'Arguing that as our ecophobic reactions to slime epitomize industrialized cultures' aversion to the natural world, Estok's new volume takes an intersectional, material ecofeminist, and ecocritical approach to slime, invoking perspectives from the primordial, elemental, and oceanic to the supernatural. Estok's widely-inclusive argument reveals slime's implicit associations with gender, race, class, and sexuality and offers new theoretical insights on slime and its history in horror narratives. The discussions about the responses of western cultures to slime are compelling and transdisciplinary. This is a must-read book for anyone in the Environmental Humanities.' Greta Gaard, Professor of English and Women/Gender/Sexuality Studies, University of Wisconsin, River Falls and author of Critical Ecofeminism (2017) 'Examining the secretions of our environmental imagination, Simon C. Estok engages with an element that is-as with all subsumed phenomena-always there and often overlooked. In a project that finds additional heft in this age of proliferating environmental crises, Estok's book, like its subject, seeps into the cracks of our cultural discourse, challenging conventional thinking and lending its unsettling texture to the slippery implications of environmental horror. From Coleridge to Sartre, Alien to Annihilation, Estok affirms the immediacy and consequence of the unctuous agency of slime.' Matthew Wynn Sivils, Professor of American Literature, Iowa State University 'This compact and densely packed book is full of phenomenological protein, slimy and nourishing. At once historical, scientific and philosophical/theoretical, Simon Estok has in a sense advanced our understanding of elementality as such: a category of being-environmental that precludes parsing into subject versus object, and therefore master versus slave. Slime is that rare and necessary thing, a political phenomenology.' Timothy Morton, author of Hell: In Search of a Christian Ecology 'Slime is an integral part of nature and the human body. There is no life without it, yet for most people it is an agent of transgression, disgust, and horror. Estok's slim volume on slime wonderfully succeeds in what makes for great non-fiction: by learning about its creeping subject, we understand much better both ourselves and our blind-spots in defining human relationships with the natural world. This is a necessary and-given the climate and other environmental crises-urgent book. Read it!' Susanne Wedlich, science journalist, author of A Natural History of Slime; curator of '(Bodily) Slimes,' an exhibition at the Berlin Museum of Medical History of the Charité (2025)
