42(2)
3.2 Pencils
44(1)
3.3 Transfer Materials
44(1)
3.3.1 Tracing Paper
44(1)
3.3.2 Blueprint Paper
44(1)
3.4 Needles
45(1)
3.5 Gravers
46(5)
3.6 Steel Punch and Engraving Hammer
51(1)
3.7 Magnifiers and Microscopes
52(2)
3.8 Lamps and Lighting
54(1)
3.9 Sanding
54(1)
3.10 Polishing
55(3)
3.11 Clamping Tools
58(2)
3.12 Coloring
60(6)
3.12.1 Calligraphy Ink
61(1)
3.12.2 China Ink
61(1)
3.12.3 Litho Ink
62(1)
3.12.4 India Ink
62(1)
3.12.5 Shellac Ink
62(1)
3.12.6 Airbrush Pigments
62(1)
3.12.7 Lino Printing Ink
63(1)
3.12.8 Acrylic Pigment
64(1)
3.12.9 Oil Pigments
64(1)
3.12.10 Printing Ink
65(1)
4 Working Techniques
66(46)
4.1 Selecting the Right Subject
66(2)
4.2 Preparing a Design
68(1)
4.3 Testing the Material
69(1)
4.4 Tracing and Transferring Your Subject
70(4)
4.4.1 Stippling Method
70(1)
4.4.2 Stencil Method
71(3)
4.5 Tracing
74(4)
4.6 Engraving the Contours
78(5)
4.7 Applying the Pigment
83(3)
4.8 Mapping Out the Border Lines
86(13)
4.9 Surface Area Techniques
99(9)
4.9.1 Stippling Technique
99(1)
4.9.2 Line Technique
100(2)
4.9.3 Cross-hatch Technique
102(2)
4.9.4 Punch Technique
104(1)
4.9.5 Mezzotint
104(2)
4.9.6 Combining Techniques
106(2)
4.10 Brightening Up the Engraving
108(1)
4.11 Creating Transitions
108(4)
5 On Collecting Scrimshaw
112(4)
6 Concluding Remarks
116(2)
7 Gallery
118(18)
8 Appendix
136
Austrian Richard Maier learned engraving at the famous school in Ferlach and is one of the most sought-after international engravers for high-quality hunting weapons. He has a long association with knife maker Egon Trompeter.