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Shapes of Early English Poetry: Style, Form, History [Hardback]

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  • Formāts: Hardback, 400 pages, height x width: 234x156 mm, weight: 625 g, 5 Illustrations, color
  • Sērija : Studies in Medieval and Early Modern Culture
  • Izdošanas datums: 01-Apr-2019
  • Izdevniecība: Medieval Institute Publications
  • ISBN-10: 1580443591
  • ISBN-13: 9781580443593
  • Hardback
  • Cena: 151,60 €
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  • Formāts: Hardback, 400 pages, height x width: 234x156 mm, weight: 625 g, 5 Illustrations, color
  • Sērija : Studies in Medieval and Early Modern Culture
  • Izdošanas datums: 01-Apr-2019
  • Izdevniecība: Medieval Institute Publications
  • ISBN-10: 1580443591
  • ISBN-13: 9781580443593
Commemorating Roberta Frank's work at Yale University since 2000, scholars of early English poetry connect stylistic and formal questions of Old English poetry to historical and conceptual ones. In sections on seasons, engines, and discordance, they consider such topics as weathering time in the Wanderer, a portrait of the translator as Grendel's Mother: the postcolonial feminist polyphony of Meghan Purvis' Beowulf, the Paris Psalter and English literary history, kenning and things: towards an object-oriented skaldic poetics, and spoiled and eaten: figures of absorption in medieval English poetry. Medieval Institute Publications is at Western Michigan University. Annotation ©2019 Ringgold, Inc., Portland, OR (protoview.com)

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This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts.

The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they consider: turning an ordinary word into something strange and new, or demonstrating texture, difference, and horizontality where previous eyes had perceived only smoothness, sameness, and verticality.

Acknowledgments ix
Roberta Franks publications, 1970-present x
Introduction 1(12)
Irina Dumitrescu
Eric Weiskott
Part 1 Seasons
13(70)
Weathering Time in the Wanderer
15(22)
Mary Kate Hurley
Beowulf as Anti-Virgilian World Literature: Archaeology, Ekphrasis, and Epic
37(22)
Andrew James Johnston
A Portrait of the Translator as Grendels Mother: The Postcolonial Feminist Polyphony of Meghan Purvis's Beowulf
59(24)
Denis Ferhatovic
Part 2 Engines
83(106)
Light Verse in Anglo-Saxon England
85(22)
Emily V. Thombury
The Paris Psalter and English Literary History
107(28)
Eric Weiskott
Generative Form
135(26)
Sarah Elliott Novacich
Kennings and Things: Towards an Object-Oriented Skaldic Poetics
161(28)
Christopher Abram
Part 3 Discordance
189(72)
Lydgate's Missing "Ballade" and the Bibliographical Imaginary
191(24)
Andrew Kraebel
Spoiled and Eaten: Figures of Absorption in Medieval English Poetry
215(22)
Irina Dumitrescu
"Gehyre se oe wille": Sonic Worlds in Old Testament Poetry
237(24)
Jordan Zweck
Notes on Contributors 261(2)
Index 263