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xi | |
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`Think when we talk of horses ...' |
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1 | (9) |
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In Dialogue with Ayanna Thompson |
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10 | (9) |
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Shakespeare and the Novel: A Conversation |
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19 | (11) |
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`Music Stiff': Understanding and Reconstructing Shakespeare's Use of Musical Underscore |
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30 | (10) |
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Remembering and Forgetting in 1916: Israel Gollancz, the Shakespeare Tercentenary and the National Theatre |
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40 | (10) |
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Four Centuries of Centenaries: Stratford-upon-Avon |
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50 | (8) |
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Writing and Re-writing Shakespeare's Life: A Roundtable Discussion with Margreta de Grazia, Katherine Scheil, James Shapiro and Stanley Wells |
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58 | (9) |
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The Merchant in Venice: Re-creating Shakespeare in the Ghetto |
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67 | (12) |
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Shakespeare's The Merchant of Venice in and beyond the Ghetto |
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79 | (10) |
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What the Quills Can Tell: The Case of John Fletcher and Philip Massinger's Love's Cure |
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89 | (10) |
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What if Greg and Werstine Had Examined Early Modern Spanish Dramatic Manuscripts? |
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99 | (14) |
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Exit Manuscripts: The Archive of Theatre and the Archive of Print |
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113 | (10) |
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"Sblood!': Hamlet's Oaths and the Editing of Shakespeare's Plays |
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123 | (12) |
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Antihonorificabilitudinitatibus: Love's Labour's Lost and Unteachable Words |
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135 | (11) |
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Shakespeare and Who? Aeschylus, Edward III and Thomas Kyd |
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146 | (12) |
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Authorial Attribution and Shakespearean Variety: Genre, Form and Chronology |
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154 | (11) |
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`My mother's maids, when they did sew and spin': Staging Sewing, Telling Tales |
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165 | (9) |
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Why Prospero Drowned His Books, and Other Catholic Folklore |
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174 | (8) |
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Why Did the English Stage Take Boys for Actresses? |
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182 | (6) |
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Acting Amiss: Towards a History of Actorly Craft and Playhouse Judgement |
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188 | (12) |
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`What imports this song?': Spontaneous Singers and Spaces of Meaning in Shakespeare |
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200 | (7) |
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Shakespeare's Depriving Particles |
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207 | (6) |
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Shakespeare's Comedy of Upright Status: Standing Bears and Fallen Humans |
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213 | (6) |
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`Worth the name of a Christian'?: The Parabolic Economy of The Two Gentlemen of Verona |
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219 | (9) |
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`Titus, unkind': Shakespeare's Revision of Virgil's Aeneas in Titus Andronicus |
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228 | (12) |
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`Cut him out in little stars': Juliet's Cute Classicism |
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240 | (9) |
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The Will of Caesar: Choice-making, the Death of the Roman Republic and the Development of Shakespearean Character |
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249 | (10) |
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`As for that light hobby-horse, my sister': Shakespearean Influences and Popular Discourses in Blurt Master Constable |
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259 | (13) |
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Messianic Ugliness in A Midsummer Night's Dream and The Winter's Tale |
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272 | (15) |
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Shakespeare Performances in England, 2016 |
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287 | (39) |
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Professional Shakespeare Productions in the British Isles, January-December 2015 |
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326 | (14) |
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The Year's Contribution to Shakespeare Studies |
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340 | (45) |
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1 Critical Studies reviewed by Charlotte Scott |
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340 | (16) |
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2 The Cambridge Guide to the Worlds of Shakespeare reviewed by Russell Jackson |
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356 | (5) |
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3 Shakespeare in Performance reviewed by Russell JACKSON |
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361 | (10) |
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4 Editions and Textual Studies reviewed by Peter Kirwan |
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371 | (14) |
| Abstracts of Articles in Shakespeare Survey 70 |
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385 | (5) |
| Shakespeare Survey 70 Index |
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390 | |
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