Atjaunināt sīkdatņu piekrišanu

Shirley Jackson: A Companion New edition [Mīkstie vāki]

4.14/5 (13 ratings by Goodreads)
Series edited by , Edited by
  • Formāts: Paperback / softback, 328 pages, height x width: 229x152 mm, weight: 503 g, 49 Illustrations
  • Sērija : Genre Fiction and Film Companions 7
  • Izdošanas datums: 23-Jun-2021
  • Izdevniecība: Peter Lang International Academic Publishers
  • ISBN-10: 1800790716
  • ISBN-13: 9781800790711
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 35,21 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Paperback / softback, 328 pages, height x width: 229x152 mm, weight: 503 g, 49 Illustrations
  • Sērija : Genre Fiction and Film Companions 7
  • Izdošanas datums: 23-Jun-2021
  • Izdevniecība: Peter Lang International Academic Publishers
  • ISBN-10: 1800790716
  • ISBN-13: 9781800790711
Citas grāmatas par šo tēmu:
2021 Bram Stoker Awards(R) Nominee for Superior Achievement in Non-Fiction



From the short story «The Lottery» to the masterworks The Haunting of Hill House and We Have Always Lived in the Castle, Shirley Jacksons popular, often bestselling works experimented with popular generic forms (melodrama, folktale, horror, the Gothic, and the Weird) to create a uniquely apocalyptic vision of America and its contradictions.



With a Foreword by award-winning Jackson biographer Ruth Franklin, this collection features comprehensive critical engagement with Jacksons works, including those that have received less scholarly attention. Among these are the novels The Road Through the Wall, The Birds Nest, and Hangsaman, as well as Jacksons historical study, The Witchcraft of Salem Village. Also included are essays on Jacksons darkly humorous collections Life Among the Savages and Raising Demons, on Stephen Kings «literary friendship» with Jackson, on the little-known film adaptations Lizzie (1957) and Hosszś Alkony (Long Twilight) (1997), and the first-ever extended analysis devoted to Jacksons unpublished satirical cartoon sketches.



The collections five sections focus on Jacksons style, key themes, and influence; her politics and poetics of space; her treatment of the «monstrous» mother and monstrousness of motherhood; her representations of outsiders and minorities; and moving-image adaptations of her work.

Recenzijas

«Shirley Jackson: A Companion is an enormously valuable addition to the Jackson renaissance, a collection of twenty original essays eloquently framed by editor Kristopher Woofters argument about Jacksons abiding sense of the apocalyptic. Woofter has made a point of soliciting essays on Jacksons lesser-known themes (such as race), works, and adaptations and readers will learn something new from every chapter.» (Dawn Keetley, Professor of English, Lehigh University)

Acknowledgments xiii
Foreword xv
Ruth Franklin
Introduction
Cristopher Woofter
Part I Reading Jackson: Style, Theme, Tradition 19(54)
Shirley Jackson and American Folk Horror: The Public Face of Private Demons
21(14)
Ralph Beliveau
"How the Dinner Revolves": Eating, Food, and Consumption in the Fiction of Shirley Jackson
35(12)
Michael T. Wilson
The Posthumous Style of Shirley Jackson
47(12)
Daniel T. Kasper
Raising Her Voice: Stephen King's Literary Dialogue with Shirley Jackson
59(14)
Carl H. Sederholm
Part II The Politics and Poetics of Space 73(70)
"Intrusions from the Outside World": Shirley Jackson and the Politics and Poetics of Enclosure
75(12)
Patrycja Antoszek
"No one Can Ever Find Me": Gingerbread Houses in Shirley Jackson's Fiction
87(12)
Dara Downey
The "Terrible" House as Locus of Female Power in We Have Always Lived in the Castle
99(12)
Elizabeth Mahn Nollen
"Move Your Feet, Dear. I'm Conga-ing": Drawing Circles around Domesticity in Shirley Jackson's Cartoons
111(18)
Michelle Kay Hansen
Romancing the Nostalgic Future: Prophecy, Planning, and Postwar Architecture in The Sundial
129(14)
Luke Reid
Part III Mothers and Other Monsters 143(54)
Elizabeth and Elizabeth: The Secret of the Mother's Desire in The Bird's Nest
145(14)
Wyatt Bonikowski
Living an Aporia: Notes on Shirley Jackson's Home Books and the Impossible-Possible of Motherhood
159(12)
Rebecca Million
Hangsaman: Writing the Self in Blood at the Margins
171(14)
Ibi Kaslik
Home Is Where the Heart Is(n't): The House as Mother in Jackson's House Trilogy
185(12)
Mikaela Bobiy
Part IV Outsiders and Minorities 197(36)
Erotic Envy and the Racial Other in "Flower Garden"
199(12)
Emily Banks
Wicked Creature(s): Delirium and Difference in The Witchcraft of Salem Village
211(8)
Stephanie A. Graves
"A Lady of Undeniable Gifts but Dubious Reputation": Reading Theodora in The Haunting of Hill House
219(14)
Rebecca Stone Gordon
Part V Jackson on Film and Television 233(60)
"Some Disturbing Obstruction": Lizzie from The Bird's Nest
235(16)
Will Dodson
Walking Alone Together: Adapting Shirley Jackson's The Haunting of Hill House
251(14)
Jeffrey Andrew Weinstock
Long Twilight (Hossza Alkony), Shirley Jackson, and the Eerie In-Between
265(18)
Kristopher Woofter
A Good Life?: Merricat, from Tyrant to Savior in We Have Always Lived in the Castle and Its Film Adaptation
283(10)
Erin Giannini
Afterword 293(2)
Darryl Hattenhauer
Bibliography 295(16)
Notes on Contributors 311(6)
Index 317
Kristopher Woofter teaches courses in horror, the Gothic, and the Weird tradition in literature and the moving image in the Department of English at Dawson College, Montréal, Québec. He has co-edited several collections, including American Twilight: The Cinema of Tobe Hooper (2021), Joss Whedon vs. the Horror Tradition: The Production of Genre in Buffy and Beyond (2019), and Recovering 1940s Horror Cinema: Traces of a Lost Decade (2015). He has also published essays on the series Supernatural (2020), Caitlķn R. Kiernan (2019), George A. Romero (2018), pseudo-documentary (2018), The Cabin in the Woods (2014), and the Gothic documentary (2013).