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Shakespeare's Noise [Hardback]

  • Formāts: Hardback, 304 pages, height x width x depth: 24x16x2 mm, weight: 539 g
  • Izdošanas datums: 01-Apr-2001
  • Izdevniecība: University of Chicago Press
  • ISBN-10: 0226309886
  • ISBN-13: 9780226309880
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 106,73 €
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  • Formāts: Hardback, 304 pages, height x width x depth: 24x16x2 mm, weight: 539 g
  • Izdošanas datums: 01-Apr-2001
  • Izdevniecība: University of Chicago Press
  • ISBN-10: 0226309886
  • ISBN-13: 9780226309880
Citas grāmatas par šo tēmu:
You common cry of curs! whose breath I hate / As reek othrotten fens, whose loves I prize / As the dead carcasses of unburied men / That do corrupt my air: I banish you! (from Coriolanus)Kenneth Gross explores Shakespeares deep fascination with dangerous and disorderly forms of speaking—especially rumor, slander, insult, vituperation, and curse—and through them offers a vision of the work of words in his plays. Coriolanuss taunts or Lears curses force us to think not just about how Shakespeares characters speak, but also about how they hear, overhear, and mishear what is spoken, how rumor becomes tragic knowledge for Hamlet, or opens Othello to fantastic jealousies. Gross also shows how Shakespeares preoccupation with noisy speech echoed and transformed a broader cultural obsession with the perils of rumor, slander, and libel in Renaissance England.Elegantly written and passionately argued, Shakespeares Noise will challenge and delight anyone who loves his plays, from scholars to general readers, actors, and directors. You common cry of curs! whose breath I hate / As reek othrotten fens, whose loves I prize / As the dead carcasses of unburied men / That do corrupt my air: I banish you! (from Coriolanus)Kenneth Gross explores Shakespeares deep fascination with dangerous and disorderly forms of speaking--especially rumor, slander, insult, vituperation, and curse--and through them offers a vision of the work of words in his plays. Coriolanuss taunts or Lears curses force us to think not just about how Shakespeares characters speak, but also about how they hear, overhear, and mishear what is spoken, how rumor becomes tragic knowledge for Hamlet, or opens Othello to fantastic jealousies. Gross also shows how Shakespeares preoccupation with noisy speech echoed and transformed a broader cultural obsession with the perils of rumor, slander, and libel in Renaissance England.Elegantly written and passionately argued, Shakespeares Noise will challenge and delight anyone who loves his plays, from scholars to general readers, actors, and directors.
Acknowledgments ix
A Note on Texts xi
Introduction 1(9)
The Rumor of Hamlet
10(23)
The Book of the Slanderer
33(35)
A Disturbance of Hearing in Vienna
68(34)
Denigration and Hallucination in Othello
102(29)
War Noise
131(30)
King Lear and the Register of Curse
161(32)
Coda An Imaginary Theater 193(16)
Notes 209(66)
Index 275