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Senses and Sensation: Vol 4: Art and Design [Mīkstie vāki]

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  • Formāts: Paperback / softback, 436 pages, height x width: 234x156 mm, weight: 612 g
  • Izdošanas datums: 31-Mar-2021
  • Izdevniecība: Routledge
  • ISBN-10: 0367716720
  • ISBN-13: 9780367716721
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  • Formāts: Paperback / softback, 436 pages, height x width: 234x156 mm, weight: 612 g
  • Izdošanas datums: 31-Mar-2021
  • Izdevniecība: Routledge
  • ISBN-10: 0367716720
  • ISBN-13: 9780367716721
Citas grāmatas par šo tēmu:
Senses and Sensation: Critical and Primary Sources offers a comprehensive collection of key writings essential to anyone wishing to gain a critical understanding of sensory studies. The four volumes include 101 essays from leading scholars in the humanities, social sciences, arts and design, biology, psychology and the neurosciences.

Senses and Sensation: Critical and Primary Sources offers a comprehensive collection of key writings essential to anyone wishing to gain a critical understanding of sensory studies. The four volumes include 101 essays from leading scholars in the humanities, social sciences, arts and design, biology, psychology and the neurosciences.Drawing upon historical and contemporary texts from a wide range of sources, this set is inspired by the sensory turn in the humanities, social sciences and fine arts which has challenged the monopoly that psychology formerly held over the study of senses and sensation. It also builds upon the revolution in psychology and the neurosciences which has led to an increased emphasis on the interaction and integration of the senses, in place of the one-sense-at-a-time approach.Ordered by discipline, the volumes cover geography and anthropology, history and sociology, biology, psychology and neuroscience, and art and design. Each volume is separately introduced and the essays structured into coherent sections on specific themes.
List of Figures
viii
4.0 Introduction: Sensory Art and Design
1(24)
David Howes
PART I FOUNDATIONS
25(62)
Overtures
4.1 Sensory Separation and the Founding of Art History
27(16)
Fiona Candlin
4.2 All-Consuming Images: The Marriage Between Art and Commerce
43(8)
Stuart Ewen
4.3 Twentieth Century Visual Art, Design, Music and the Senses
51(16)
Ian Heywood
Disciplines
4.4 Disciplining the Senses: Beethoven as Synaesthetic Paradigm
67(8)
Simon Shaw-Miller
4.5 Sensing Materials: Exploring the Building Blocks for Experiential Design
75(12)
Hendrick N. J. Schifferstein
Lisa Wastiels
PART II KEY DOMAINS AND CONCEPTS
87(282)
Cosmology/Ecology
4.6 Visualizing: Design, Communicative Objectivity and the Interface Since 1945
89(22)
Orit Halpern
Emplacement
4.7 Resonances: Experimental Encounters with Sound Art in the Making
111(26)
Chris Salter
4.8 Atmospheric Architecture: Elements, Processes and Practices
137(18)
Mikkel Bille
Tim Flohr Sarensen
Materiality
4.9 Stuff Matters: Glass
155(8)
Mark Miodownik
4.10 Sensuality and Shag Carpeting: A Sensory Design Review of a Postwar Floor Covering
163(4)
Chad Randl
Memory
4.11 Unofficial Memory: Intercultural Cinema, Embodiment and the Senses
167(12)
Laura U. Marks
Alterity
4.12 Remote Avant Garde: Tjanpi Desert Weavers
179(18)
Jennifer Biddle
4.13 Rasaesthetics
197(22)
Richard Schechner
Mediation
4.14 The Mediated Sensorium
219(44)
Caroline A. Jones
Movement
4.15 Sense, Meaning and Perception in Three Dance Cultures
263(14)
Cynthia Jean Cohen Bull
Affect
4.16 Sound Studies without Auditory Culture: A Critique of the Ontological Turn
277(20)
Brian Kane
Representation
4.17 The Senses in Literature, 1920--2000: From the Modernist Shock of Sensation to Postcolonial and Virtual Voices
297(18)
Ralf Hertel
4.18 Towards a Multisensory Aesthetic: Jean Giono's Non-Visual Sensorium
315(4)
Hannah Thompson
Gustation
4.19 Alimentary Art
319(16)
Mark Clintberg
Synaesthesia/Intersensoriality
4.20 Art and the Senses, 1800--1920: From the Romantics to the Futurists
335(22)
Constance Classen
4.21 Sensing Things: Merleau-Ponty, Synaesthesia and Human-centredness
357(12)
Nigel Power
PART III EXHIBITIONS
369(38)
4.22 Touch This
371(6)
Stefan Szczelkun
Bill Anting
4.23 The Urban Sensorium
377(4)
Alan Nash
Michael Carroll
4.24 Mediations of Sensation: Designing Performative Sensory Environments
381(8)
David Howes
Chris Salter
4.25 A Feast for the Senses at The Walters Art Museum (Exhibition Project Narrative)
389(18)
Martina Bagnoli
Appendix of sources 407(4)
Index 411
David Howes is Professor of Anthropology and Director of the Centre for Sensory Studies, Concordia University, Montreal, Canada.