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Sensemaking for Writing Programs and Writing Centers [Mīkstie vāki]

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  • Formāts: Paperback / softback, 230 pages, height x width x depth: 229x152x15 mm, weight: 340 g
  • Izdošanas datums: 15-Jun-2023
  • Izdevniecība: University Press of Colorado
  • ISBN-10: 1646424352
  • ISBN-13: 9781646424351
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  • Cena: 32,54 €
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  • Formāts: Paperback / softback, 230 pages, height x width x depth: 229x152x15 mm, weight: 340 g
  • Izdošanas datums: 15-Jun-2023
  • Izdevniecība: University Press of Colorado
  • ISBN-10: 1646424352
  • ISBN-13: 9781646424351
Citas grāmatas par šo tēmu:
In this collection writing program and writing center administrators from a range of academic institutions come together to explore their work through the lens of sensemaking. Sensemaking is an organizational theory concept that enables institutions, supervisors, teachers, tutors, and others to better understand the work they do by using narrative, metaphor, and other theoretical lenses.
 
The book is divided into two sections: Sensemaking with Tutors and Teachers, and Sensemaking and Institutional Structures. Chapter authors employ several theoretical approaches to sensemaking, ranging from individual experience to institutional history to document design, providing readers with ideas for how to administer and teach within their programs more effectively; how to advocate for their programs within larger university contexts; and how to positively influence the lives and careers of those they work with.
 
Sensemaking for Writing Programs and Writing Centers theorizes daily experiences from working lives and suggests problem-solving strategies. Writing program administrators, writing department chairs, and writing center directors, tutors, and staff will find value in its pages.

In this collection writing program and writing center administrators from a range of academic institutions come together to explore their work through the lens of sensemaking.

Recenzijas

This book adds a new layer and a new lens to the large body of scholarship focused on establishing the values, mission, and work of the writing center. By exploring it through the lens of sensemaking we can gain a better understanding of the writing center, establish better writing center policy and administration, and better serve our stakeholders while maintaining our own unique space in writing studies. Bernice Olivas, Salt Lake City Community College  

Introduction 3(8)
Rita Malenczyk
PART I SENSEMAKING WITH TUTORS AND TEACHERS
1 The Medachtic Tutor: Jewish Discourse, Metaphor, and Undergraduate Tutors' Sensemaking of Writing Center Work
11(12)
Andrea Rosso Efihymiou
2 Beyond the Anecdote: TA Sensemaking as Writing Program Underlife
23(19)
Courtney Adams Wooten
3 Celebrating Sensemaking Cultures in the Writing Center: Scaffolding Transparent Communication between Tutors and Directors
42(20)
Jeanne R. Smith
Shannon McKeehen
Barbara George
Yvonne R. Lee
4 Tutor-to-Tutor: Attending to the Operations of Race and Privilege among Writing Center Staff Members
62(23)
Alba Newmann Holmes
5 Making Sense of How Things Feel: Attending to Emotional Experiences in Writing Programs
85(24)
Bronwyn T. Williams
PART II SENSEMAKINC AND INSTITUTIONAL STRUCTURES
6 New Writing Center Ecologies: Challenging Inherited Sensemaking in the Center
109(18)
Genie Nicole Giaimo
Joseph Cheatle
7 Stories to Support and Sustain a Program: Connections among the Library, WID, and the Writing Center
127(14)
Susanmarie Harrington
Sue Dinitz
8 Cascading Texts and Cat's Cradles: An Institutional Ethnographic Approach to Understanding the Textual Production of Unionized Labor
141(17)
Melissa Nicolas
9 Distributed Leadership for WPAs: Making Sense of Leadership Methods
158(23)
Christy I. Wenger
10 Sensemaking as Antiracist Writing Program Administration: Reappropriating Activity and Actor-Network Theory
181(24)
Brian Hendrickson
Afterword: A 2X2 Review of Sensemaking for Writing Programs and Writing Centers 205(6)
Karen Keaton Jackson
Index 211(8)
About the Authors 219
Rita Malenczyk is professor of English and director of the Writing Program and Writing Center at Eastern Connecticut State University. She is editor of A Rhetoric for Writing Program Administrators, now in its second edition; coeditor of Composition, Rhetoric, and Disciplinarity; and a past president of the Council of Writing Program Administrators.