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Smells and Senses of Antiquity in the Modern Imagination [Hardback]

Edited by (Sorbonne University, France), Edited by (University of Toulouse 2, France)
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"This volume tackles the role of smell, under-explored in relation to the other senses, in the modern rejection, reappraisal and idealisation of antiquity. Among the senses olfaction in particular has often been overlooked in classical reception studies due to its evanescent nature, which makes this sense difficult to apprehend in its past instantiations. And yet, the smells associated with a given figure or social group convey a rich imagery which in turn connotes specific values: perfumes, scents and foul odours both reflect and mould the ways in which a society thinks or acts. Smells also help to distinguish between male and female, citizens and strangers, and play an important role during rituals. The Smells and Senses of Antiquity in the Modern Imagination focuses on the representation of ancient smells - both enticing and repugnant - in the visual and performative arts from the late 18th century up to the 21st century. The individual contributions explore painting, sculpture, literature and film, but also museum exhibitions, advertising, television series and graphic novels, which have all played a part in reshaping modern audiences' perceptions and experiences of the antique"--

This volume tackles the role of smell, under-explored in relation to the other senses, in the modern rejection, reappraisal and idealisation of antiquity. Among the senses olfaction in particular has often been overlooked in classical reception studies due to its evanescent nature, which makes this sense difficult to apprehend in its past instantiations. And yet, the smells associated with a given figure or social group convey a rich imagery which in turn connotes specific values: perfumes, scents and foul odours both reflect and mould the ways in which a society thinks or acts. Smells also help to distinguish between male and female, citizens and strangers, and play an important role during rituals.

The Smells and Senses of Antiquity in the Modern Imagination focuses on the representation of ancient smells - both enticing and repugnant - in the visual and performative arts from the late 18th century up to the 21st century. The individual contributions explore painting, sculpture, literature and film, but also theatrical performance, museum exhibitions, advertising, television series, historical reenactment and graphic novels, which have all played a part in reshaping modern audiences' perceptions and experiences of the antique.

Papildus informācija

This volume focuses on the ways in which ancient smells and perfumes are represented in the modern visual and performing arts, from the 18th to the 21st century.
List of Illustrations
vii
List of Colour Plates
ix
Notes on Contributors x
Acknowledgements xiv
Introduction: The Fragrant and the Foul: What did Antiquity Smell Like? 1(26)
Adeline Grand-Clement
Charlotte Ribeyrol
Part I What Smell is the Sacred? The Sensoriality of Antique Rituals
1 `Unguent from a Carven Jar': Odour and Perfume in Arthur Machen's The Hill of Dreams (1907)
27(25)
Catherine Maxwell
2 Incense and Perfume for Isis: The Sensory Reconstruction of the Isiac Ritual in Pompeii in Visual Art
52(25)
Anna Guidon
Part II Gendered Smells and Bodies
3 From Gorgons to Goop: Scent Therapy and the Smell of Transformation in Antiquity and the Holistic Health Movement
77(23)
Margaret Day Eisner
4 The Smell of Marble: The Warmth and Sensuality of Twenty-first-Century Classical Bodies
100(19)
Tiphaine-Annabelle Besnard
Fabien Bievre-Perrin
Part III Sensing Otherness from Canvas to Screen
5 Sensing the Past: Sensory Stimuli in Nineteenth-Century Depictions of Roman Baths
119(19)
Giacomo Savani
6 Evoking Empathy: Smell in the Twenty-First-Century Reception of Antiquity
138(17)
Kim Beerden
Part IV Recreating the Fragrance(s) of the Past
7 Archiving the Intangible: Preserving Smells, Historic Perfumes and Other Ways of Approaching the Scented Past
155(19)
Cecilia Bembibre
8 The `Persistence' of an Ancient Perfume: The Rose of Paestum
174(19)
Giulia Corrente
9 The Fragrance of Ancient Kyphi: An Experimental Workshop
193(14)
Amandine Declercq
Part V Re-enacting the Fragrance(s) of the Past
10 `Balsama et crocum per gradus theatric fluere iussit' (HA Hadr. 19.5): The Contemporary Reception of Smells and Senses in the Roman Theatre
207(17)
Raffaella Viccei
11 Incense on the Grass: A Strongly Perfumed Libation Bearers (1999)
224(19)
Martina Treu
12 `Untarnished Experiences?' Re-enactors and Their Appraisal of Smell as Gateway into the Ancient World
243(10)
Martin Lindner
Envoi `Scratch and Sniff': Recovering and Rediscovering Roman Aromas 253(8)
Mark Bradley
Index 261
Adeline Grand-Clément is Associate Professor at the University of Toulouse 2 and a Member of the Institut Universitaire de France (2016-2021), France.

Charlotte Ribeyrol is Associate Professor at the Sorbonne in Paris and is a Member of the Institut Universitaire de France (2015-2022), France.