Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 65 is 'A Midsummer Night's Dream'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.
Shakespeare Survey is a yearbook of Shakespeare studies and production which has published the best international scholarship in English since 1948. The theme for Volume 65 is 'A Midsummer Night's Dream'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey.
Papildus informācija
The theme for Shakespeare Survey 65 is 'A Midsummer Night's Dream'.
1. 'A local habitation and a name': the origins of Shakespeare's Oberon
Laura Aydelotte;
2. 'Wrinkled deep in time': Emily and Arcite in A Midsummer
Night's Dream Helen Barr;
3. 'Enter Cęlia, the Fairy Queen, in her Night
Attire': Shakespeare and the fairies Michael Hattaway;
4. Thinking with
fairies: A Midsummer Night's Dream and the problem of belief Jesse Lander;
5.
'India' and the Golden Age in A Midsummer Night's Dream Henry Buchanan;
6.
The limits of translation in A Midsummer Night's Dream Michael Saenger;
7.
Voice, face, and fascination: the art of physiognomy in A Midsummer Night's
Dream Sibylle Baumbach;
8. A Midsummer Night's Dream in illustrated editions,
18381918 Stuart Sillars;
9. Balanchine and Titania: love and the elision of
history in A Midsummer Night's Dream Laura Levine;
10. A Midsummer Night's
Dream on radio: the Oregon Shakespeare Festival's radio series Michael P.
Jensen;
11. Benjamin Britten's dreams Russ McDonald;
12. Staging A Midsummer
Night's Dream: Peter Hall's productions, 19592010 Roger Warren;
13. A
Midsummer Night's Dream at the millennium: performance and adaptation Carol
Thomas Neely;
14. Shakesqueer, the movie: Were the World Mine and A Midsummer
Night's Dream Matt Kozusko;
15. Letter from the chalk face: directing A
Midsummer Night's Dream at the Staunton Blackfriars Jacquelyn Bessell;
16. A
Dream of campus Andrew James Hartley;
17. The plurality of Shakespeare's
Sonnets Paul Edmondson and Stanley Wells;
18. The properties of whiteness:
Renaissance Cleopatras from Jodelle to Shakespeare Pascale Aebischer;
19.
'This is the strangers' case': the utopic dissonance of Shakespeare's
contribution to Sir Thomas More Margaret Tudeau-Clayton;
20. A collaboration:
Shakespeare and Hand C in Sir Thomas More John Jowett;
21. Three's company:
alternative histories of London's theatres in the 1590s Holger Schott Syme;
22. Thomas Greene: Stratford-upon-Avon's town clerk and Shakespeare's lodger
Robert Bearman;
23. Shakespeare and the Inquisition Brian Cummings;
24. The
Cowell manuscript or the first Baconian: MS294 at the University of London K.
E. Attar;
25. The spectre of female suffrage in Shakespeare's Revelations by
Shakespeare's Spirit Todd Borlik;
26. Shakespeare, word-coining, and the OED
Charlotte Brewer;
27. Shakespeare's new words Robert N. Watson;
28. Hamlet in
Plettenberg: Carl Schmitt's Shakespeare Andreas Höfele;
29. Behind the red
curtain of Verona Beach: Baz Luhrmann's William Shakespeare's Romeo + Juliet
Toby Malone;
30. The Royal Shakespeare Company at the Swan: the first
twenty-five years Margaret Shewring;
31. Prospero behind bars Curt L.
Tofteland and Hal Cobb;
32. Shakespeare performances in England (and Wales)
2011 Carol Chillington Rutter;
33. Professional Shakespeare productions in
the British Isles, JanuaryDecember 2010 James Shaw;
34. This year's
contribution to Shakespeare studies: a. Critical studies reviewed by
Charlotte Scott; b. Shakespeare in performance reviewed by Russell Jackson;
c. Editions and textual studies reviewed by Eric Rasmussen.
Peter Holland is McMeel Family Professor in Shakespeare Studies and Department Chair, Department of Film, Television and Theater at the University of Notre Dame.
