Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 75 is 'Othello'. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.
Shakespeare Survey is a yearbook of Shakespeare studies and production. The theme for Volume 75 is 'Othello'. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey.
Papildus informācija
The theme for Volume 75 is 'Othello'.
1. Understanding Iago (2009): Clientelism, Corruption, Politics Mark
Thornton Burnett;
2. Circumventing marginality: The curious case of India's
Othello screen adaptations Abhirup Mascharak;
3. Othello's Kin: Legacy,
Belonging, and The fortunes of the Moor Patricia Cahill;
4. 'More fair than
black': Othellos on British radio' Andrea Smith;
5. 'This fair paper':
Othello and the Artists' book' Agnieszka ukowska;
6. Othello: A dialogue
with the built environment Yik Ling Yong;
7. '[ A] maid called barbary:'
Othello, Moorish maidservants, and the black presence in early modern England
Iman Sheeha;
8. 'The Moor's abused by some most villainous knave, some base
notorious knave, some scurvy fellow': Legal spaces, Racial trauma, and
Othello' Lisa R. Barksdale-Shaw;
9. Ben Jonson's Sejanus and Shakespeare's
Othello: Two Plays Performed by the King's Men in c.1603 John-Mark Philo;
10.
'Lago and the clown: Disassembling the vice in Othello Nicole Sheriko;
11.
Pitying desdemona in Folio Othello: Race, Gender, and the willow song Joshua
Held;
12. 'Desdemona's honest friend' Jeremy Lopez;
13. 'Suffering scstasy:
Othello and the drama of displacement' Jennifer J. Edwards;
14. 'Othello's
sympathies: Emotion, Agency, and identification' Richard Meek;
15. 'Warning
the Stage: Shakespeare's mid-scene entrance conventions' Margaret Jane
Kidnie;
16. 'Looking for perdita in Ali Smith's summer' Bailey Sincox;
17.
'Grafted to the Moor: Anglo-Spanish dynastic marriage and miscegenated
whiteness in The winter's tale' Zainab S. Cheema;
18. 'Rhyme, History, and
Memory in A Mirror for Magistrates and Henry VI' Molly Clark;
19. 'Bad' Love
lyrics and poetic hypocrisy from Gascoigne to Benson's Shakespeare' Katherine
Mennis;
20. 'Viola's Telemachy' Robert B. Pierce;
21. 'New analogical
evidence for Cymbeline's folkloric composition in the medieval icelandic Įla
flekks saga' Jonathan Hui;
22. 'But when extremities speak': Harley
Granville-Barker, Coriolanus, the world wars and the state of exception'
Richard Ashby;
23. Shakespeare performances in England 2021: London Lois
Potter;
24. Shakespeare performances in England 2021: outside London Peter
Kirwan;
25. Professional Shakespeare productions in the British Isles,
January-December 2020 James Shaw;
26. The Year's contribution to Shakespeare
studies:
1. Critical Studies reviewed by Jane Kingsley Smith,
2. Performance
reviewed by Russell Jackson,
3. Editions and Textual Studies reviewed by Emma
Depledge.
Emma Smith is Professor of Shakespeare Studies at Hertford College, Oxford. Her work focuses on the reception of Shakespeare in print, performance, and criticism, and she has written for students, enthusiasts, theatregoers and scholars. For undergraduate readers she wrote The Cambridge Introduction to Shakespeare (Cambridge, 2007) and The Cambridge Shakespeare Guide (Cambridge, 2012). Her work on the First Folio includes The Making of the First Folio (Bodleian Library, 2016, 2nd edition forthcoming 2023) and Shakespeare's First Folio: Four Centuries of an Iconic Book (Oxford, 2016, 2nd edition forthcoming 2023). Her books This Is Shakespeare (Penguin, 2019) and Portable Magic: A History of Books and their Readers (Penguin 2022) draw on research to address a wider readership. Her current work includes editing Twelfth Night and Nashe's Summers Last Will and Testament, and working with Laurie Maguire on ideas of dramatic collaboration.
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