Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 73 is 'Shakespeare and the City'. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.
Papildus informācija
The theme for Volume 73 is 'Shakespeare and the City'.
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ix | |
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1 | (9) |
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The Stranger at the Door: Belonging in Shakespeare's Ephesus |
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10 | (11) |
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City Origins, Lost Identities and Print Errors in The Comedy of Errors |
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21 | (22) |
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The Circulation of Youthful Energy on the Early Modern London Stage: Migration, Intertheatricality and `Growing to Common Players' |
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43 | (20) |
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In Conversation with Shakespeare in Jacobean London: Social Insanity and Its Taming Schools in 1&2 Honest Whore |
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63 | (16) |
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Hearing Voices: Signal versus Urban Noise in Coriolanus and Augustine's Confessions |
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79 | (14) |
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Caesar and Lear in Hong Kong: Appropriating Shakespeare to Express the Inexpressible |
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93 | (14) |
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Before We Sleep: Macbeth and the Curtain Lecture |
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107 | (12) |
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`The Story Shall Be Changed': Antique Fables and Agency in A Midsummer Night's Dream |
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119 | (10) |
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A Lawful Magic: New Worlds of Precedent in Mabo and The Winter's Tale |
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129 | (16) |
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`Cabined, Cribbed, Confined': Advice to Actors and the Priorities of Shakespearian Scholarship |
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145 | (16) |
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`What Country, Friends, Is This?': Tim Supple's Twelfth Night Revisited |
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161 | (9) |
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Through a Glass Darkly: Sophie Okonedo's Margaret as Racial Other in The Hollow Crown: The Wars of the Roses |
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170 | (14) |
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`Who's There?': Britain's Twenty-First-Century Obsession with Celebrity Hamlet (2008--2018) Shakespeare Performances in England, 2019 |
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184 | (19) |
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203 | (20) |
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Productions Outside London |
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223 | (17) |
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Professional Shakespeare Productions in the British Isles, January-December 2018 |
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240 | (12) |
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The Year's Contributions to Shakespeare Studies |
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252 | (37) |
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1 Critical Studies reviewed by Charlotte Scott |
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252 | (14) |
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2 Shakespeare in Performance reviewed by Russell Jackson |
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266 | (11) |
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3 Editions and Textual Studies reviewed fey Peter Kirwan |
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277 | (12) |
| Abstracts of Articles in Shakespeare Survey 73 |
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289 | (3) |
| Index |
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292 | |
Emma Smith is Director of English Studies at Hertford College, Oxford. She has a broad range of Shakespearean expertise, in terms of performance, criticism and the preparation of textual editions, and has written for students, theatregoers and scholars. Her list of publications includes a performance edition of King Henry V (Cambridge, 2002). She co-edited The Cambridge Companion to English Renaissance Tragedy (Cambridge, 2010). For undergraduate readers she wrote The Cambridge Introduction to Shakespeare (Cambridge, 2007) and The Cambridge Shakespeare Guide (Cambridge, 2012). More recently she has turned her attention to the cultural history of the First Folio, and published a book with the Bodleian Library to accompany the 2016 touring exhibition; in the same year she published The Cambridge Companion to Shakespeare's First Folio (Cambridge, 2016).
