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xi | |
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Shakespeare in Performance -- Africa and Asia |
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Shakespeare's Transcolonial Solidarities in the Global South |
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1 | (11) |
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Shakespeare's Creolized Voices |
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12 | (6) |
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`Accents Yet Unknown': Haider and Hamlet in Kashmir |
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18 | (8) |
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The Forests of Silence: Global Shakespeare in the Philippines, the Philippines in Global Shakespeare |
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26 | (9) |
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Arab Shakespeares at the World Shakespeare Congress |
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35 | (4) |
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The Dual Tradition of Bardolatry in China |
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39 | (7) |
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A Catalyst for Theatrical Reinvention: Contemporary Travelling Companies at the Tokyo Globe Theatre |
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46 | (5) |
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Shakespeare in Performance -- The Americas |
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`Both Alike in Dignity': Havana and Mexico City Play Romeo and Juliet |
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51 | (8) |
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Cuban Improvisations: Reverse Colonization via Shakespeare |
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59 | (6) |
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Mixing Memory with Desire: Staging Hamlet Q1 |
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65 | (9) |
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Shakespeare, Race and `Other' Englishes: The Q Brothers' Othello: The Remix |
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74 | (14) |
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Shakespeare in Performance -- Europe |
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`Mingled Yarn': The Merchant of Venice East of Berlin and the Legacy of `Eastern Europe' |
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88 | (15) |
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Ariel's Groans, or, Performing Protean Gender on the Bulgarian Post-Communist Stage |
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103 | (10) |
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Dressing the History `Boys': Harry's Masks, Falstaff's Underpants |
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113 | (12) |
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Shopping for the Archives: Fashioning a Costume Collection |
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125 | (10) |
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Pastiche or Archetype? The Sam Wanamaker Playhouse and the Project of Theatrical Reconstruction |
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135 | (12) |
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Evolutionary Naturalism and Embodied Ecology in Shakespearian Performance (with a Scene from King John) |
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147 | (17) |
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Shakespeare and Other Art Forms |
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Of Dance and Disarticulation: Juliet Dead and Alive |
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164 | (11) |
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Titania's Dream: Three Choreographic Midsummer Night's Dreams of the Twentieth Century |
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175 | (11) |
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Shakespeare on Screens: Close Watching, Close Listening |
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186 | (8) |
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From Table Books to Tumblr: Recollecting the Microgenres of the Early Modern Stage in Social Media |
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194 | (15) |
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Unlearning Shakespeare Studies: Speculative Criticism and the Place of Fan Activism |
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209 | (12) |
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Titus Andronicus and Trapdoors at the Rose and Newington Butts |
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221 | (11) |
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Shakespeare's Bewitching Line |
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232 | (10) |
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At the Sign of the Angel: The Influence of Andrew Wise on Shakespeare in Print |
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242 | (13) |
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Shakespeare and Hardy: The Tragi-comic Nexus |
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255 | (12) |
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Queer Iago: A Brief History |
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267 | (9) |
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Global Shakespeare and the Censor: Adaptation, Context and Shakespeare Must Die, a Thai Film Adaptation of Macbeth |
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276 | (19) |
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Hathaway Farm: Commemorating Warwickshire Will Between the Wars |
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295 | (10) |
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Shakespeare Performances in England, 2017 |
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305 | (39) |
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Professional Shakespeare Productions in the British Isles, January--December 2016 |
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344 | (18) |
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The Year's Contribution to Shakespeare Studies |
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362 | (43) |
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1 Critical Studies reviewed |
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362 | (15) |
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2 Shakespeare in Performance reviewed |
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377 | (11) |
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3 Editions and Textual Studies reviewed |
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388 | (17) |
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| Abstracts of Articles in Shakespeare Survey 71 |
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405 | (5) |
| Index |
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410 | |
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