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E-grāmata: Scripting Reading Motions

(University of Coimbra)
  • Formāts: EPUB+DRM
  • Sērija : Scripting Reading Motions
  • Izdošanas datums: 13-Sep-2013
  • Izdevniecība: MIT Press
  • Valoda: eng
  • ISBN-13: 9780262317368
  • Formāts - EPUB+DRM
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  • Formāts: EPUB+DRM
  • Sērija : Scripting Reading Motions
  • Izdošanas datums: 13-Sep-2013
  • Izdevniecība: MIT Press
  • Valoda: eng
  • ISBN-13: 9780262317368

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In Scripting Reading Motions, Manuel Portela explores theexpressive use of book forms and programmable media in experimental works of both print andelectronic literature and finds a self-conscious play with the dynamics of reading and writing.Portela examines a series of print and digital works by Johanna Drucker, Mark Z. Danielewski, RuiTorres, Jim Andrews, and others, for the insights they yield about the semiotic and interpretiveactions through which readers produce meaning when interacting with codes. Analyzing these works asembodiments and simulations of the motions of reading, Portela pays particular attention to the waysin which awareness of eye movements and haptic interactions in both print and electronic media feedsback onto the material and semantic layers of the works. These feedbacks, he argues, sustainself-reflexive loops that link the body of the reader to the embodied work. Readers' haptic actionsand eye movements coinstantiate the object that they are reading.

Porteladiscusses typographic and graphic marks as choreographic notations for reading movements; examinesdigital recreations of experimental print literary artifacts; considers reading motions in kineticand generated texts; analyzes the relationship of bibliographic, linguistic, and narrative coding inDanielewski's novel-poem, Only Revolutions; and describes emergent meanings ininteractive textual instruments. The expressive use of print and programmable media, Portela shows,offers a powerful model of the semiotic, interpretive, and affective operations embodied in readingprocesses.

Acknowledgments vii
It Reads, It Writes: An Introduction 1(14)
1.1 First Scene of Reading
2(3)
1.2 Second Scene of Reading
5(5)
1.3 Reading the Writing of Reading
10(5)
1 The Codex and the Computer as Self-Reflexive Machines
15(64)
1.1 Seeing Reading
15(8)
1.2 Moving Eyes
23(14)
1.3 Reading Hands
37(6)
1.4 Assembling Pages
43(9)
1.5 Embodying Books
52(14)
1.6 Performing Codes
66(7)
1.7 Charting Fields
73(6)
2 Codex Codes: Mapping a Choreography of Reading
79(34)
2.1 Writing the Type
79(6)
2.2 Fleshing the Word
85(4)
2.3 Bibliographic Codes
89(5)
2.4 Recoding Bookness
94(3)
2.5 Translating the Codex
97(3)
2.6 Remediating the Codex
100(7)
2.7 Mapping the Codex
107(6)
3 Digital Transcreations: Transcoding a Poetics of Reading
113(54)
3.1 The Poem Is the Medium
113(4)
3.2 Topographies of Reading
117(18)
3.3 Performing Inscriptions
135(7)
3.4 Language Machine
142(8)
3.5 Galaxies of Signifiers
150(8)
3.6 Kinetic Translations
158(3)
3.7 Reflexive Remediations
161(6)
4 Moving the Mind: The Motion of Signifiers
167(66)
4.1 Poetic Engines
167(10)
4.2 Machine Texts
177(16)
4.3 Self-Assembled Databases
193(7)
4.4 Semiotic Gaps
200(8)
4.5 Immersive Spaces
208(3)
4.6 Procedural Signs
211(4)
4.7 The Play of Reading
215(18)
5 Loving the World: The Codex as Computer
233(58)
5.1 Infinity Is Round
233(4)
5.2 The Book Is Round
237(7)
5.3 Typography Is Round
244(10)
5.4 Language Is Round
254(5)
5.5 The World Is Round
259(10)
5.6 Love Is Round
269(9)
5.7 Writing Is Round
278(5)
5.8 Reading Is Round
283(8)
6 Mouse-Over Events: Meaning Emerges
291(42)
6.1 Working Codes
291(2)
6.2 Playing Poems
293(4)
6.3 Integrating Channels
297(10)
6.4 Permutating Cut-Ups
307(5)
6.5 Programming Interactions
312(6)
6.6 Visualizing Meanings
318(12)
6.7 Entangled Poetics
330(3)
7 Scripting the Act of Reading
333(34)
7.1 Inside Out
333(5)
7.2 Outside In
338(9)
7.3 Unwriting
347(14)
7.4 Unreading
361(6)
Notes 367(12)
References 379(22)
Index 401