Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies, and of the year's major British performances. The theme for volume 63 is Shakespeare's English Histories and their Afterlives'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully-searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.
Shakespeare Survey is a yearbook of Shakespeare studies and production which has published the best international scholarship in English since 1948. The theme for volume 63 is 'Shakespeare's English Histories and their Afterlives'. The complete set of Survey volumes is also available online at: http://www.cambridge.org/online/shakespearesurvey.
Recenzijas
'The annual Shakespeare Survey continues to be an important scholarly forum.' Paul Dean, Summer Fields School, Oxford
Papildus informācija
The theme for Shakespeare Survey 63 is 'Shakespeare's English Histories and their Afterlives'.
Shakespeare the historian Christy Desmet; The decline of the chronicle
and Shakespeare's history plays Jean-Christophe Mayer; Rites of oblivion in
Shakespearian history plays Isabel Karremann; Richard II's Yorkist editors
Emma Smith; Mapping the globe: the cartographic gaze and Shakespeare's Henry
the Fourth Part 1 Ralf Hertel; Falstaff's belly: pathos, prosthetics and
performance Robert Shaughnessy; 'And is old double dead?': Nation and
nostalgia in 2 Henry IV Naomi Conn Liebler; Performing the conflated text of
Henry IV: the fortunes of Part Two James C. Bulman; Medley history: The
Famous Victories of Henry The Fifth to Henry V Janet Clare; Georgic
sovereignty in Henry V Dermot Cavanagh; The Troublesome Reign, Richard II and
the date of King John: a study in intertextuality Charles R. Forker; The
trials of Queen Katherine in Henry VIII Janette Dillon; 'Watch out for two
handed swords': double-edged poetics in Howard Barker's Henry V in Two Parts
(1971) Vanasay Khamphommala; Daunted at a woman's sight?: The use and abuse
of female presence in cycle-performances of the Histories Anna Kamaralli; The
RSC's 'glorious moment' and the making of Shakespearian history Alice Dailey;
Shakespeare as war memorial: remembrance and commemoration in the Great War
Clara Calvo; Shakespearian biography, biblical allusion, and early modern
practices of reading scripture Randall Martin; Filling in the 'wife-shaped
void': the contemporary afterlife of Anne Hathaway Katherine Scheil;
Shakespeare and Machiavelli: a caveat N. W. Bawcutt; Shame and reflection in
Montaigne and Shakespeare Lars Engle; Playing the law for lawyers:
witnessing, evidence and the law of contract in The Comedy of Errors Barbara
Kreps; Shakespeare's Narcissus: omnipresent love in Venus and Adonis John
McGee; Surface tensions: ceremony and shame in Much Ado About Nothing Alison
Findlay; 'Remember me': Shylock on the postwar German stage Sabine Schülting;
'Dangerous and rebel prince': a television adaptation of Hamlet in late
Francoist Spain Jesśs Tronch-Pérez; What Shakespeare did with the Queen's
King Leir and when Meredith Skura; Re-cognizing Leontes Arthur F. Kinney;
Shakespeare performances in England 2009 Carol Chillington Rutter;
Professional Shakespeare productions in the British Isles, JanuaryDecember
2008 James Shaw; The year's contribution to Shakespeare studies:
1. Critical
studies reviewed by Julie Sanders;
2. Shakespeare in performance reviewed by
Pascale Aebischer;
3. Editions and textual studies reviewed by Eric Rasmussen.
Peter Holland is McMeel Family Professor in Shakespeare Studies and Department Chair, Department of Film, Television, and Theater at the University of Notre Dame, Indiana.
