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Seeing Depression Through A Cultural Lens [Hardback]

(independent scholar and writer, Boston), (Professor of Psychiatry, Harvard Medical School)
  • Formāts: Hardback, 848 pages, height x width x depth: 239x164x48 mm, weight: 1270 g
  • Izdošanas datums: 01-Aug-2025
  • Izdevniecība: Oxford University Press Inc
  • ISBN-10: 0190850078
  • ISBN-13: 9780190850074
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  • Hardback
  • Cena: 105,04 €
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  • Formāts: Hardback, 848 pages, height x width x depth: 239x164x48 mm, weight: 1270 g
  • Izdošanas datums: 01-Aug-2025
  • Izdevniecība: Oxford University Press Inc
  • ISBN-10: 0190850078
  • ISBN-13: 9780190850074
Citas grāmatas par šo tēmu:
"Like a photographic portrait, a picture of a person's depression shows a face, connected to a body, framed by a background, and set within a foreground. As a person might have a prominent forehead, a dimple in her chin, or a few missing teeth, an individual's syndrome of clinical depression strongly expresses some characteristic symptoms and expresses others weakly or not at all. In the background are many transpersonal features that influence mood and its somatic and behavioral expressions, including cultural norms and social determinants of health. In the foreground are individual circumstances that caused or contributed to the person's illness, and ones that currently offer hope or worsen despair. Depending on the photographer and when the photo was taken, background and foreground are complex or minimal, blurred or in focus. Lighting might accentuate or attenuate specific facial features - as diagnostic criteria for Major Depressive Disorder count some symptoms of clinical depression and exclude others. The entire body might be visible or just the head - as general health issues, nutritional state and biomarkers are variably included in a case history"--

Seeing Depression Through a Cultural Lens, the collaborative work of a clinical neuroscientist and a scholar of comparative culture, examines the effects of cultural identity on the epidemiology, phenomenology, and narratives of depression, the bipolar spectrum, and suicide. Culture is associated with emotional communication style, 'idioms of distress,' the conception of depression and of bipolar disorders, and how people with mood disorders might be stigmatized. It is linked to structural factors--environmental, social, and economic circumstances--that create or mitigate the risk of depression, sometimes precipitate episodes of illness, and facilitate or impede treatment. Culture shapes depressed people's willingness to disclose or acknowledge their condition and to seek care, their relationships with clinicians, and their acceptance or rejection of specific treatments. Cultural context is essential to understanding suicide. It underlies people's motives for suicide, factors
that promote or prevent suicide, the social acceptability of death by suicide, and availability of lethal means of self-harm.

Cultural identity is always intersectional, comprising elements related to race and ethnicity; gender; age, generation, and life stage; education; social class; occupation; migrant or minority status; region of residence; and religious belief and practice. This book explores the implications of each of these dimensions using salient concepts from the social sciences, memorable narratives from literature, film, and the clinic, and quantitative findings from epidemiology and psychometrics. It offers readers a framework for culturally aware assessment and management of depression, bipolarity, and suicidal risk in diverse individuals and populations.

Preface

Part One: Constructing the Cultural Lens
Chapter 1: Picturing Depression: Faces, Backgrounds and Foregrounds
Chapter 2: Faces of Clinical Depression
Chapter 3: Beyond Shades of Gray: Depression and the Bipolar Spectrum
Chapter 4: Dimensions and Implications of Cultural Identity
Chapter 5: Cultural Identity and Personal Biography
Chapter 6: Unnatural Deaths
Chapter 7: Depression and Social Class: A Four-Dimensional View
Chapter 8: Cultural Correlates and Clinical Consequences
Chapter 9: Ancient Wisdom Meets Modern Science: Depression in Traditional Medicine

Part Two: Depression and the Cultures of Places
Chapter 10: China: Confucian Harmony and Dissonance
Chapter 11: Japan: Invisible Double-Edged Swords
Chapter 12: South Korea: Han and Passionate Intensity
Chapter 13: Depression in the "World's Happiest Countries"
Chapter 14: American Regional Cultures and the Geography of Mood

Part Three: Depression and the Cultures of Occupations
Chapter 15: The Dark Side of Creative Talent
Chapter 16: Physicians in Pain: Depression in the Medical Profession
Chapter 17: Flying High, Feeling Low: The Mental Health of Airline Pilots
Chapter 18: Truck Driving Blues

Afterword

Acknowledgments
Barry S. Fogel is an academic psychiatrist and neurologist, Professor of Psychiatry at Harvard Medical School, and a physician at the Brigham and Women's Hospital Center for Brain/Mind Medicine. He has devoted his career to the study and improvement of care at the interface of psychiatry, neurology, and general medicine. His current academic focus is relating transpersonal identity to the presentation, outcomes, and optimal treatment of patients with psychiatric, neurological, and general medical comorbidity.

Xiaoling Jiang is a scholar of comparative literature and culture. She received her higher education in China, Japan, and the United States. She served on the faculties of Kobe University and Harvard University, and was on the editorial board of Culture Studies, China's leading journal of comparative culture. Her current academic focus is the mental health of Asian college students in English-speaking countries and its relationship to issues of cultural identity and cultural conflict.