With sirens, both technological and mythical, sound studies pioneer and cultural theorist Michael Bull mashes up genre and periodization, fact and fiction, pop and classical, sound and silence, in this wonderful little book. The siren call, when rendered through the ear of sound studies, leads to the retelling of the part played by sirens in the stories of Homer, Kafka and Vonnegut and there are even bit parts for Friedrich Kittler, Nancy Sinatra and Stormy Daniels. * Trevor Pinch, Goldwin Smith Professor of Science & Technology Studies, Cornell University, USA, and co-editor of The Oxford Handbook of Sound Studies (with Karin Bijsterveld, 2012) * His book, as rich as it is concise, not only lives up to its promise of prismatic analysis but also produces reflective resonances that extend well beyond his pages. * Journal of Sonic Studies * Between the pages of this diminutive book is a grand, theoretical meditation on sound - from Homer to the present. Through a series of short, incisive chapters, Michael Bull deftly traces the outline of nothing less than a 'dialectic of ensoniment'. * Brian Kane, Associate Professor of Music, Yale University, USA, and author of Sound Unseen: Acousmatic Sound in Theory and Practice (2014) * Michael Bull takes us a seductive journey through sound. With sirens, Bull has found the perfect auditory subject to weave a fascinating tale through myth, war, revolution and gender politics which he travels via history, continents and disciplines. In Sirens, yet again, Bull shows himself as consummate master of the sonic arts. * Julian Henriques, Professor of Media, Communications and Cultural Studies, Goldsmiths, University of London, UK, and author of Sonic Bodies: Reggae Sound Systems, Performance Techniques and Ways of Knowing (2011) *
