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Scriptwriting 2.0: Writing for the Digital Age [Mīkstie vāki]

3.50/5 (4 ratings by Goodreads)
(San Francisco State University, USA)
  • Formāts: Paperback / softback, 192 pages, height x width: 229x152 mm, weight: 249 g
  • Izdošanas datums: 01-Dec-2012
  • Izdevniecība: Holcomb Hathaway, Incorporated
  • ISBN-10: 1934432423
  • ISBN-13: 9781934432426
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 85,92 €
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Scriptwriting 2.0: Writing for the Digital AgePalielināt
  • Formāts: Paperback / softback, 192 pages, height x width: 229x152 mm, weight: 249 g
  • Izdošanas datums: 01-Dec-2012
  • Izdevniecība: Holcomb Hathaway, Incorporated
  • ISBN-10: 1934432423
  • ISBN-13: 9781934432426
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781934432426.html
Keywords:
Drennan (television scriptwriting, San Francisco State U.) and web series creators Yuri and Vlad Baranovsky introduce students and others to writing and developing online series with both short and long-form episodes, as well as standalone pieces. They cover generating ideas, designing characters, the story world, episodic story structure, dialogue, revising, formats, production, promotion, and copyright. A sample script and discussion of shows are provided. Annotation ©2013 Book News, Inc., Portland, OR (booknews.com)
Preface vii
Acknowledgments ix
1 Introduction: Writing for Online Series
1(8)
Getting Started
3(1)
Design Concept and Production Parameters
4(1)
About the Authors
5(2)
Accessing the Web Series We Talk About
7(2)
2 What's Your Show About?
9(28)
The Idea Phase
9(9)
Generating ideas
10(1)
Going beyond listing scenarios
10(1)
Crafting a premise
10(2)
Box: Why you should not focus on your friends
12(1)
The central question
13(5)
Designing Your Characters
18(9)
The main character
18(4)
Secondary characters
22(3)
Antagonists: Tormentor, Threat, Rival
25(2)
The Story World
27(10)
Pacing the explanation
27(5)
Setting boundaries
32(2)
Box: Co-authors Yuri and Vlad on creating a story world
34(3)
3 Episodic Story Structure
37(14)
The Setup
38(2)
Rising Action
40(9)
Obstacles and conflict
41(3)
Escalating tension
44(2)
Box: Dramatic arcs within dramatic arcs
46(3)
Resolution
49(2)
4 Dialogue
51(12)
What is The "Job" of the Dialogue?
52(3)
Nothing extra
53(1)
Subtext
54(1)
Foreshadowing
54(1)
Exposition and backstory
55(1)
Is It a Comedy or a Drama?
55(2)
Comedic Dialogue Techniques
57(3)
The call-back joke
57(1)
Playing the opposite
58(1)
Double entendre
58(1)
Absurdism
59(1)
Mumblecore
59(1)
Comedic and Dramatic Styles: What's Yours?
60(3)
5 Revising and Polishing
63(12)
Checking Your Structure
64(2)
Does the setup open with a bang?
64(1)
Does Act I feel like a story?
64(1)
Does Act II drive the story forward?
65(1)
Does Act III pay off?
65(1)
Checking Your Characters
66(1)
Checking the Economy of the Writing
67(1)
Getting Feedback
68(7)
The workshop
69(1)
The staged reading
70(1)
The table reading
71(1)
Sifting through the critiques
72(1)
Working with bosses
73(2)
6 Episode 2 and Beyond
75(12)
Serialized vs. Standalone
76(4)
The standalone approach
76(1)
The serialized approach
77(2)
Recurring themes and characters
79(1)
Three-Act Structure for a Serialized Show
80(4)
The setup
80(1)
Rising action
81(1)
Resolution
82(1)
Looking ahead
83(1)
Secondary Story Arcs
84(3)
7 Format
87(14)
Headings
88(3)
Action
91(6)
Capitalization
91(1)
Camera directions
92(2)
Style
94(3)
Dialogue
97(3)
Transitions
100(1)
8 Copyright
101(12)
What is Copyright?
102(1)
What are My Rights?
103(2)
Who Owns the Copyright?
105(2)
Protecting Your Copyright
107(1)
Using Copyrighted Works and Copyright Infringement
108(2)
Copyleft and Creative Commons
110(3)
9 Production
113(16)
Pre-Production
114(11)
The must-have crew
114(2)
Other essential crew
116(1)
The dream crew
117(3)
The cast
120(2)
Equipment
122(1)
Planning the shoot
122(3)
Production
125(2)
Everything will go wrong---and that's okay
125(1)
Don't panic
125(1)
Be a team
126(1)
Be good
126(1)
Feed everyone
126(1)
Have fun
127(1)
Post-Production (Editing)
127(2)
10 Reaching and Engaging Your Audience
129(20)
Creating an Online Home
130(6)
Video sharing websites
130(2)
Dedicated websites
132(1)
Box: Co-authors Yuri and Vlad on finding the wrong audience
133(1)
Social networking sites
134(1)
Choosing the site
134(2)
Creating a Brand
136(2)
Growing Your Audience
138(5)
Social network expansion
139(1)
Syndication
140(1)
Getting featured
141(1)
Conferences, lectures and community events
142(1)
Maintaining Your Community
143(5)
Extra video content
144(1)
Minisodes
144(1)
Conversations
145(1)
Other in-world clips and shorts
145(1)
Staying in touch with your audience
146(2)
In Closing
148(1)
Appendix: Sample Script 149(30)
Index 179
Drennan, Marie